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Author: Shanghai Animation and Film Studio
Publisher: Shanghai Press
ISBN: 9781602209756
Category : Juvenile Fiction
Languages : en
Pages : 32
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Book Description
This Chinese myth for Children tells the story of Nezha. One day, Nezha encounters a patrolling Yasha demon, stealing children to feed his master, the Dragon King. Nezha wounds the Yasha demon with his Firmament Ring. In a rage, the Dragon King sends his third son to capture Nezha, but the son is killed instead. Now completely infuriated, the Dragon King unleashes a raging storm, wreaking havoc on Chentang Pass and demanding Nezha's magic weapons. Nezha transforms his spirit into an exact duplicate of himself, and, with his newly acquired fire-tipped spear, Nezha heads straight for the Dragon Palace. In a final fury, he turns the palace upside down and beards the Dragon King.
Author: Shanghai Animation and Film Studio
Publisher: Shanghai Press
ISBN: 9781602209756
Category : Juvenile Fiction
Languages : en
Pages : 32
Get Book Here
Book Description
This Chinese myth for Children tells the story of Nezha. One day, Nezha encounters a patrolling Yasha demon, stealing children to feed his master, the Dragon King. Nezha wounds the Yasha demon with his Firmament Ring. In a rage, the Dragon King sends his third son to capture Nezha, but the son is killed instead. Now completely infuriated, the Dragon King unleashes a raging storm, wreaking havoc on Chentang Pass and demanding Nezha's magic weapons. Nezha transforms his spirit into an exact duplicate of himself, and, with his newly acquired fire-tipped spear, Nezha heads straight for the Dragon Palace. In a final fury, he turns the palace upside down and beards the Dragon King.
Author:
Publisher:
ISBN: 9789810014667
Category : Good and evil
Languages : en
Pages : 312
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Book Description
Pictorial presentation of classic tales from Chinese mythology with Chinese and English text.
Author: Daisy Yan Du
Publisher: China Studies
ISBN: 9789004499591
Category : Art
Languages : en
Pages : 300
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Book Description
"This volume on Chinese animation and socialism is the first in English that introduces the insider viewpoints of socialist animators at the Shanghai Animation Film Studio in China. Although a few monographs have been published in English on Chinese animation, they are from the perspective of scholars rather than of the animators who personally worked on the films, as discussed in this volume. Featuring hidden histories and names behind the scenes, precious photos, and commentary on rarely seen animated films, this book is a timely and useful reference book for researchers, students, animators, and fans interested in Chinese and even world animation. This book originated from the Animators' Roundtable Forum (April 2017 at the Hong Kong University of Science and Technology), organized by the Association for Chinese Animation Studies"--
Author: Sean Macdonald
Publisher: Routledge
ISBN: 1317382161
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
By the turn of the 21st century, animation production has grown to thousands of hours a year in the People’s Republic of China (PRC). Despite this, and unlike American blockbuster productions and the diverse genres of Japanese anime, much animation from the PRC remains relatively unknown. This book is an historical and theoretical study of animation in the PRC. Although the Wan Brothers produced the first feature length animated film in 1941, the industry as we know it today truly began in the 1950s at the Shanghai Animation Film Studio (SAFS), which remained the sole animation studio until the 1980s. Considering animation in China as a convergence of the institutions of education, fine arts, literature, popular culture, and film, the book takes comparative approaches that link SAFS animation to contemporary cultural production including American and Japanese animation, Pop Art, and mass media theory. Through readings of classic films such as Princess Iron Fan, Uproar in Heaven, Princess Peacock, and Nezha Conquers the Dragon King, this study represents a revisionist history of animation in the PRC as a form of "postmodernism with Chinese characteristics." As a theoretical exploration of animation in the People’s Republic of China, this book will appeal greatly to students and scholars of animation, film studies, Chinese studies, cultural studies, political and cultural theory.
Author:
Publisher:
ISBN:
Category : Folklore
Languages : zh-CN
Pages : 0
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Book Description
Author: Rolf Giesen
Publisher: McFarland
ISBN: 1476615527
Category : Performing Arts
Languages : en
Pages : 792
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Book Description
With an output of more than 250,000 minutes annually, and with roughly 5,000 producers and production units, the Chinese are leading the field of animated films. Although it is almost impossible to completely cover 90 years of filmmaking, this book provides a comprehensible introduction to the industry's infancy, its Golden Age (Shanghai Animation Film Studio) and today's Chinese animation (in feature films, television series and student films). There are classics such as Princess Iron Fan (made at the time of the Japanese occupation) and the color Havoc in Heaven, both starring the Monkey King Sun Wukong, as well as countless TV stars (Blue Cat, Pleasant Goat and Big Big Wolf) and many almost unknown works by young filmmakers who are not focusing on an audience of children (like most of the industry output).
Author: Lijun Sun
Publisher: Routledge
ISBN: 1000740137
Category : Social Science
Languages : en
Pages : 247
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Book Description
China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future. This book describes the history, present and future of China’s animation industry. The author divides the business’s 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works, themes, directions, artistic styles, techniques, industrial development, government support policies, business models, the nurturing of education and talent, broadcasting systems, and animation. Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies.
Author: Trenton Campbell
Publisher: Encyclopaedia Britannica
ISBN: 1622753941
Category : Juvenile Nonfiction
Languages : en
Pages : 161
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Book Description
This authoritative volume examines the two main faiths, Confucianism and Daoism, that developed before China had meaningful contact with the rest of the world. Aspects of Buddhism later joined features of these faiths to form elements of Chinese ideology and, with the beliefs in immortals and the worship of ancestors, they led to a popular religion. The narrative describes the gods and goddesses that dominated China's mythology and folk culture, roughly from the 3rd millennium to 221 BCE, including the Baxian (Eight Immortals), Chang'e (moon goddess), Guandi (god of war), the Men Shen (door spirits), and Pan Gu (first man).
Author: Wu Cheng'en
Publisher: Asiapac Books Pte Ltd
ISBN: 9812298894
Category : Comics & Graphic Novels
Languages : en
Pages : 177
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Book Description
The bestselling Journey to the West comic book by artist Chang Boon Kiat is now back in a brand new fully coloured edition. Journey to the West is one of the greatest classics in Chinese literature. It tells the epic tale of the monk Xuanzang who journeys to the West in search of the Buddhist sutras with his disciples, Sun Wukong, Sandy and Pigsy. Along the way, Xuanzang's life was threatened by the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents and, a host of evil spirits who sought to devour Xuanzang's flesh to attain immortality. Bear witness to the formidable Sun Wukong's (Monkey God) prowess as he takes them on, using his Fiery Eyes, Golden Cudgel, Somersault Cloud, and quick wits! Be prepared for a galloping read that will leave you breathless!
Author: Meir Shahar
Publisher: University of Hawaii Press
ISBN: 0824856961
Category : Religion
Languages : en
Pages : 273
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Book Description
Oedipal God offers the most comprehensive account in any language of the prodigal deity Nezha. Celebrated for over a millennium, Nezha is among the most formidable and enigmatic of all Chinese gods. In this theoretically informed study Meir Shahar recounts Nezha’s riveting tale—which culminates in suicide and attempted patricide—and uncovers hidden tensions in the Chinese family system. In deploying the Freudian hypothesis, Shahar does not imply the Chinese legend’s identity with the Greek story of Oedipus. For one, in Nezha’s story the erotic attraction to the mother is not explicitly acknowledged. More generally, Chinese oedipal tales differ from Freud’s Greek prototype by the high degree of repression that is applied to them. Shahar argues that, despite a disastrous father-son relationship, Confucian ethics require that the oedipal drive masquerade as filial piety in Nezha’s story, dictating that the child-god kill himself before trying to avenge himself upon his father. Combining impeccable scholarship with an eminently readable style, the book covers a vast terrain: It surveys the image of the endearing child-god across varied genres from oral and written fiction, through theater, cinema, and television serials, to Japanese manga cartoons. It combines literary analysis with Shahar’s own anthropological field work, providing a thorough ethnography of Nezha’s flourishing cult. Crossing the boundaries between China’s diverse religious traditions, it tracks the rebellious infant in the many ways he has been venerated by Buddhist monks, Daoist priests, and possessed spirit mediums, whose dramatic performances have served to negotiate individual, familial, and collective tensions. Finally, the book offers a detailed history of the legend and the cult reaching back over two thousand years to its origins in India, where Nezha began as a mythological being named Nalakūbara, whose sexual misadventures were celebrated in the Sanskrit epics as early as the first centuries BCE. Here Shahar reveals the long-term impact that Indian mythology has exerted—through the medium of esoteric Buddhism—upon the Chinese imagination of divinity. A tour de force of literary analysis, ethnographic research, psychological insight, and cross-cultural investigation, Oedipal God is a must read for anyone interested in Chinese studies and the historical connection between India and China. Shahar’s broad reach and engaging approach will appeal to specialists and students in a variety of disciplines including Chinese religion, Chinese literature, anthropology, Buddhist studies, psychology, Indian studies, and cross-cultural history.
