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Author: Stuart Baker
Publisher:
ISBN: 9780955481703
Category : Alternative rock musicians
Languages : en
Pages : 0
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Book Description
Between 1975 and 1988 New York City spawned an incredible and wild array of artistic communities that overlapped and interbred with scant heed for generic "purity" (let alone posterity): every musician, it seemed, was also an artist, every artist a filmmaker and every filmmaker was in a band. These heady years saw the births of Punk at CBGB and Max's Kansas City, of Hip Hop in the Bronx, the emerging art music activities of Philip Glass and Laurie Anderson, Free Jazz and the No Wave art/rock scene around James Chance, Lydia Lunch and Mars. New York Noise is Paula Court's photographic tour of these colliding worlds. From her arrival in New York City in 1978, Court diligently photographed the likes of Glenn Branca, Jean-Michel Basquiat, Keith Haring, David Byrne, Rhys Chatham, Lou Reed, James Chance, Patti Smith, Afrika Bambaata, John Cage, Robert Longo, Jim Jarmusch, Cindy Sherman and Richard Prince, as well as bands like DNA, Suicide, Bush Tetras, ESG and the Rock Steady Crew. Also captured in these pages are nascent musicians and actors such as Michael Stipe, Steve Buscemi, Willem Dafoe and Madonna, who came into artistic maturity amid these diverse scenes. With over 400 images, many of them previously unpublished, New York Noise follows Soul Jazz Records' critically acclaimed CD series, providing an unprecedented visual record of one of New York's liveliest cultural eras.
Author: Stuart Baker
Publisher:
ISBN: 9780955481703
Category : Alternative rock musicians
Languages : en
Pages : 0
Get Book Here
Book Description
Between 1975 and 1988 New York City spawned an incredible and wild array of artistic communities that overlapped and interbred with scant heed for generic "purity" (let alone posterity): every musician, it seemed, was also an artist, every artist a filmmaker and every filmmaker was in a band. These heady years saw the births of Punk at CBGB and Max's Kansas City, of Hip Hop in the Bronx, the emerging art music activities of Philip Glass and Laurie Anderson, Free Jazz and the No Wave art/rock scene around James Chance, Lydia Lunch and Mars. New York Noise is Paula Court's photographic tour of these colliding worlds. From her arrival in New York City in 1978, Court diligently photographed the likes of Glenn Branca, Jean-Michel Basquiat, Keith Haring, David Byrne, Rhys Chatham, Lou Reed, James Chance, Patti Smith, Afrika Bambaata, John Cage, Robert Longo, Jim Jarmusch, Cindy Sherman and Richard Prince, as well as bands like DNA, Suicide, Bush Tetras, ESG and the Rock Steady Crew. Also captured in these pages are nascent musicians and actors such as Michael Stipe, Steve Buscemi, Willem Dafoe and Madonna, who came into artistic maturity amid these diverse scenes. With over 400 images, many of them previously unpublished, New York Noise follows Soul Jazz Records' critically acclaimed CD series, providing an unprecedented visual record of one of New York's liveliest cultural eras.
Author: Julia Solis
Publisher: Routledge
ISBN: 1000101304
Category : Political Science
Languages : en
Pages : 296
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Book Description
Did alligators ever really live in New York's sewers? What's it like to explore the old aqueducts beneath the city? How many levels are beneath Grand Central Station? And how exactly did the pneumatic tube system that New York's post offices used to employ work? In this richly illustrated historical tour of New York's vast underground systems, Julia Solis answers all these questions and much, much more. New York Underground takes readers through ingenious criminal escape routes, abandoned subway stations, and dark crypts beneath lower Manhattan to expose the city's basic anatomy. While the city is justly famous for what lies above ground, its underground passages are equally legendary and tell us just as much about how the city works.
Author: Tamar Barzel
Publisher: Indiana University Press
ISBN: 0253015642
Category : Music
Languages : en
Pages : 324
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Book Description
An up-close view of the 1990s music scene that brought us neo-klezmer bands, Tzadik Records, and a new vision of Jewish identity. Coined in 1992 by composer/saxophonist John Zorn, “Radical Jewish Culture,” or RJC, became the banner under which many artists in Zorn’s circle performed, produced, and circulated their music. New York’s downtown music scene, part of the once-grungy Lower East Side, has long been the site of cultural innovation, and it is within this environment that Zorn and his circle sought to combine, as a form of social and cultural critique, the unconventional, uncategorizable nature of downtown music with sounds that were recognizably Jewish. Out of this movement arose bands, like Hasidic New Wave and Hanukkah Bush, whose eclectic styles encompassed neo-klezmer, hardcore and acid rock, neo-Yiddish cabaret, free verse, free jazz, and electronica. Though relatively fleeting in rock history, the “RJC moment” produced a six-year burst of conversations, writing, and music—including festivals, international concerts, and nearly two hundred new recordings. During a decade of research, Tamar Barzel became a frequent visitor at clubs, post-club hangouts, musicians’ dining rooms, coffee shops, and archives. Her book describes the way RJC forged a new vision of Jewish identity in the contemporary world, one that sought to restore the bond between past and present, to interrogate the limits of racial and gender categories, and to display the tensions between secularism and observance, traditional values and contemporary concerns. Includes links to audiovisual content
Author: Daniel Kahneman
Publisher: Little, Brown
ISBN: 031645138X
Category : Business & Economics
Languages : en
Pages : 429
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Book Description
From the Nobel Prize-winning author of Thinking, Fast and Slow and the coauthor of Nudge, a revolutionary exploration of why people make bad judgments and how to make better ones—"a tour de force” (New York Times). Imagine that two doctors in the same city give different diagnoses to identical patients—or that two judges in the same courthouse give markedly different sentences to people who have committed the same crime. Suppose that different interviewers at the same firm make different decisions about indistinguishable job applicants—or that when a company is handling customer complaints, the resolution depends on who happens to answer the phone. Now imagine that the same doctor, the same judge, the same interviewer, or the same customer service agent makes different decisions depending on whether it is morning or afternoon, or Monday rather than Wednesday. These are examples of noise: variability in judgments that should be identical. In Noise, Daniel Kahneman, Olivier Sibony, and Cass R. Sunstein show the detrimental effects of noise in many fields, including medicine, law, economic forecasting, forensic science, bail, child protection, strategy, performance reviews, and personnel selection. Wherever there is judgment, there is noise. Yet, most of the time, individuals and organizations alike are unaware of it. They neglect noise. With a few simple remedies, people can reduce both noise and bias, and so make far better decisions. Packed with original ideas, and offering the same kinds of research-based insights that made Thinking, Fast and Slow and Nudge groundbreaking New York Times bestsellers, Noise explains how and why humans are so susceptible to noise in judgment—and what we can do about it.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Eric W. Sanderson
Publisher: Abrams
ISBN: 1613125739
Category : Nature
Languages : en
Pages : 663
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Book Description
What did New York look like four centuries ago? An extraordinary reconstruction of a wild island from the forests of Times Square to the wetlands downtown. Named a Best Book of the Year by Library Journal, New York Magazine, and San Francisco Chronicle On September 12, 1609, Henry Hudson first set foot on the land that would become Manhattan. Today, it’s difficult to imagine what he saw, but for more than a decade, landscape ecologist Eric Sanderson has been working to do just that. Mannahatta: A Natural History of New York City is the astounding result of those efforts, reconstructing in words and images the wild island that millions now call home. By geographically matching an eighteenth-century map with one of the modern city, examining volumes of historic documents, and collecting and analyzing scientific data, Sanderson re-creates topography, flora, and fauna from a time when actual wolves prowled far beyond Wall Street and the degree of biological diversity rivaled that of our most famous national parks. His lively text guides you through this abundant landscape—while breathtaking illustrations transport you back in time. Mannahatta is a groundbreaking work that provides not only a window into the past, but also inspiration for the future. “[A] wise and beautiful book, sure to enthrall anyone interested in NYC history.” —Publishers Weekly (starred review) “A cartographical detective tale . . . The fact-intense charts, maps and tables offered in abundance here are fascinating.” —The New York Times “[An] exuberantly written and beautifully illustrated exploration of pre-European Gotham.” —San Francisco Chronicle “You don’t have to be a New Yorker to be enthralled.” —Library Journal
Author: Val Teal
Publisher: New York Review of Books
ISBN: 1590177118
Category : Juvenile Fiction
Languages : en
Pages : 53
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Book Description
A lost classic from the illustrator of The Story of Ferdinand and Mr. Popper’s Penguins. CLANG! THUMP! WHOOSH! BANG! The big city is a noisy place. But the little woman doesn’t mind, the big city is her home. Then one day she is given a wonderful gift, a “pleasant, peaceful farm” in the country. The farm is nearly perfect—only with all the quiet, the little woman can’t relax. So she buys a cow, she buys a dog, a cat and a duck, a rooster, a pig. Now the farm is noisy indeed. Still, something’s missing. She decides to return to the city for that one special thing she knows will make her farm feel just like home. And by the end of her tale the little woman is happy to find that even though she has no rest, she has peace of mind. Published only seven years after The Story of Ferdinand, The Little Woman Wanted Noise shows Robert Lawson at the peak of his talent and contains some of the most stunning and innovative black-and-white drawings in all of American picture-book history. They are the joyous accompaniment to Val Teal’s story, which reminds us that a life without a little chaos is no life at all.
Author: Paul Hegarty
Publisher: Continuum
ISBN: 9780826417275
Category : Music
Languages : en
Pages : 240
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Book Description
Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music.
Author: New York (N.Y.). Environmental Protection, Department of
Publisher:
ISBN:
Category :
Languages : en
Pages : 89
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Book Description
Author: Emily Thompson
Publisher: MIT Press
ISBN: 9780262701068
Category : Architecture
Languages : en
Pages : 518
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Book Description
A vibrant history of acoustical technology and aural culture in early-twentieth-century America. In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston's Symphony Hall, New York's office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound—clear, direct, efficient, and nonreverberant—had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
