New Theatre Quarterly 62: Volume 16, Part 2 PDF Download
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Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521789028
Category : Drama
Languages : en
Pages : 100
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Book Description
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 62 include: Staging and Storytelling, Theatre and Film: Richard III at Stratford; The Theatrical Biosphere and Ecologies of Performance; The Afro-Caribbean Identity and the English Stage; A Riposte to David Mamet: Heresy and Common Sense in True and False; Form as Weapon: the Political Function of Song in Urban Zimbabwean Theatre; 'Aphrodite Speaks': on the recent Performance Art of Carolee Schneemann; Theatre and Urban Space: the Case of Birmingham Rep; Across Two Eras: Slovak Theatre from Communism to Independence; Whatever Happened to Gay Theatre?
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521789028
Category : Drama
Languages : en
Pages : 100
Get Book Here
Book Description
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 62 include: Staging and Storytelling, Theatre and Film: Richard III at Stratford; The Theatrical Biosphere and Ecologies of Performance; The Afro-Caribbean Identity and the English Stage; A Riposte to David Mamet: Heresy and Common Sense in True and False; Form as Weapon: the Political Function of Song in Urban Zimbabwean Theatre; 'Aphrodite Speaks': on the recent Performance Art of Carolee Schneemann; Theatre and Urban Space: the Case of Birmingham Rep; Across Two Eras: Slovak Theatre from Communism to Independence; Whatever Happened to Gay Theatre?
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521789011
Category : Drama
Languages : en
Pages : 108
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Book Description
Provides an international forum where theatrical scholarship and practice can meet.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521001472
Category : Drama
Languages : en
Pages : 108
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Book Description
Provides an international forum where theatrical scholarship and practice can meet.
Author: Craig Conley
Publisher: Weiser Books
ISBN: 1609250508
Category : Body, Mind & Spirit
Languages : en
Pages : 364
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Book Description
Magic Words: A Dictionary is a oneofakind resource for armchair linguists, popculture enthusiasts, Pagans, Wiccans, magicians, and trivia nuts alike. Brimming with the most intriguing magic words and phrases from around the world and illustrated throughout with magical symbols and icons, Magic Words is a dictionary like no other. More than sevenhundred essay style entries describe the origins of magical words as well as historical and popular variations and fascinating trivia. With sources ranging from ancient Medieval alchemists to modern stage magicians, necromancers, and wizards of legend to miracle workers throughout time, Magic Words is a must have for any scholar of magic, language, history, and culture.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521626903
Category : Drama
Languages : en
Pages : 100
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Book Description
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521603270
Category : Drama
Languages : en
Pages : 108
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Book Description
Provides an international forum where theatrical scholarship and practice can meet.
Author: Francis Machingura
Publisher: University of Bamberg Press
ISBN: 3863090640
Category : Feeding of the five thousand (Miracle)
Languages : en
Pages : 437
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Book Description
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521524049
Category : Drama
Languages : en
Pages : 100
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Book Description
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 71 include: Remembering Martin Esslin, 1918 2002; 'An Uncooked Army Boot': Spike Milligan, 1918 2002; Doing Things with Words: Directing Darion Fo in the UK; The Long Road Home: Athol Fugard and His Collaborators; Theatre Audience Surveys: towards a Semiotic Approach; Fragile Currency of the Last Anarchist: the Plays of Maxwell Anderson; The Mud and the Wind: an Inquiry into Dramaturgy.
Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521535908
Category : Drama
Languages : en
Pages : 100
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Book Description
Provides an international forum where theatrical scholarship and practice can meet.
Author: Lynsey McCulloch
Publisher: Oxford University Press
ISBN: 0190873493
Category : Music
Languages : en
Pages : 718
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Book Description
Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.
