Author: Clint Brown
Publisher: ESRI Press
ISBN: 9781589484627
Category : Computers
Languages : en
Pages : 0
Book Description
A conceptual introduction and practical primer to the application of imagery and remote sensing data in GIS (geographic information systems).
New World Imagery
Author: Hayward Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 76
Book Description
A national touring exhibition organised by the Hayward Gallery 1995-1996. Focuses on eight contemporary artists: David Boxer, Margaret Chen, Albert Chong, Leonard daley, Ras Dizzy, Milton George, Anna Henriques, Omari Ra.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 76
Book Description
A national touring exhibition organised by the Hayward Gallery 1995-1996. Focuses on eight contemporary artists: David Boxer, Margaret Chen, Albert Chong, Leonard daley, Ras Dizzy, Milton George, Anna Henriques, Omari Ra.
The ArcGIS Imagery Book
Author: Clint Brown
Publisher: ESRI Press
ISBN: 9781589484627
Category : Computers
Languages : en
Pages : 0
Book Description
A conceptual introduction and practical primer to the application of imagery and remote sensing data in GIS (geographic information systems).
Publisher: ESRI Press
ISBN: 9781589484627
Category : Computers
Languages : en
Pages : 0
Book Description
A conceptual introduction and practical primer to the application of imagery and remote sensing data in GIS (geographic information systems).
Imagery and GIS
Author: Kass Green
Publisher: ESRI Press
ISBN: 9781589484542
Category : Technology & Engineering
Languages : en
Pages : 0
Book Description
Imagery and GIS: Best Practices for Extracting Information from Imagery shows how imagery can be integrated successfully into GIS maps and analysis.
Publisher: ESRI Press
ISBN: 9781589484542
Category : Technology & Engineering
Languages : en
Pages : 0
Book Description
Imagery and GIS: Best Practices for Extracting Information from Imagery shows how imagery can be integrated successfully into GIS maps and analysis.
The Voice in the Night
Author: William Hope Hodgson
Publisher: Atlântico Press
ISBN: 9898721065
Category : Literary Collections
Languages : en
Pages : 25
Book Description
The Voice in the Night, a short story by William Hope Hodgson, has been adapted by the cinema a number of times, most prominently in the 1963 Japanese film “Matango”. It also appeared in Alfred Hitchcock's paperback anthology “Alfred Hitchcock Presents: Stories They Wouldn't Let Me Do on TV”. William Hope Hodgson (1877 – 1918) was an English author that produced essays and novels, that mixes horror, fantastic fiction and science fiction. Hodgson used his experiences at sea to his short stories, many of which are set on the ocean. Hodgson’s single most famous story is probably The Voice in the Night”, where a fisherman’s aboard a ship in the North Pacific, on night watch in a fog-bank, hears a voice call out from the sea. The voice asks for food, but it insists it can come no closer, that it fears the light, and that God is merciful. In payment for the food it tells a frightening tale… The Voice in the Night integrates the collection “Classics of World Literature”, developed by Atlântico Press, a publisher company present in the global editorial market, since 1992.
Publisher: Atlântico Press
ISBN: 9898721065
Category : Literary Collections
Languages : en
Pages : 25
Book Description
The Voice in the Night, a short story by William Hope Hodgson, has been adapted by the cinema a number of times, most prominently in the 1963 Japanese film “Matango”. It also appeared in Alfred Hitchcock's paperback anthology “Alfred Hitchcock Presents: Stories They Wouldn't Let Me Do on TV”. William Hope Hodgson (1877 – 1918) was an English author that produced essays and novels, that mixes horror, fantastic fiction and science fiction. Hodgson used his experiences at sea to his short stories, many of which are set on the ocean. Hodgson’s single most famous story is probably The Voice in the Night”, where a fisherman’s aboard a ship in the North Pacific, on night watch in a fog-bank, hears a voice call out from the sea. The voice asks for food, but it insists it can come no closer, that it fears the light, and that God is merciful. In payment for the food it tells a frightening tale… The Voice in the Night integrates the collection “Classics of World Literature”, developed by Atlântico Press, a publisher company present in the global editorial market, since 1992.
Cosmic Imagery
Author: John D. Barrow
Publisher: W. W. Norton & Company
ISBN: 9780393061772
Category : Science
Languages : en
Pages : 636
Book Description
"... a tour through the most influential images in science"--Jacket.
Publisher: W. W. Norton & Company
ISBN: 9780393061772
Category : Science
Languages : en
Pages : 636
Book Description
"... a tour through the most influential images in science"--Jacket.
The ArcGIS Book
Author: Christian Harder
Publisher: ESRI Press
ISBN: 9781589484870
Category : Computers
Languages : en
Pages : 172
Book Description
This is a hands-on book about ArcGIS that you work with as much as read. By the end, using Learn ArcGIS lessons, you'll be able to say you made a story map, conducted geographic analysis, edited geographic data, worked in a 3D web scene, built a 3D model of Venice, and more.
Publisher: ESRI Press
ISBN: 9781589484870
Category : Computers
Languages : en
Pages : 172
Book Description
This is a hands-on book about ArcGIS that you work with as much as read. By the end, using Learn ArcGIS lessons, you'll be able to say you made a story map, conducted geographic analysis, edited geographic data, worked in a 3D web scene, built a 3D model of Venice, and more.
Anti-Foreign Imagery in American Pulps and Comic Books, 1920-1960
Author: Nathan Vernon Madison
Publisher: McFarland
ISBN: 1476601364
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
In this thorough history, the author demonstrates, via the popular literature (primarily pulp magazines and comic books) of the 1920s to about 1960, that the stories therein drew their definitions of heroism and villainy from an overarching, nativist fear of outsiders that had existed before World War I but intensified afterwards. These depictions were transferred to America's "new" enemies, both following U.S. entry into the Second World War and during the early stages of the Cold War. Anti-foreign narratives showed a growing emphasis on ideological, as opposed to racial or ethnic, differences--and early signs of the coming "multiculturalism"--indicating that pure racism was not the sole reason for nativist rhetoric in popular literature. The process of change in America's nativist sentiments, so virulent after the First World War, are revealed by the popular, inexpensive escapism of the time, pulp magazines and comic books.
Publisher: McFarland
ISBN: 1476601364
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
In this thorough history, the author demonstrates, via the popular literature (primarily pulp magazines and comic books) of the 1920s to about 1960, that the stories therein drew their definitions of heroism and villainy from an overarching, nativist fear of outsiders that had existed before World War I but intensified afterwards. These depictions were transferred to America's "new" enemies, both following U.S. entry into the Second World War and during the early stages of the Cold War. Anti-foreign narratives showed a growing emphasis on ideological, as opposed to racial or ethnic, differences--and early signs of the coming "multiculturalism"--indicating that pure racism was not the sole reason for nativist rhetoric in popular literature. The process of change in America's nativist sentiments, so virulent after the First World War, are revealed by the popular, inexpensive escapism of the time, pulp magazines and comic books.
Brave New World
Author: Aldous Huxley
Publisher: Rosetta Books
ISBN: 0795311257
Category : Fiction
Languages : en
Pages : 246
Book Description
This classic novel of a perfectly engineered society is “one of the most prophetic dystopian works of the twentieth century” (The Wall Street Journal). Half a millennium from now, in the World State, the watchword is that every one belongs to every one else. No matter what class of human you are bred to be—from the intellectual Alphas to the Epsilons who provide the manual labor—you are a part of the efficient, well-oiled whole. You are nourished, secure, and blissfully serene thanks to the freely distributed drug called soma. And while sex is strongly encouraged, the old way of procreation is forbidden, eliminating even the pains of childbirth. But when a man and woman journey beyond these confines to where the “savages” reside, and bring back two outsiders, the cracks begin to show. Named as one of the 100 best English-language novels of the twentieth century by the Modern Library, Brave New World is one of the first truly dystopian novels. Influenced by the historic events of Huxley’s era yet as relevant today as ever, it is a remarkable depiction of the conflict between progress and the human spirit. “Chilling. . . . That he gave us the dark side of genetic engineering in 1932 is amazing.” —Providence Journal-Bulletin “It is a frightening experience, indeed, to discover how much of his satirical prediction of a distant future became reality in so short a time.” —The New York Times Book Review
Publisher: Rosetta Books
ISBN: 0795311257
Category : Fiction
Languages : en
Pages : 246
Book Description
This classic novel of a perfectly engineered society is “one of the most prophetic dystopian works of the twentieth century” (The Wall Street Journal). Half a millennium from now, in the World State, the watchword is that every one belongs to every one else. No matter what class of human you are bred to be—from the intellectual Alphas to the Epsilons who provide the manual labor—you are a part of the efficient, well-oiled whole. You are nourished, secure, and blissfully serene thanks to the freely distributed drug called soma. And while sex is strongly encouraged, the old way of procreation is forbidden, eliminating even the pains of childbirth. But when a man and woman journey beyond these confines to where the “savages” reside, and bring back two outsiders, the cracks begin to show. Named as one of the 100 best English-language novels of the twentieth century by the Modern Library, Brave New World is one of the first truly dystopian novels. Influenced by the historic events of Huxley’s era yet as relevant today as ever, it is a remarkable depiction of the conflict between progress and the human spirit. “Chilling. . . . That he gave us the dark side of genetic engineering in 1932 is amazing.” —Providence Journal-Bulletin “It is a frightening experience, indeed, to discover how much of his satirical prediction of a distant future became reality in so short a time.” —The New York Times Book Review
Brave New World
Author: Aldous Huxley
Publisher: Arrow
ISBN: 9781784876258
Category : Fiction
Languages : en
Pages : 0
Book Description
Welcome to New London. Everybody is happy here. Our perfect society achieved peace and stability through the prohibition of monogamy, privacy, money, family and history itself. Now everyone belongs. You can be happy too. All you need to do is take your Soma pills. Discover the brave new world of Aldous Huxley's classic novel, written in 1932, which prophesied a society which expects maximum pleasure and accepts complete surveillance - no matter what the cost.
Publisher: Arrow
ISBN: 9781784876258
Category : Fiction
Languages : en
Pages : 0
Book Description
Welcome to New London. Everybody is happy here. Our perfect society achieved peace and stability through the prohibition of monogamy, privacy, money, family and history itself. Now everyone belongs. You can be happy too. All you need to do is take your Soma pills. Discover the brave new world of Aldous Huxley's classic novel, written in 1932, which prophesied a society which expects maximum pleasure and accepts complete surveillance - no matter what the cost.
Victorian Science and Imagery
Author: Nancy Rose Marshall
Publisher: University of Pittsburgh Press
ISBN: 0822987996
Category : Science
Languages : en
Pages : 341
Book Description
The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories—such as Darwin’s theory of evolution and sexual selection—deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.
Publisher: University of Pittsburgh Press
ISBN: 0822987996
Category : Science
Languages : en
Pages : 341
Book Description
The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories—such as Darwin’s theory of evolution and sexual selection—deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.