Author: Claudia Effenberger
Publisher: GRIN Verlag
ISBN: 3640208145
Category : Language Arts & Disciplines
Languages : en
Pages : 30
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Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Cologne (Englisches Seminar II), course: American Mysteries - Detective Fiction in the U.S., 7 entries in the bibliography, language: English, abstract: Only the one, who looks for wisdom, but does not declare to be the one who has already found it can call himself a wise man. - Especially in our present world this quote from Seneca, who lived at the beginning of the first century, is more and more proven to be true. Most of all the field of religion is affected by these words. Long time the church declared to know the absolute and unmistakable truth of our world. But today our science-stamped knowledge more and more disproves many dogmas spread by the church. Yet, religion is not the only field where this quote can be employed. Also in our daily activities and lives, people who overestimate their knowledge and capabilities normally never reach their aims. This does not always has to do with arrogance. Sometimes people simply think that what they know and do has to be right or perfect because it is what 'the mass' would think or do. But in most cases it is better to think before acting, to be different from the mass, especially to think different to achieve things, the mass would not be able to achieve. No quote would be more appropriate for Edgar Allen Poe's story The Purloined Letter, than that from Seneca.. Only the Detective Dupin, who is looking for the truth is able to find it, because he does not underestimate the gifts of his enemy. He does not think of himself to be a wise man but he thinks himself to be clever. And this is a gift which is sometimes more important than being wise. Poe constructs his hard-boiled detective story round just one very crucial object - a letter. A letter that influences the people possessing it, using it. This document can be regarded as the main actor in the story. For this reason this paper 's aim is t
Author: Claudia Effenberger
Publisher: GRIN Verlag
ISBN: 364020803X
Category : Literary Criticism
Languages : en
Pages : 28
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Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Cologne (Englisches Seminar II), course: American Mysteries - Detective Fiction in the U.S., language: English, abstract: Only the one, who looks for wisdom, but does not declare to be the one who has already found it can call himself a wise man. – Especially in our present world this quote from Seneca, who lived at the beginning of the first century, is more and more proven to be true. Most of all the field of religion is affected by these words. Long time the church declared to know the absolute and unmistakable truth of our world. But today our science-stamped knowledge more and more disproves many dogmas spread by the church. Yet, religion is not the only field where this quote can be employed. Also in our daily activities and lives, people who overestimate their knowledge and capabilities normally never reach their aims. This does not always has to do with arrogance. Sometimes people simply think that what they know and do has to be right or perfect because it is what ‘the mass’ would think or do. But in most cases it is better to think before acting, to be different from the mass, especially to think different to achieve things, the mass would not be able to achieve. No quote would be more appropriate for Edgar Allen Poe’s story The Purloined Letter, than that from Seneca.. Only the Detective Dupin, who is looking for the truth is able to find it, because he does not underestimate the gifts of his enemy. He does not think of himself to be a wise man but he thinks himself to be clever. And this is a gift which is sometimes more important than being wise. Poe constructs his hard-boiled detective story round just one very crucial object – a letter. A letter that influences the people possessing it, using it. This document can be regarded as the main actor in the story. For this reason this paper ‘s aim is to analyse the role of ‘the letter’ as it is only a sheet of paper, and at the same time more than just a sheet of paper. Its influence an significance in regard to text structure, construction of characters and course of the story will be examined. All this will be looked at with a constant connection to the philosophical and psychoanalytic theory of Jacques Derrida and Jacques Lacan. Especially Lacan’s interpretations will be discussed, as he was occupied with Poe’s story in his Seminar on ‘The Purloined Letter’. The final summary shall bundle the gained information to a logical minimum and draw some conclusions from it.
Author: Bartosz Stopel
Publisher: Routledge
ISBN: 1351376330
Category : Literary Criticism
Languages : en
Pages : 228
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From Mind to Text: Continuities and Breaks Between Cognitive, Aesthetic and Textualist Approaches to Literature explores the historical context of theory formation and of its contemporary status, including an overview of debates about theory’s role in literary studies provided both by representatives of theory itself, as well as by those who distance themselves from it.
Author: Edgar Allan Poe
Publisher: E-Kitap Projesi & Cheapest Books
ISBN: 6057861418
Category : Fiction
Languages : en
Pages : 46
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Book Description
The Purloined Letter Edgar Allan Poe The Purloined Letter" is a short story by American author Edgar Allan Poe. It is the third of his three detective stories featuring the fictional C. Auguste Dupin, the other two being "The Murders in the Rue Morgue" and "The Mystery of Marie Roget." The unnamed narrator is discussing with the famous Parisian amateur detective C. Auguste Dupin some of his most celebrated cases when they are joined by the Prefect of the Police, a man known as G-. The Prefect has a case he would like to discuss with Dupin. A letter has been stolen from the boudoir of an unnamed woman by the unscrupulous Minister D-. It is said to contain compromising information. D- was in the room, saw the letter, and switched it for a letter of no importance. He has been blackmailing his victim.
Author:
Publisher:
ISBN:
Category : Psychoanalysis
Languages : en
Pages : 202
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Author: Bastian Immanuel Wefes
Publisher: GRIN Verlag
ISBN: 3656273979
Category : Literary Criticism
Languages : en
Pages : 29
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Book Description
Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Wuppertal (Fachbereich Geistes- und Kulturwissenschaften), course: Short Stories of the American Renaissance, language: English, abstract: Looking at the representation of Edgar Allan Poe in the works of literary scholars reveals an ambivalent positioning. While some celebrate him as one of the most ingenious writers in America, if not in the world, others reject him for the fact that they consider him racist, sexist, elitist and anti-democratic. However, both sides are – in one way or the other – fascinated by Poe and his works, who has thus become one of the most discussed American authors. This paper will examine a specific part of Poe's manifold bibliography, namely a selection of short stories, and work out how names are used to establish, convey or support a certain attitude or underlying meaning. Yet the objects of investigation are not necessarily solely names of the characters, since Poe has also assigned certain names to, for instance, buildings (in The Fall of the House of Usher) or beverages (in The Cask of Amontillado), which are not less important to the respective stories than the characters' names and are therefore to be taken into consideration as well. In order to assume a certain theoretical background, this paper will start with a brief description of the general way in which Edgar Allan Poe wrote (and intended to write) literary texts in order to help to estimate which relevance should be assigned to specific details (names). A second theoretical section deals with the overall function of names in literature. What follows is the analytic part of this paper, namely the analysis of the significance of certain names in four of Poe's short stories. The analysis will start with The Fall of the House of Usher as both one of the most famous and one of the most controversially discussed of Poe's tales and deal with the way how names support the story's interpretation. The next section will deal with The Cask of Amontillado, adding special emphasis on the reliability of the narrator, based on the way in which the story is told and names are used. Thirdly, the center of attention will be Poe's The System of Doctor Tarr and Professor Fether and, accordingly, political references which are conveyed by the use of names. Finally, The Mystery of Marie Rogêt is analyzed as an example of a story which was written after real events. Here, it is especially rather the question for the reasons of the renaming than the question for the origin of the respective name (which in this case is not only obvious, but also explained in the story itself. (...)
Author: Philippe Lacoue-Labarthe
Publisher: SUNY Press
ISBN: 9780791409626
Category : Philosophy
Languages : en
Pages : 192
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Book Description
This book is a close reading of Jacques Lacans seminal essay, The Agency of the Letter in the Unconscious or Reason Since Freud, selected for the particular light it casts on Lacans complex relation to linguistics, psychoanalysis, and philosophy. It clarifies the way Lacan renews or transforms the psychoanalytic field, through his diversion of Saussures theory of the sign, his radicalization of Freuds fundamental concepts, and his subversion of dominant philosophical values. The authors argue, however, that Lacans discourse is marked by a deep ambiguity: while he invents a new language, he nonetheless maintains the traditional metaphysical motifs of systemacity, foundation, and truth.
Author: Hans Bungert
Publisher:
ISBN:
Category : Short stories, American
Languages : de
Pages : 460
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Author: Ryan Trimm
Publisher: Routledge
ISBN: 1351754319
Category : Literary Criticism
Languages : en
Pages : 567
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Book Description
Bringing together heritage studies and literary studies, this book examines heritage as a ubiquitous trope in contemporary Britain, a seemingly inescapable figure for relations to the past. Inheritance has been an important metaphor for characterizing cultural and political traditions since the 1970s, but one criticized for its conservatism and apparent disinheritance of "new" Britons. Engaging with contemporary literary and cinematic texts, the book interrogates metaphoric resonances: that bestowing past, receiving present, and transmitted bounty are all singular and unified; that transmission between past and present is smooth, despite heritage depending on death; that the past enjoins the present to conserve its legacy into the future. However, heritage offers an alternative to modern market-driven relations, transactions stressing connection only through a momentary exchange, for bequest resembles gift-giving and connects past to present. Consequently, heritage contains competing impulses, subtexts largely unexplored given the trope’s lapse into cliché. The volume charts how these resonances developed, as well as charting more contemporary aspects of heritage: as postmodern image, tourist industry, historic environment, and metaculture. These dimensions develop the trope, moving it from singular focus on continuity with the past to one more oriented around different lines of relation between past, present, and future. Heritage as a trope is explored through a wide range of texts: core accounts of political theory (Locke and Burke); seminal documents within historic conservation; phenomenology and poststructuralism; film and television (Merchant-Ivory, Downton Abbey); and a broad range of contemporary fiction from novelists including Zadie Smith, Julian Barnes, Hilary Mantel, Sarah Waters, Alan Hollinghurst, Peter Ackroyd, and Helen Oyeyemi.
Author: Joseph Kosuth
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages : 144
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