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Author: Dina Khapaeva
Publisher: BRILL
ISBN: 9004222758
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
An analysis of the novels of Maturin, Gogol, Dostoevsky, Mann, Lovecraft and Pelevin through the prism of their interest in investigating the nature of the nightmare reveals the unstudied features of the nightmare as a mental state and traces the mosaic of coincidences leading from literary experiments to today’s culture of nightmare consumption.
Author: Dina Khapaeva
Publisher: BRILL
ISBN: 9004222758
Category : Literary Criticism
Languages : en
Pages : 274
Get Book Here
Book Description
An analysis of the novels of Maturin, Gogol, Dostoevsky, Mann, Lovecraft and Pelevin through the prism of their interest in investigating the nature of the nightmare reveals the unstudied features of the nightmare as a mental state and traces the mosaic of coincidences leading from literary experiments to today’s culture of nightmare consumption.
Author: Dina Khapaeva
Publisher: BRILL
ISBN: 9004233229
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
What is a nightmare as a psychological experience, a literary experiment and a cultural project? Why has experiencing a nightmare under the guise of reading a novel, watching a film or playing a video game become a persistent requirement of contemporary mass culture? By answering these questions, which have not been addressed by literary criticism and cultural studies, we can interpret anew the texts of classic authors. Charles Maturin, Nikolai Gogol, Fyodor Dostoevsky, Thomas Mann, Howard Philips Lovecraft and Victor Pelevin carry out bold experiments on their heroes and readers as they seek to investigate the nature of nightmare in their works. This book examines their prose to reveal the unstudied features of the nightmare as a mental state and traces the mosaic of coincidences leading from literary experiments to today’s culture of nightmare consumption.
Author: Dina Khapaeva
Publisher: University of Michigan Press
ISBN: 0472130269
Category : History
Languages : en
Pages : 265
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Book Description
Popular culture has reimagined death as entertainment and monsters as heroes, reflecting a profound contempt for the human race
Author: Carol Margaret Davison
Publisher: Manchester University Press
ISBN: 1526160617
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
Gothic dreams and nightmares is an edited collection on the compelling yet under-theorised subject of Gothic dreams and nightmares ranging across more than two centuries of literature, the visual arts, and twentieth- and twenty-first century visual media. Written by an international group of experts, including leading and lesser-known scholars, it considers its subject in various national, cultural, and socio-historical contexts, engaging with questions of philosophy, morality, rationality, consciousness, and creativity.
Author: Matti Savolainen
Publisher: Routledge
ISBN: 1317126041
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
In demonstrating the global reach of Gothic literatures, this collection takes up the influence of the Gothic mode in literatures that may be geographically remote from one another but still share related issues of minor languages, nation building, place and race. Suggesting that there is a parallel between certain motifs and themes found in the Gothic of the North (Scandinavia, Northern Europe and Canada) and South (Australia, South Africa and the US South), the essays explore the transgressions and confusion of borders and limits, whether they be linguistic, literary, generic, class-based, gendered or sexual. The volume includes essays on a wide diversity of authors and topics: Jan Potocki, Gustav Meyrink, William Godwin, Alan Hollinghurst, Marlene van Niekerk, John Richardson, antislavery discourse and the Gothic imagination, the Australian aboriginal Gothic, vampires of Post-Soviet Gothic society, Danish, Swedish and Finnish fiction and film, and the Canadian female Gothic and the death drive. What distinguishes this book from other collections on the Gothic is the coverage of themes and literatures that are either lacking in the mainstream research on the Gothic or are referred to only briefly in other book-length studies. Experts in the Gothic and those new to the field will appreciate the book's commitment to situating Gothic sensibilities in an international context.
Author: Mark Bassin
Publisher: Cambridge University Press
ISBN: 1107378680
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
Since the Soviet Union collapsed in 1991, questions of identity have dominated the culture not only of Russia, but of all the countries of the former Soviet bloc. This timely collection examines the ways in which cultural activities such as fiction, TV, cinema, architecture and exhibitions have addressed these questions and also describes other cultural flashpoints, from attitudes to language to the use of passports. It discusses definitions of political and cultural nationalism, as well as the myths, institutions and practices that moulded and expressed national identity. From post-Soviet recollections of food shortages to the attempts by officials to control popular religion, it analyses a variety of unexpected and compelling topics to offer fresh insights about this key area of world culture. Illustrated with numerous photographs, it presents the results of recent research in an accessible and lively way.
![Horror Literature through History [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/GanOEAAAQBAJ?fife=w80-h100)
Author: Matt Cardin
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 1004
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Book Description
This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right. Through profiles of major authors, critical analyses of important works, and overview essays focused on horror during particular periods as well as on related issues such as religion, apocalypticism, social criticism, and gender, readers will discover the fascinating early roots and evolution of horror writings as well as the reciprocal influence of horror literature and horror cinema. This unique two-volume reference set provides wide coverage that is current and compelling to modern readers—who are of course also eager consumers of entertainment. In the first section, overview essays on horror during different historical periods situate works of horror literature within the social, cultural, historical, and intellectual currents of their respective eras, creating a seamless narrative of the genre's evolution from ancient times to the present. The second section demonstrates how otherwise unrelated works of horror have influenced each other, how horror subgenres have evolved, and how a broad range of topics within horror—such as ghosts, vampires, religion, and gender roles—have been handled across time. The set also provides alphabetically arranged reference entries on authors, works, and specialized topics that enable readers to zero in on information and concepts presented in the other sections.
Author: Dina Khapaeva
Publisher: Emerald Group Publishing
ISBN: 1787695298
Category : Social Science
Languages : en
Pages : 141
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Book Description
What role do man-eating monsters - vampires, zombies, werewolves and cannibals - play in contemporary culture? This book explores the question of whether recent representations of humans as food in popular culture characterizes a unique moment in Western cultural history and suggests a new set of attitudes toward people, monsters, and death.
Author: Jonathan Rose
Publisher: Edinburgh University Press
ISBN: 1474461891
Category : Literary Collections
Languages : en
Pages : 384
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Book Description
Reveals the experience of reading in many cultures and across the agesShows the experiences of ordinary readers in Scotland, Australasia, Russia, and ChinaExplores how digital media has transformed literary criticismPortrays everyday reading in art Includes reading across national and cultural linesCommon Readers casts a fascinating light on the literary experiences of ordinary people: miners in Scotland, churchgoers in Victorian London, workers in Czarist Russia, schoolgirls in rural Australia, farmers in Republican China, and forward to today's online book discussion groups. Chapters in this volume explore what they read, and how books changed their lives.
Author: Anton Weiss-Wendt
Publisher: Bloomsbury Publishing
ISBN: 1350130540
Category : History
Languages : en
Pages : 339
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Book Description
This book provides a bold examination of the political use of history in contemporary Russia. Anton Weiss-Wendt argues that history is yet another discipline misappropriated by the Kremlin for the purpose of rallying the population. He explains how, since the pro-democracy protests in 2011–12, the Russian government has hamstrung independent research and aligned state institutions in the promotion of militant patriotism. The entire state machinery has been mobilized to construe a single, glorious historical narrative with the focus on Soviet victory over Nazi Germany. Putin's Russia and the Falsification of History examines the intricate networks in Russia that engage in “historymaking.” Whether it is the Holocaust or Soviet mass terror, Tsars or Stalin, the regime promotes a syncretic interpretation of Russian history that supports the notion of a strong state and authoritarian rule. That interpretation finds its way into new monuments, exhibitions, and quasi-professional associations. In addition to administrative measures of control, the Russian state has been using the penal code to censor critical perspectives on history, typically advanced by individuals who also happen to call for a political change in Russia. This powerful book shows how history is increasingly becoming an element of political technology in Russia, with the systematic destruction of independent institutions setting the very future of History as an academic discipline in Russia in doubt.
