New Poets of England and America. Edited by D. Hall, Robert Pack, Louis Simpson. Introduction by Robert Frost. (Third Printing.). PDF Download
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Author: Donald Hall
Publisher:
ISBN:
Category :
Languages : en
Pages : 351
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Author: Donald Hall
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 351
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Book Description
Author: Donald Hall
Publisher:
ISBN:
Category :
Languages : en
Pages : 351
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 351
Get Book Here
Book Description
Author: Donald Hall
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 360
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Book Description
Author: George Monteiro
Publisher: University Press of Kentucky
ISBN: 0813182980
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
"A poem is best read in the light of all the other poems ever written." So said Robert Frost in instructing readers on how to achieve poetic literacy. George Monteiro's newest book follows that dictum to enhance our understanding of Frost's most valuable poems by demonstrating the ways in which they circulate among the constellations of great poems and essays of the New England Renaissance. Monteiro reads Frost's own poetry not against "all the other poems ever written" but in the light of poems and essays by his precursors, particularly Emerson, Thoreau, and Dickinson. Familiar poems such as "Mending Wall," "After Apple-Picking," "Birches," "Stopping by Woods on a Snowy Evening," "The Road Not Taken," and "Mowing," as well as lesser known poems such as "The Draft Horse," "The Ax-Helve," "The Bonfire," "Dust of Snow," "A Cabin in the Clearing," "The Cocoon," and "Pod of the Milkweed," are renewed by fresh and original readings that show why and how these poems pay tribute to their distinguished sources. Frost's insistence that Emerson and Thoreau were the giants of nineteenth-century American letters is confirmed by the many poems, variously influenced, that derive from them. His attitude toward Emily Dickinson, however, was more complex and sometimes less generous. In his twenties he molded his poetry after hers. But later, after he joined the faculty of Amherst College, he found her to be less a benefactor than a competitor. Monteiro tells a two-stranded tale of attraction, imitation, and homage countered by competition, denigration, and grudging acceptance of Dickinson's greatness as a woman poet. In a daring move, he composes—out of Frost's own words and phrases—the talk on Emily Dickinson that Frost was never invited to give. In showing how Frost's work converses with that of his predecessors, Monteiro gives us a new Frost whose poetry is seen as the culmination of an intensely felt New England literary experience.
Author: Robert Frost
Publisher: Penguin
ISBN: 9780141180175
Category : Poetry
Languages : en
Pages : 324
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Book Description
Beloved American poet Robert Frost's first three books, in one collection This volume presents Frost’s first three books, masterful and innovative collections that contain some of his best-known poems,including "Mowing," "Mending Wall," "After Apple-Picking," "Home Burial," "The Oven Bird," "Birches," and "The Road Not Taken." For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Mark Richardson
Publisher: Cambridge University Press
ISBN: 1139916203
Category : Literary Criticism
Languages : en
Pages : 431
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Book Description
This new critical volume offers a fresh, multifaceted assessment of Robert Frost's life and works. Nearly every aspect of the poet's career is treated: his interest in poetics and style; his role as a public figure; his deep fascination with science, psychology, and education; his peculiar and difficult relation to religion; his investments, as thinker and writer, in politics and war; the way he dealt with problems of mental illness that beset his sister and two of his children; and, finally, the complex geo-political contexts that inform some of his best poetry. Contributors include a number of influential scholars of Frost, but also such distinguished poets as Paul Muldoon, Dana Gioia, Mark Scott, and Jay Parini. Essays eschew jargon and employ highly readable prose, offering scholars, students, and general readers of Frost a broadly accessible reference and guide.
Author: Robert Frost
Publisher: Simon and Schuster
ISBN: 1952438462
Category : Poetry
Languages : en
Pages : 114
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Book Description
New Hampshire is Robert Frost’s poetic tour de force. It won the Pulitzer Prize for excellence in poetry. While Frost had been a respected poet before New Hampshire’s release New Hampshire forever cemented Frost’s standing as the greatest American Poet. If you’ve never read Frost, this is the book with which to start. It includes some of his most beloved poems such as "Stopping by Woods on a Snowy Evening," "Nothing Gold Can Stay" and "Fire and Ice.” Powerful and Evocative. Poems included are: 'New Hampshire' 'A Star in a Stone-Boat' 'The Census-Taker' 'The Star-Splitter' 'Maple' 'The Ax-Helve' 'The Grindstone' 'Paul’s Wife' 'Wild Grapes' 'Place for a Third' 'Two Witches' - 'The Witch of Coos' - 'The Pauper Witch of Grafton' 'An Empty Threat' 'A Fountain, a Bottle, a Donkey’s Ears, and Some Books' 'I Will Sing You One-O' 'Fragmentary Blue' 'Fire and Ice' 'In a Disused Graveyard' 'Dust of Snow' 'To E.T.' 'Nothing Gold Can Stay' 'The Runaway' 'The Aim Was Song' 'Stopping by Woods on a Snowy Evening' 'For Once, Then, Something' 'Blue-Butterfly Day' 'The Onset' 'To Earthward' 'Good-by and Keep Cold' 'Two Look at Two' 'Not to Keep' 'A Brook in the City' 'The Kitchen Chimney' 'Looking for a Sunset Bird in Winter' 'A Boundless Moment' 'Evening in a Sugar Orchard' 'Gathering Leaves' 'The Valley’s Singing Day' 'Misgiving' 'A Hillside Thaw' 'Plowmen' 'On a Tree Fallen Across the Road' 'Our Singing Strength' 'The Lockless Door' 'The Need of Being Versed in Country Things'
Author: John C. Kemp
Publisher: Princeton University Press
ISBN: 1400869749
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Though critics traditionally have paid homage to Robert Frost's New England identity by labeling him a regionalist, John Kemp is the first to investigate what was in fact a highly complex relationship between poet and region. Through a frankly revisionist interpretation, he not only demonstrates how Frost's relationship to New England and his attempt to portray himself as the "Yankee farmer poet" affected his poetry; he also shows that the regional identity became a problem both for Frost and for his readers. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: George Monteiro
Publisher: McFarland
ISBN: 0786497890
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
"Wise old Vergil says in one of his Georgics, 'Praise large farms, stick to small ones,'" Robert Frost said. "Twenty acres are just about enough." Frost started out as a school teacher living the rural life of a would-be farmer, and later turned to farming full time when he bought a place of his own. After a sojourn in England where his first two books were published to critical acclaim, he returned to New England, acquired a new farm and became a rustic for much of the rest of his life. Frost claimed that all of his poetry was farm poetry. His deep admiration for Virgil's Georgics, or poems of rural life, inspired the creation of his own New England "georgics," his answer to the haughty 20th-century modernism that seemed certain to define the future of Western poetry. Like the "West-Running Brook" in his poem of the same name, Frost's poetry can be seen as an embodiment of contrariness.
