Nickelodeons and Black Vaudeville PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Nickelodeons and Black Vaudeville PDF full book. Access full book title Nickelodeons and Black Vaudeville by Kathi Clark Wong. Download full books in PDF and EPUB format.
Author: Kathi Clark Wong
Publisher: Univ. of Tennessee Press
ISBN: 162190802X
Category : Biography & Autobiography
Languages : en
Pages : 241
Get Book Here
Book Description
"Amanda Thorp was a theater entrepreneur influential in bringing Black vaudeville and early movie theaters to Richmond, Virginia, and more widely to the southeastern US. Thorp, a White woman, opened theaters and nickelodeons exclusively for Black patrons during a period of entrenched segregation and outright opposition to Black patronage in the South. And though Thorp's mission was not expressly philanthropic, she nonetheless expanded access to early movies when demand for the silver screen had just begun to rival the theater business. Wong sheds light on Thorp's early life in Ohio, her travel to a culturally nascent Richmond, and her remarkable contributions to theater culture in the South"--
Author: Kathi Clark Wong
Publisher: Univ. of Tennessee Press
ISBN: 162190802X
Category : Biography & Autobiography
Languages : en
Pages : 241
Get Book Here
Book Description
"Amanda Thorp was a theater entrepreneur influential in bringing Black vaudeville and early movie theaters to Richmond, Virginia, and more widely to the southeastern US. Thorp, a White woman, opened theaters and nickelodeons exclusively for Black patrons during a period of entrenched segregation and outright opposition to Black patronage in the South. And though Thorp's mission was not expressly philanthropic, she nonetheless expanded access to early movies when demand for the silver screen had just begun to rival the theater business. Wong sheds light on Thorp's early life in Ohio, her travel to a culturally nascent Richmond, and her remarkable contributions to theater culture in the South"--
Author: Kathi Clark Wong
Publisher: Univ. of Tennessee Press
ISBN: 1621908038
Category : Biography & Autobiography
Languages : en
Pages : 241
Get Book Here
Book Description
In an era of online streaming, it may be difficult to recognize the importance of a woman who in 1908 established the first silent movie theater in Richmond, Virginia: the Dixie nickelodeon. But Amanda Thorp, an independent, self-made woman, was on the ground floor of a popular culture that would grow to be enormously influential in our modern era. In Nickelodeons and Black Vaudeville: The Forgotten Story of Amanda Thorp, Kathi Clark Wong’s extensive archival research uncovers Thorp’s impressive contributions not only to moviegoing and its growth in America, but also perhaps even more surprisingly, Thorp’s support of early Black vaudeville in the Jim Crow South. Movie theater entrepreneurs like Thorp, who got her start at her Wonderland Theater in Bucyrus, Ohio, helped create our culture’s insatiable appetite for film. But it was after she established the Dixie in Richmond, that Thorp—a White woman—also saw a market for providing Black-centric entertainment. She converted the Dixie to all-Black patronage and began to bring in scores of Black vaudeville acts. Later, she built the Hippodrome Theater, in the heart of Richmond’s now-historic Jackson Ward, expressly for Black entertainment. Though she eventually left the field of Black entertainment behind, Thorp developed other movie venues in Richmond that brought in tens of thousands of (White) moviegoers over the years and which were widely admired for their elaborate trappings. Thanks to Wong’s research, contemporary readers can now benefit from the story of Amanda Thorp, a woman who amidst severe gender role constraints not only claimed social capacity on the crest of a rapidly growing industry but also, almost inadvertently, contributed to the success of early Black vaudeville, a subject which thus far has not received the scholarly attention it deserves.
Author: Davarian L. Baldwin
Publisher: Univ of North Carolina Press
ISBN: 0807887609
Category : Social Science
Languages : en
Pages : 380
Get Book Here
Book Description
As early-twentieth-century Chicago swelled with an influx of at least 250,000 new black urban migrants, the city became a center of consumer capitalism, flourishing with professional sports, beauty shops, film production companies, recording studios, and other black cultural and communal institutions. Davarian Baldwin argues that this mass consumer marketplace generated a vibrant intellectual life and planted seeds of political dissent against the dehumanizing effects of white capitalism. Pushing the traditional boundaries of the Harlem Renaissance to new frontiers, Baldwin identifies a fresh model of urban culture rich with politics, ingenuity, and entrepreneurship. Baldwin explores an abundant archive of cultural formations where an array of white observers, black cultural producers, critics, activists, reformers, and black migrant consumers converged in what he terms a "marketplace intellectual life." Here the thoughts and lives of Madam C. J. Walker, Oscar Micheaux, Andrew "Rube" Foster, Elder Lucy Smith, Jack Johnson, and Thomas Dorsey emerge as individual expressions of a much wider spectrum of black political and intellectual possibilities. By placing consumer-based amusements alongside the more formal arenas of church and academe, Baldwin suggests important new directions for both the historical study and the constructive future of ideas and politics in American life.
Author: Barbara Lupack
Publisher: Routledge
ISBN: 1317434250
Category : Performing Arts
Languages : en
Pages : 263
Get Book Here
Book Description
The early years of the twentieth century were a formative time in the long history of struggle for black representation. More than any other medium, movies reflected the tremendous changes occurring in American society. Unfortunately, since they drew heavily on the nineteenth-century theatrical conventions of blackface minstrelsy and the "Uncle Tom Show" traditions, early pictures persisted in casting blacks in demeaning and outrageous caricatures that marginalized and burlesqued them and emphasized their comic or servile behavior. By contrast, race films—that is, movies that were black-cast, black-oriented, and viewed primarily by black audiences in segregated theaters—attempted to counter the crude stereotyping and regressive representations by presenting more authentic racial portrayals. This volume examines race filmmaking from numerous perspectives. By reanimating a critical but neglected period of early cinema—the years between the turn-of-the-century and 1930, the end of the silent film era—it provides a fascinating look at the efforts of early race film pioneers and offers a vibrant portrait of race and racial representation in American film and culture.
Author: Paula J. Massood
Publisher: Rutgers University Press
ISBN: 0813555892
Category : Social Science
Languages : en
Pages : 265
Get Book Here
Book Description
Making a Promised Land examines the interconnected histories of African American representation, urban life, and citizenship as documented in still and moving images of Harlem over the last century. Paula J. Massood analyzes how photography and film have been used over time to make African American culture visible to itself and to a wider audience and charts the ways in which the “Mecca of the New Negro” became a battleground in the struggle to define American politics, aesthetics, and citizenship. Visual media were first used as tools for uplift and education. With Harlem’s downturn in fortunes through the 1930s, narratives of black urban criminality became common in sociological tracts, photojournalism, and film. These narratives were particularly embodied in the gangster film, which was adapted to include stories of achievement, economic success, and, later in the century, a nostalgic return to the past. Among the films discussed are Fights of Nations (1907), Dark Manhattan (1937), The Cool World (1963), Black Caesar (1974), Malcolm X (1992), and American Gangster (2007). Massood asserts that the history of photography and film in Harlem provides the keys to understanding the neighborhood’s symbolic resonance in African American and American life, especially in light of recent urban redevelopment that has redefined many of its physical and demographic contours.
Author: Charles Musser
Publisher: Univ of California Press
ISBN: 0520323726
Category :
Languages : en
Pages : 1023
Get Book Here
Book Description
Author: Torriano Berry
Publisher: Citadel Press
ISBN: 9780806521336
Category : Performing Arts
Languages : en
Pages : 324
Get Book Here
Book Description
A plentifully illustrated guide to the most popular and socially significant movies made for, by, and about African Americans from 1900 to today. Also includes incisive interviews with Hollywood greats such as Ossie Davis and Ivan Dixon.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 376
Get Book Here
Book Description
Author: Elizabeth Hobbs
Publisher: Crooked Lane Books
ISBN: 1639109749
Category : Fiction
Languages : en
Pages : 268
Get Book Here
Book Description
A young woman is invited to a mysterious relative’s estate and winds up entangled in a murder investigation in this witty historical mystery that pits the gothic eeriness of Crimson Peak against the comic absurdities of Knives Out. Miss Marigold Manners may be steeped in the etiquette of her old-money Boston family, but she is also an accomplished, modern woman and an avid student of archaeology who can handle any situation with poise. When the death of her parents leaves her too destitute to pursue her academic career and she receives a letter from a distant relative on Great Misery Island, Marigold decides she must do what any person of superior sense and greater-than-average curiosity would: she mounts her trusty bicycle and heads up the craggy, fog-shrouded coast of New England for a date with fate. Marigold arrives at Hatchet Farm, a moldering, gothic pile of a house inhabited by relatives so mired in the sins of the past, they have no future. She sets out to modernize the recluses with a brisk, ruthless efficiency, but her well-intentioned plans to manage their lives lead to malice—and murder. Marigold spies a body floating in the stormy waters surrounding the island, and her suspicions immediately turn to her hostile, weapon-wielding relatives when one of the local girls turns up missing. And she might not be the only one. When another dead body is found in the garden of the estate, Marigold finds herself accused. She must enlist the help of an eccentric, colorful cast of friends and found family to save herself—and everything she holds dear. As secrets are uncovered and lies exposed, the question of “who done it?” turns into “who didn’t do it?” and Marigold must face a truth that shatters her steely poise and shakes her very sense of self.
Author: Steven J. Ross
Publisher: John Wiley & Sons
ISBN: 0470673648
Category : History
Languages : en
Pages : 422
Get Book Here
Book Description
The second edition of Movies and American Society is a comprehensive collection of essays and primary documents that explore the ways in which movies have changed—and been changed by—American society from 1905 to the present. Each chapter includes an introduction, discussion questions, an essay examining the issues of the period, primary documents, and a list of further reading and screenings Includes a new chapter on “American Film in the Age of Terror” and new essays for Chapter 9 (“Race, Violence, and Film”) and Chapter 13 (“Hollywood Goes Global”), as well as updated Reading and Screenings sections Discusses all the major periods in American film history from the first nickelodeons to the wars in Iraq and Afghanistan and the globalization of Hollywood Demonstrates the unique influence of movies on all aspects of American culture, from ideology, politics, and gender to class, war, and race relations Engaging and accessible for students, with jargon-free essays and primary documents that show social practices and controversies as well as the fun and cultural influence of movies and movie-going
