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Author: Kit Messham-Muir
Publisher: Bloomsbury Publishing
ISBN: 1350385980
Category : Art
Languages : en
Pages : 273
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Book Description
What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the 'War on Terror'. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to 'culture' wars. With interviews from official war artists working in the UK, the US, and Australia, such as eX de Medici (Australia) and David Cotterrell (UK), as well as those working in post-colonial contexts, such as Baptist Coelho (India), the editors reflect on contemporary processes of memorialisation and the impact of British colonisation in Australia, India and its relation to historical conflicts. It focuses on three overlapping themes: firstly, the role of memory and amnesia in colonial contexts; secondly, the complex role of 'official' war art; and thirdly, questions of testimony and knowing in relation to alleged war crimes, torture and genocide. Richly illustrated, and featuring three substantial interview chapters, The Politics of Artists in War Zones is a hands-on exploration of the complexities and challenges faced by war artists that contextualises the tensions between the contemporary art world and the portrayal of war. It is essential reading for researchers of fine art, curatorial studies, museum studies, conflict studies and photojournalism.
Author: Kit Messham-Muir
Publisher: Bloomsbury Publishing
ISBN: 1350385980
Category : Art
Languages : en
Pages : 273
Get Book Here
Book Description
What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the 'War on Terror'. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to 'culture' wars. With interviews from official war artists working in the UK, the US, and Australia, such as eX de Medici (Australia) and David Cotterrell (UK), as well as those working in post-colonial contexts, such as Baptist Coelho (India), the editors reflect on contemporary processes of memorialisation and the impact of British colonisation in Australia, India and its relation to historical conflicts. It focuses on three overlapping themes: firstly, the role of memory and amnesia in colonial contexts; secondly, the complex role of 'official' war art; and thirdly, questions of testimony and knowing in relation to alleged war crimes, torture and genocide. Richly illustrated, and featuring three substantial interview chapters, The Politics of Artists in War Zones is a hands-on exploration of the complexities and challenges faced by war artists that contextualises the tensions between the contemporary art world and the portrayal of war. It is essential reading for researchers of fine art, curatorial studies, museum studies, conflict studies and photojournalism.
Author: Susan Lowish
Publisher: Routledge
ISBN: 1351049976
Category : Art
Languages : en
Pages : 292
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Book Description
This book aims to redefine Australia’s earliest art history by chronicling for the first time the birth of the category "Aboriginal art," tracing the term’s use through published literature in the late eighteenth, nineteenth and early twentieth centuries. Susan Lowish reveals how the idea of "Aboriginal art" developed in the European imagination, manifested in early literature, and became a distinct classification with its own criteria and form. Part of the larger story of Aboriginal/European engagement, this book provides a new vision for an Australian art history reconciled with its colonial origins and in recognition of what came before the contemporary phenomena of Aboriginal art.
Author: Kathleen Heugh
Publisher: Routledge
ISBN: 1351805088
Category : Language Arts & Disciplines
Languages : en
Pages : 280
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Book Description
This book brings to life initiatives among scholars of the south and north to understand better the intelligences and pluralities of multilingualisms in southern communities and spaces of decoloniality. Chapters follow a longue durée perspective of human co-existence with communal presents, pasts, and futures; attachments to place; and insights into how multilingualisms emerge, circulate, and alter over time. Each chapter, informed by the authors’ experiences living and working among southern communities, illustrates nuances in ideas of south and southern, tracing (dis-/inter-) connected discourses in vastly different geopolitical contexts. Authors reflect on the roots, routes and ecologies of linguistic and epistemic heterogeneity while remembering the sociolinguistic knowledge and practices of those who have gone before. The book re-examines the appropriacy of how theories, policies, and methodologies ‘for multilingual contexts’ are transported across different settings and underscores the ethics of research practice and reversal of centre and periphery perspectives through careful listening and conversation. Highlighting the potential of a southern sociolinguistics to articulate a new humanity and more ethical world in registers of care, hope, and love, this volume contributes to new directions in critical and decolonial studies of multilingualism, and to re-imagining sociolinguistics, cultural studies, and applied linguistics more broadly.
Author: Sinfree Makoni
Publisher: Taylor & Francis
ISBN: 1000600130
Category : Language Arts & Disciplines
Languages : en
Pages : 514
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Book Description
This Handbook centers on language(s) in the Global South/s and the many ways in which both "language" and the "Global South" are conceptualized, theorized, practiced, and reshaped. Drawing on 31 chapters situated in diverse geographical contexts, and four additional interviews with leading scholars, this text showcases: Issues of decolonization Promotion of Southern epistemologies and theories of the Global South/s A focus on social/applied linguistics An added focus on the academy A nuanced understanding of global language scholarship. It is written for emerging and established scholars across the globe as it positions Southern epistemologies, language scholarship, and decolonial theories into scholarship surrounding multiple themes and global perspectives.
Author: Tjala Arts
Publisher:
ISBN: 9781743053492
Category : Anangu Pitjantjatjara Lands (S. Aust.)
Languages : en
Pages : 288
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Book Description
Tjala Arts, home to many of Australia's highest profile visual artists, is at the forefront of the western desert painting movement. It is widely recognised as an art centre with an unwavering commitment to the traditional values of holding and celebrating Tjukurpa. This drives Tjala Arts' pursuit of artistic excellence.
Author:
Publisher:
ISBN: 9788874398768
Category : Art
Languages : en
Pages : 144
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Book Description
- Overview of the Aboriginal Art, focusing on the first large-scale exhibition staged by the Fondation Opale (Switzerland)The common thread running right through this work is man's link with the land, the legacy of the ancestors that still echoes in the present. It is no accident that Before Time Began is one of the expressions used by Aboriginal artists in central Australia to refer to the creation of the world, in an oneiric sense. Understanding and following this underlying bond enables the reader to explore the art's narrative content in its association with dreams and the passage of time, elements that inevitably distinguish the temporal dimension in the different societies. But it is also a way of exploring the first stirrings of contemporary art in an Aboriginal context through works made at the beginning of the 1970s in Arnhem Land and in the territory of the Papunya, as well as more recent paintings by artists living in the APY (Anangu Pitjantjatjara Yankunytjatjara). These last examples in particular highlight the fusion between contemporary art and traditional customs, in which ancestral knowledge is fused with elements drawn from the inevitable march of progress. This book is published to complement an exhibition due to begin in June 2019. For more, visit http: //fondationopale.ch/en/index.html
Author: Charles Pearcy Mountford
Publisher: Adelaide : Rigby
ISBN:
Category : History
Languages : en
Pages : 650
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Book Description
Author: Nici Cumpston
Publisher:
ISBN: 9781921668388
Category :
Languages : en
Pages : 250
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Book Description
The Tarnanthi 2019 catalogue captures the flavour, colour and diversity of one of Australia's foremost Aboriginal and Torres Strait Islander cultural events.This richly illustrated 250-page book contains exquisite imagery and insightful essays from artists, curators and art experts, examining the outstanding works of art featured in Tarnanthi 2019 and the artists who created them.The Tarnanthi 2019 catalogue makes a superb memento of your visit to Tarnanthi or an ideal gift for friends and family.
Author: David Malangi
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
No ordinary place celebrates the work of one of the most renowned bark painters of Arnhem Land, David Malangi Daymirriju.
Author: Bill Neidjie
Publisher:
ISBN: 9780980352238
Category : Aboriginal Australians
Languages : en
Pages : 80
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Book Description
Here, Bill Neidjie - manager and negotiator of the Bunitj Clan Estate, which forms part of Kakadu National Park, relives the past in order to give some meaningful structure to the future. And he attempts to help non-Aboriginal people understand the bond between Aborginal people and their traditionally inherited land, through poetry.
