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Author: John Boston
Publisher: Wildside Press LLC
ISBN: 1479409820
Category : Fiction
Languages : en
Pages : 395
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Book Description
In the mid-1960s, British science fiction and fantasy were convulsed by the "New Wave." This movement emerged from the SF magazines edited by John Carnell. Such brilliant NEW WORLDS and SCIENCE FANTASY writers as J. G. Ballard, Brian W. Aldiss, John Brunner, and Michael Moorcock heralded the rise of this new kind of fantastic fiction. John Boston and Damien Broderick's concluding volume of their critical trilogy examines the history and development of these important magazines--and the fiction that they championed. By the end of this period (1964), Carnell had set the stage for that major development in UK science fiction--the new wave adventures of the transformed NEW WORLDS, under the editorship of Moorcock--and had himself shifted gear into the next mode of SF publishing as editor of the paperback anthology series, New Writings in SF. Boston and Broderick's series will become the definitive critical histories of these important British magazines. Complete with indices of names and titles cited.
Author: John Boston
Publisher: Wildside Press LLC
ISBN: 1479409820
Category : Fiction
Languages : en
Pages : 395
Get Book Here
Book Description
In the mid-1960s, British science fiction and fantasy were convulsed by the "New Wave." This movement emerged from the SF magazines edited by John Carnell. Such brilliant NEW WORLDS and SCIENCE FANTASY writers as J. G. Ballard, Brian W. Aldiss, John Brunner, and Michael Moorcock heralded the rise of this new kind of fantastic fiction. John Boston and Damien Broderick's concluding volume of their critical trilogy examines the history and development of these important magazines--and the fiction that they championed. By the end of this period (1964), Carnell had set the stage for that major development in UK science fiction--the new wave adventures of the transformed NEW WORLDS, under the editorship of Moorcock--and had himself shifted gear into the next mode of SF publishing as editor of the paperback anthology series, New Writings in SF. Boston and Broderick's series will become the definitive critical histories of these important British magazines. Complete with indices of names and titles cited.
Author: John Boston
Publisher: Wildside Press LLC
ISBN: 1434447200
Category : Fiction
Languages : en
Pages : 333
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Book Description
Building New Worlds is a history of a pivotal decades-long episode in the birth and growth of today's science fiction. Enthralling and amusing, it's written with affection and wit. This is no dry, modishly theorized academic analysis. Nor is it a rah-rah celebration of the "Good Old Days." Here is a candid and astute reader's response to a magazine that, by today's standards, was often comically bad--but was also immensely important in its time, and improved, like the Little Engine (or maybe Starship) That Could. New Worlds is best remembered today as the fountainhead of the New Wave of audacious experimental SF in the second half of the 1960s, under editor Michael Moorcock. But these first pioneering issues, from 1946-59, were edited by the magazine’s founder, John "Ted" Carnell (1912-72). Carnell was a pillar of the old-style UK SF establishment, but gamely supportive of innovators--most famously, of the brilliant J. G. Ballard, Brian W. Aldiss, and John Brunner, whose early work he nurtured. The story of how New Worlds got started, survived, and got better is essential to the history of the genres of the fantastic in the UK--and indeed, the world. And huge fun to read. Watch for the companion volumes, New Worlds: Before the New Wave, and Strange Highways, dealing with New World's companion magazine, Science Fantasy.
Author: Gerry Canavan
Publisher: Cambridge University Press
ISBN: 1316733017
Category : Literary Criticism
Languages : en
Pages :
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Book Description
The first science fiction course in the American academy was held in the early 1950s. In the sixty years since, science fiction has become a recognized and established literary genre with a significant and growing body of scholarship. The Cambridge History of Science Fiction is a landmark volume as the first authoritative history of the genre. Over forty contributors with diverse and complementary specialties present a history of science fiction across national and genre boundaries, and trace its intellectual and creative roots in the philosophical and fantastic narratives of the ancient past. Science fiction as a literary genre is the central focus of the volume, but fundamental to its story is its non-literary cultural manifestations and influence. Coverage thus includes transmedia manifestations as an integral part of the genre's history, including not only short stories and novels, but also film, art, architecture, music, comics, and interactive media.
Author: Ann-Marie Einhaus
Publisher: Cambridge University Press
ISBN: 1316033597
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
This Companion provides an accessible overview of short fiction by writers from England, Scotland, Ireland, Wales, and other international sites. A collection of international experts examine the development of the short story in a variety of contexts from the early nineteenth century to the present. They consider how dramatic changes in the publishing landscape during this period - such as the rise of the fiction magazine and the emergence of new opportunities in online and electronic publishing - influenced the form, covering subgenres from detective fiction to flash fiction. Drawing on a wealth of critical scholarship to place the short story in the English literary tradition, this volume will be an invaluable guide for students of the short story in English.
Author: Richard Neupert
Publisher: Univ of Wisconsin Press
ISBN: 0299217035
Category : Performing Arts
Languages : en
Pages : 442
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Book Description
The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.
Author: Damien Broderick
Publisher: Wildside Press LLC
ISBN: 1434443299
Category : Fiction
Languages : en
Pages : 242
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Book Description
Science fiction loves strangeness. It relishes oddities, even when it piles on fear and dystopian loathing. The technical term for a fascination with the strange and alien is xenophilia, just as the term for a terror of the strange is xenophobia. At its core, then, science fiction is...Xeno Fiction. So science fiction seeks out the strange, roams far from home in space and time, looks with avid eagerness upon the ways of the Others, human or alien. It participates, in brilliantly lighted imagination, in their strange lives. In this second gathering from Van Ikin's critical journal, Science Fiction: A Review of Speculative Literature, writers of the alien are investigated with wit and insight. G. Travis Regier follows the Other into its own home, accompanying those experts in the alien, C. J. Cherry and Samuel R. Delany. In the book's long key essay, Terry Dowling pursues the Art of Xenography as exemplified by Jack Vance's "General Culture" novels. Three expert commentators look into Booker Prize-winner Peter Carey's postcolonial and postmodern frolics into alternative realities. And the Xeno fictions of Isaac Asimov, Greg Egan, Mary Gentle, Ursula K. Le Guin, Naomi Mitchison, Neal Stephenson, and Stanley Weinbaum are read as their road maps into the strange. Eleven revealing essays on speculative fiction by some of the best critics in the field.
Author: Andrew Nette
Publisher: PM Press
ISBN: 1629639028
Category : Literary Criticism
Languages : en
Pages : 866
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Book Description
Much has been written about the “long Sixties,” the era of the late 1950s through the early 1970s. It was a period of major social change, most graphically illustrated by the emergence of liberatory and resistance movements focused on inequalities of class, race, gender, sexuality, and beyond, whose challenge represented a major shock to the political and social status quo. With its focus on speculation, alternate worlds and the future, science fiction became an ideal vessel for this upsurge of radical protest. Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 details, celebrates, and evaluates how science fiction novels and authors depicted, interacted with, and were inspired by these cultural and political movements in America and Great Britain. It starts with progressive authors who rose to prominence in the conservative 1950s, challenging the so-called Golden Age of science fiction and its linear narratives of technological breakthroughs and space-conquering male heroes. The book then moves through the 1960s, when writers, including those in what has been termed the New Wave, shattered existing writing conventions and incorporated contemporary themes such as modern mass media culture, corporate control, growing state surveillance, the Vietnam War, and rising currents of counterculture, ecological awareness, feminism, sexual liberation, and Black Power. The 1970s, when the genre reflected the end of various dreams of the long Sixties and the faltering of the postwar boom, is also explored along with the first half of the 1980s, which gave rise to new subgenres, such as cyberpunk. Dangerous Visions and New Worlds contains over twenty chapters written by contemporary authors and critics, and hundreds of full-color cover images, including thirteen thematically organised cover selections. New perspectives on key novels and authors, such as Octavia Butler, Ursula K. Le Guin, Philip K. Dick, John Wyndham, Samuel Delany, J.G. Ballard, John Brunner, Judith Merril, Barry Malzberg, Joanna Russ, and many others are presented alongside excavations of topics, works, and writers who have been largely forgotten or undeservedly ignored.
Author: Adam Roberts
Publisher: Springer
ISBN: 1137569573
Category : Literary Criticism
Languages : en
Pages : 537
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Book Description
This book is the definitive critical history of science fiction. The 2006 first edition of this work traced the development of the genre from Ancient Greece and the European Reformation through to the end of the 20th century. This new 2nd edition has been revised thoroughly and very significantly expanded. An all-new final chapter discusses 21st-century science fiction, and there is new material in every chapter: a wealth of new readings and original research. The author’s groundbreaking thesis that science fiction is born out of the 17th-century Reformation is here bolstered with a wide range of new supporting material and many hundreds of 17th- and 18th-century science fiction texts, some of which have never been discussed before. The account of 19th-century science fiction has been expanded, and the various chapters tracing the twentieth-century bring in more writing by women, and science fiction in other media including cinema, TV, comics, fan-culture and other modes.
Author: Dinah Birch
Publisher: Oxford University Press, USA
ISBN: 0192806874
Category : Literary Collections
Languages : en
Pages : 1184
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Book Description
Written by a team of more than 150 contributors working under the direction of Dinah Birch, and ranging in influence from Homer to the Mahabharata, this guide provides the reader with a comprehensive coverage of all aspects of English literature.
Author: Luigi Toiati
Publisher: Pen and Sword
ISBN: 139900557X
Category : Literary Criticism
Languages : en
Pages : 530
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Book Description
Science fiction, as the name suggests, is the combination of science and fantasy. In addition to a literary form, it also encompasses film, TV, comics, toys and our beloved toy astronauts, or other figures such as aliens, monsters and other playable genres. The term science fiction was coined by publisher Hugo Gernsbach around the first decades of the last century to refer to the predominantly 'space' adventures covered in his magazines. Space invaded radio, cinema, TV, and consequently for a long time toy figurines were predominantly space-related, later evolving into other themes. This lavishly illustrated book covers both the history of literary science fiction, following in the footsteps of contemporary official criticism, and toy figurines inspired by science fiction. You will also find several other themes, such as the link between science fiction figures and cinema, radio, TV, comics, and more. Luigi Toiati offers to both guide the reader on an often-nostalgic walk through science fiction in all its various forms, and to describe the figurines and brands associated with it.
