New Theatre Quarterly 49: Volume 13, Part 1 PDF Download
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Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521589024
Category : Drama
Languages : en
Pages : 100
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Book Description
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521589024
Category : Drama
Languages : en
Pages : 100
Get Book Here
Book Description
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521597289
Category : Drama
Languages : en
Pages : 108
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Book Description
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521535915
Category : Drama
Languages : en
Pages : 110
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Book Description
Provides an international forum where theatrical scholarship and practice can meet.
Author: Simon Trussler
Publisher: Cambridge University Press
ISBN: 9780521535922
Category : Drama
Languages : en
Pages : 100
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Book Description
Provides an international forum where theatrical scholarship and practice can meet.
Author: John Saul
Publisher: Bantam
ISBN: 0553262580
Category : Fiction
Languages : en
Pages : 385
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Book Description
“[John] Saul has the instincts of a natural storyteller.”—People Something is happening to the children of Eastbury, Massachusetts. Something that causes healthy babies to turn cold in their cribs. Something that strikes at the heart of every parent’s darkest fears. Something is taking the children one by one. Now, an entire town waits on the edge of panic for the next nightmare. there must be a reason for the terror. They all know it. But no one ever suspected . . .
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521448154
Category : Drama
Languages : en
Pages : 100
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Book Description
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.
Author: Jonathan Sims
Publisher: Gollancz
ISBN: 1473228751
Category : Fiction
Languages : en
Pages : 349
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Book Description
A haunted house tour-de-force from the creator of THE MAGNUS ARCHIVES podcast. GOING UP? A dinner party is held in the penthouse of a multimillion-pound development. All the guests are strangers - even to their host, the billionaire owner of the building. None of them know why they were selected to receive his invitation. Whether privileged or deprived, they share only one thing in common - they've all experienced a shocking disturbance within the building's walls. By the end of the night, their host is dead, and none of the guests will say what happened. His death has remained one of the biggest unsolved mysteries - until now. But are you ready for their stories? * * * * * * * * * * 'A modern horror classic' Starburst Magazine 'Astonishing' SFX 'Nerve-jangling' Guardian 'A wonderfully creepy climax, hitting that perfect spot of uncanny horror' Grimdark Magazine 'Steals your sleep, not only because it's such a page turner but it is very very creepy' NetGalley reviewer 'Chilling and so creepy' NetGalley reviewer 'This book literally has it all: simply faultless' NetGalley reviewer
Author: Christopher Innes
Publisher: Routledge
ISBN: 113492089X
Category : Art
Languages : en
Pages : 275
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Book Description
`Innes has produced a brilliant, sensitive, articulate statement. It deserves serious study by all those whose practice and commitment is toward an understanding and expression of this century's theatre'. - Choice
Author: Susan Valladares
Publisher: Liverpool University Press
ISBN: 183553788X
Category : Drama
Languages : en
Pages : 199
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Book Description
What do we gain from watching a familiar play for the nth time? This was a crucial question for Romantic-period theatre managers, who, to deliver varied programmes, relied on a repertoire of ‘stock’ entertainments performed in alternation with the latest plays. Repertory theatre was not new to the Romantic period, but it took on additional purchase at a time when the playhouse was not simply a site for entertainment but a government-controlled cultural institution and business, subject to sometimes extreme financial, political, and ideological pressures. Through an innovative selection of case studies drawn from deep archival research, Stock Pieces juxtaposes canonical with otherwise forgotten entertainments; unites the period’s professional and amateur dramatic cultures; and spans British metropolitan, provincial, and imperial geographies. The picture that emerges is fresh and compelling. Stock Pieces sheds light on the mechanics of stock piece status, the Romantic afterlives of Shakespeare’s near contemporaries (whose popular appeal declined as his increased), and the work of various agents (from pantomime arrangers to enslaved performers in Jamaica) who contested the repertoire’s received aesthetic and cultural values. It also explores the extent to which investments in the abolitionist cause were remediated by stock pieces that revived and reenacted the spectral violence of slavery and the slave trade – for various purposes. Stock Pieces showcases how the Romantic-period dramatic repertoire could be mobilised to signify social and political practices that operated outside the theatrical institution, crossed national borders, and dared to effect real change.
Author: Lucinda Cradduck
Publisher: Taylor & Francis
ISBN: 1000803759
Category : Music
Languages : en
Pages : 297
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Book Description
Edmund Rubbra’s music has given him a reputation as a ‘spiritual’ composer, who had an interest in Eastern thought, and a mid-life conversion to Roman Catholicism. This book takes a wide and detailed view of ‘spiritual’ dimensions or strands that were important in his life, positioning them both biographically and within the context of contemporaneous English culture. It proceeds to interpret through detailed analysis the ways these spiritual aspects are reflected in specific compositions. Thematical treatment of these spiritual issues, touching on Theosophy, dance, Eastern religions and thought, nature, the evolutionary theory of Teilhard de Chardin and the Christ figure, presents a multi-faceted view of Rubbra’s life and music. Its contribution to a scholarly re-evaluation of his place within twentieth-century British music and culture engages and meshes with several areas of current scholarly research in the arts and humanities, including academic interest in Theosophy, modernism and the arts, experimental dance and the Indian cultural renaissance and East–West musical interactions of the late nineteenth and early twentieth centuries. It also adds to a burgeoning body of writings on music and spirituality, fuelled by the popularity of later twentieth-century and contemporary composers who make more overt spiritual references in their music.
