Nicolas Poussin. The Master of Colours PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Nicolas Poussin. The Master of Colours PDF full book. Access full book title Nicolas Poussin. The Master of Colours by Youri Zolotov. Download full books in PDF and EPUB format.
Author: Youri Zolotov
Publisher: Parkstone International
ISBN: 1639199632
Category : Art
Languages : en
Pages : 149
Get Book Here
Book Description
Nicolas Poussin(1594 - 1665) was undoubtedly a highly significant master of the historical genre. He shaped its aesthetics which, regrettably, subsequently became regarded as a set of hard-and-fast rules (a trap which the Russian followers of the founder of classicism also fell into). We know that Poussin attributed prime significance to the actual choice of matter for depiction, giving preference to subjects which provided food for profound thought. Creatively reworking the aesthetic legacy of the Ancients, he introduced into the realm of painting the concept of the “modus” (mood of depiction), which established the functional unity of three components: the idea, the structure of the depiction, and its perception by the viewer. Composition assumed a predominant significance in his artistic system. In a letter of 1665, Nicolas Poussin put forward three main theses: firstly, painting is simply imitation; secondly, it aims to bring delight; Thirdly, the artist is endowed with a natural talent that no one can give him or deprive him of.
Author: Youri Zolotov
Publisher: Parkstone International
ISBN: 1639199632
Category : Art
Languages : en
Pages : 149
Get Book Here
Book Description
Nicolas Poussin(1594 - 1665) was undoubtedly a highly significant master of the historical genre. He shaped its aesthetics which, regrettably, subsequently became regarded as a set of hard-and-fast rules (a trap which the Russian followers of the founder of classicism also fell into). We know that Poussin attributed prime significance to the actual choice of matter for depiction, giving preference to subjects which provided food for profound thought. Creatively reworking the aesthetic legacy of the Ancients, he introduced into the realm of painting the concept of the “modus” (mood of depiction), which established the functional unity of three components: the idea, the structure of the depiction, and its perception by the viewer. Composition assumed a predominant significance in his artistic system. In a letter of 1665, Nicolas Poussin put forward three main theses: firstly, painting is simply imitation; secondly, it aims to bring delight; Thirdly, the artist is endowed with a natural talent that no one can give him or deprive him of.
Author: Yuri Zolotov
Publisher:
ISBN: 9781577171935
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Over 150 reproductions. The fifteen paintings and forty-one drawings by the great French artist Nicolas Poussin featured in this volume are from the collections of the State Hermitage Museum in St. Petersburg, Russia and the Pushkin Museum of Fine Arts in Moscow. All of the paintings arrived in Russia in the second half of the eighteenth century when Catherine the Great established the renowned Hermitage Picture Gallery, an art-filled salon dedicated to conversation and relaxation for the tsarina and her court. Each artwork is accompanied by descriptive text, critical analysis, and complete known provenance compiled by two of Russia's most-noted art historians. The paintings are reproduced in full-color, along with a number of details highlighting the most significant aspects of each composition.
Author: Nicolas Poussin
Publisher: Parkstone Press
ISBN:
Category : Art
Languages : en
Pages : 200
Get Book Here
Book Description
Author: Sir Joshua Reynolds
Publisher:
ISBN:
Category :
Languages : en
Pages : 386
Get Book Here
Book Description
Author: Richard Verdi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 208
Get Book Here
Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392430
Category : Classicism in art
Languages : en
Pages : 434
Get Book Here
Book Description
"The work of the great French painter Nicolas Poussin (15941665) is most often associated with classically inspired settings and figures depicting solemn scenes from mythology or the Bible. Yet he also created some of the most influential landscapes in Western art, endowing them with a poetic quality that has been admired by artists as different as Constable, Turner, and Ce;zanne. As the British critic William Hazlitt noted in 1844, 'This great and learned man might be said to see nature through the glass of time'. This beautiful catalogue presents the first in-depth examination of Poussin's landscapes. Featured here are more than 40 paintings, ranging from the artist's early Venetian-inspired pastorals to his grandly structured and austere works, designed as metaphors or allegories for the processes of nature. Also included are approximately 60 drawings and essays by internationally renowned scholars who examine the painter's visual, literary, and philosophical influences as well as his relationships with his patrons and his place in the art-historical canon."--Publisher description.
Author: Paul Zanker
Publisher: Oxford University Press, USA
ISBN: 0199228698
Category : Art
Languages : en
Pages : 442
Get Book Here
Book Description
"Provides a comprehensive introduction to this important genre, exploring such subjects as the role of the mythological images in everyday life of the time, the messages they convey about the Romans' view of themselves, and the reception of the sarcophagi in later European art and art history."--Publisher's website
Author: Pierre Rosenberg
Publisher: Princeton University Press
ISBN: 0691252912
Category : Art
Languages : en
Pages : 376
Get Book Here
Book Description
Unique perspectives from an acclaimed art historian on the relationship between drawing and painting From Drawing to Painting interweaves biographical information about five renowned French artists—Nicolas Poussin, Antoine Watteau, Jean-Honoré Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres—with a fascinating look at dozens of their drawings and the links that they have to their paintings. This book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas. How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists’ intentions, their creative processes, and to penetrate their worlds? Pierre Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques. From Drawing to Painting Offers an unprecedented view of the artistic process, and makes an important and beautiful addition to any art library. Please note: All images in this ebook are presented in black and white and have been reduced in size.
Author: Honoré Balzac
Publisher: Courier Corporation
ISBN: 0486159094
Category : Fiction
Languages : en
Pages : 82
Get Book Here
Book Description
Three of the author’s most highly regarded stories, newly translated: the title story, "An Episode During the Terror," and "Facino Cane."
Author: T. J. Clark
Publisher: Yale University Press
ISBN: 9780300117264
Category : Art
Languages : en
Pages : 282
Get Book Here
Book Description
Why do we keep returning to certain pictures? What is it we are looking for? How does our understanding of an image change over time? This investigates the nature of visual complexity, the capacity of certain images to sustain repeated attention, and how pictures respond and resist their viewers' wishes.
