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Author: G. J. Dorleijn
Publisher: Peeters Publishers
ISBN: 9789042917569
Category : Dutch literature
Languages : en
Pages : 192
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Book Description
This volume contains a selection of essays presented at the international conference of Cultural Crises in Art and Literature, held in Groningen in November 2002, in special sessions concerning modern Dutch literature. The recent decennia have shown a gradual transition in Netherlandic Studies towards new scopes: a contextual orientation of literature and the reception of 'Theory'. The contributions to this volume touch upon the theme of cultural crises from the perspective of these frameworks, approaching topics like the interrelation of literary representation and historical and medical discourse concerning the obsession by dirt, contamination, and dust; the impact of nationalism and humanism (in the political field) on literary education; the decline of modernism, resulting in the changing position of women authors, the rise of children's literature and the reassessment of 'low' genres like melodrama. A brief outline of the development of the study of modern Dutch literature opens this volume, the presentation of a general theoretical and methodological framework for conceptualizing the notion of cultural crisis concludes it.
Author: G. J. Dorleijn
Publisher: Peeters Publishers
ISBN: 9789042917569
Category : Dutch literature
Languages : en
Pages : 192
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Book Description
This volume contains a selection of essays presented at the international conference of Cultural Crises in Art and Literature, held in Groningen in November 2002, in special sessions concerning modern Dutch literature. The recent decennia have shown a gradual transition in Netherlandic Studies towards new scopes: a contextual orientation of literature and the reception of 'Theory'. The contributions to this volume touch upon the theme of cultural crises from the perspective of these frameworks, approaching topics like the interrelation of literary representation and historical and medical discourse concerning the obsession by dirt, contamination, and dust; the impact of nationalism and humanism (in the political field) on literary education; the decline of modernism, resulting in the changing position of women authors, the rise of children's literature and the reassessment of 'low' genres like melodrama. A brief outline of the development of the study of modern Dutch literature opens this volume, the presentation of a general theoretical and methodological framework for conceptualizing the notion of cultural crisis concludes it.
Author: Barbara de Vries
Publisher: Rizzoli International Publications
ISBN: 0789345641
Category : House & Home
Languages : en
Pages : 0
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Book Description
A celebration of the innovative, artisanal, and sustainable living exemplified by contemporary Dutch interiors. With a carefully curated collection of interiors, including historic canal houses, restored farms, and green homes, belonging to interior designers, product designers, architects, and artists, this book showcases creative and resourceful living. These properties have been created or renovated and brought into the twenty-first century with typical Dutch style and sensibility—environmentally friendly, imaginative uses of space filled with color and charm and never to be taken too seriously. Each home in the book reflects the personality and spirit of the people who inhabit it. From furniture designer Valentin Loellman’s handcrafted interiors in a traditional worker’s cottage on the Maas river to fiber artist Claudy Jongstra’s farmhouse in Friesland where indigo dye plants grow in the biodynamic garden, Coming Home illustrates fun ideas and easy ways to incorporate individual style into your surroundings. Whether it’s the traditional “lowlands” aesthetic of combining old and new, faded and inviting, into a casual chic or a quirky reinvention of a space that reveals a touch of eccentricity, this book illustrates why the Netherlands is truly loved by so many and can be an inspiration to us all.
Author: Juris Dilevko
Publisher: Bloomsbury Publishing USA
ISBN: 1598849093
Category : Language Arts & Disciplines
Languages : en
Pages : 554
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Book Description
This much-needed guide to translated literature offers readers the opportunity to hear from, learn about, and perhaps better understand our shrinking world from the perspective of insiders from many cultures and traditions. In a globalized world, knowledge about non-North American societies and cultures is a must. Contemporary World Fiction: A Guide to Literature in Translation provides an overview of the tremendous range and scope of translated world fiction available in English. In so doing, it will help readers get a sense of the vast world beyond North America that is conveyed by fiction titles from dozens of countries and language traditions. Within the guide, approximately 1,000 contemporary non-English-language fiction titles are fully annotated and thousands of others are listed. Organization is primarily by language, as language often reflects cultural cohesion better than national borders or geographies, but also by country and culture. In addition to contemporary titles, each chapter features a brief overview of earlier translated fiction from the group. The guide also provides in-depth bibliographic essays for each chapter that will enable librarians and library users to further explore the literature of numerous languages and cultural traditions.
Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110334100
Category : Literary Criticism
Languages : en
Pages : 632
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Book Description
The International Yearbook of Futurism Studies was founded in 2009, the centenary year of Italian Futurism, in order to foster intellectual cooperation between Futurism scholars across countries and academic disciplines. The Yearbook does not focus exclusively on Italian Futurism, but on the relations between Italian Futurism and other Futurisms worldwide, on artistic movements inspired by Futurism, and on artists operating in the international sphere with close contacts to Italian or Russian Futurism. Volume 4 (2014) is an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry.
Author: M. G. Kemperink
Publisher: Peeters Publishers
ISBN: 9789042918771
Category : Art
Languages : en
Pages : 274
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Book Description
This volume contains the essays presented at the workshop 'Visualizing Utopia' held in May 2005, organized by Mary Kemperink and Willemien Roenhorst. The essays presented here discuss utopian thinking from 1890 until 1930. From the end of the eighteenth century, this utopian thinking developed from what can be called 'classic' utopianism into 'modern' utopianism. Utopianism unmarked by temporality made way for a tale situated in time - future time. Thus what was first regarded as merely a thought experiment gradually assumed the character of a real political programme. In their view of the new world and new people, writers, artists, architects, social reformers, cultural critics, politicians, etc., would often draw on representations already present in the culture. These could be biblical representations, such as those of the Apocalypse, Christ the Saviour and earthly paradise, or ancient myths, such as those of the Age of Gold, Arcadia, the sun-drenched world of Gnosticism and the Wagnerian mythological universe. The workshop concentrated on the following two aspects: the way in which the future Utopia and the path that would lead to its realization was given shape in the artistic field as well as in the non-artistic field, and the question to which culturally rooted concepts these representations were related. This double line of approach created the opportunity for specialized researchers from different disciplines - history, cultural history, art history, history of architecture, literary history - to discuss utopianism as it manifested itself in Europe and the United States at the end of the nineteenth and the beginning of the twentieth century.
Author: Henk Th. van Veen
Publisher: Peeters Publishers
ISBN: 9789042918559
Category : Art
Languages : en
Pages : 258
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Book Description
"The papers show that the response to the new style was without exception a very conscious one. In Siena and Venice it was simply rejected, whereas in Pesaro, Mantua, Rome and Fontainebleau it was transformed or attempts were made even to surpass it. In other cases, Florence in particular, the answer to the new Raphaelesque style was found by proposing a conspicuously Michelangelesque one instead."--BOOK JACKET.
Author: Lodi Nauta
Publisher: Peeters Publishers
ISBN: 9789042917576
Category : Art
Languages : en
Pages : 248
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Book Description
It is common wisdom that language is culturally embedded. Cultural change is often accompanied by a change in idiom, in language or in ideas about language. No period serves as a better example of the formative influence of language on culture than the Renaissance. With the advent of humanism new modes of speaking and writing arose. But not only did classical Latin become the paradigm of clear and elegant writing, it also gave rise to new ideas about language and the teaching of it. Some scholars have argued that the cultural paradigm shift from scholasticism to humanism was causally determined by the rediscovery, study and emulation of the classical language, for learning a new language opens up new possibilities for exploring and describing one's perceptions, thoughts and beliefs. However, the vernacular traditions too rose to prominence and vied with Latin for cultural prestige. This volume, number XXIV in the series Groningen Studies in Cultural Change, offers the papers presented at a workshop on language and cultural change held in Groningen in February 2004. Ten specialists explore the multifarious ways in which language contributed to the shaping of Renaissance culture. They discuss themes such as the relationship between medieval and classical Latin, between Latin and the vernacular, between humanist and scholastic conceptions of language and grammar, translation from Latin into the vernacular, Jewish ideas about different kinds of Hebrew, and shifting ideas on the power and limits of language in the articulation of truth and divine wisdom. There are essays on major thinkers such as Nicholas of Cusa and Leonardo Bruni, but also on less well-known figures and texts. The volume as a whole hopes to contribute to a deeper understanding of the highly complex interplay between language and culture in the transition period between the fourteenth and sixteenth centuries.
Author: Martin Gosman
Publisher: Peeters Publishers
ISBN: 9789042918764
Category : Art
Languages : en
Pages : 278
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Book Description
Power in the early modern age, as in the present age, is an important subject for debate. What is power? Who has it or should have it? What are the underlying reasons for this? And especially, how is this power exercised, legitimised, and accepted? The issue of power in Europe in the early modern age is all the more significant because the demarcation line between the worldly and the religious component of power is not always clearly drawn. The fact is that power can only exist in a structured context where there is a measure of approval and consensus on the way that power is constituted and exercised. It is actually about the relationship between those who have or crave power and those who find themselves in subordinate positions. Many means of persuasion are deployed in propaganda mechanisms to underscore the rightness or superiority of this relationship. The reverse side of this phenomenon is equally important: the extent to which criticism is being voiced and other opinions are being proclaimed is at least as relevant to an evaluation of the relationship between both groups, i.e. rulers and subordinates. In societies where pomp and circumstance bear the brunt of the persuasive process - since not everyone can read or write - visual elements are crucial: painting, sculpture, architecture, urban planning, court parties and ceremonies play a major role, as do all the products issued by the printing presses: tracts and pamphlets, illustrated or unillustrated. The essays in this volume deal not so much with theories of power but rather with the ways that rulers attempt to motivate the legitimation of their power and convey their own superiority, be it genuine or spurious. They focus on the persuasive production emanating from governments as well as on the reactions of other parties, which show both confirmative and contesting tendencies.
Author: Andrew Pettegree
Publisher: Yale University Press
ISBN: 0300230079
Category : History
Languages : en
Pages : 493
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Book Description
The untold story of how the Dutch conquered the European book market and became the world's greatest bibliophiles--"an instant classic on Dutch book history" (BMGN - Low Countries Historical Review) "[An] excellent contribution to book history."--Robert Darnton, New York Review of Books The Dutch Golden Age has long been seen as the age of Rembrandt and Vermeer, whose paintings captured the public imagination and came to represent the marvel that was the Dutch Republic. Yet there is another, largely overlooked marvel in the Dutch world of the seventeenth century: books. In this fascinating account, Andrew Pettegree and Arthur der Weduwen show how the Dutch produced many more books than pictures and bought and owned more books per capita than any other part of Europe. Key innovations in marketing, book auctions, and newspaper advertising brought stability to a market where elsewhere publishers faced bankruptcy, and created a population uniquely well-informed and politically engaged. This book tells for the first time the remarkable story of the Dutch conquest of the European book world and shows the true extent to which these pious, prosperous, quarrelsome, and generous people were shaped by what they read.
Author: J. L. Price
Publisher: Reaktion Books
ISBN: 1861899912
Category : History
Languages : en
Pages : 289
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Book Description
The seventeenth century is considered the Dutch Golden Age, a time when the Dutch were at the forefront of social change, economics, the sciences, and art. In Dutch Culture in the Golden Age, eminent historian J. L. Price goes beyond the standard descriptions of the cultural achievements of the Dutch during this time by placing these many achievements within their social context. Price’s central argument is that alongside the innovative tendencies in Dutch society and culture there were powerful conservative and reactionary forces at work—and that it was the tension between these contradictory impulses that gave the period its unique and powerful dynamic. Dutch Culture in the Golden Age is distinctive in its broad scope, examing art, literature, religion, political ideology, theology, and scientific and intellectual trends, while also attending to the high and popular culture of the times. Price’s new interpretation of Dutch history places an emphasis on the paradox of the Dutch resistance to change as well as their general acceptance of innovation. This comprehensive look at the Dutch Golden Age provides a fascinating new way to understand Dutch culture at the height of its historic and global influence.
