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Author: Willie van Peer
Publisher: SUNY Press
ISBN: 9780791447871
Category : Language Arts & Disciplines
Languages : en
Pages : 438
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Book Description
Offers an interdisciplinary approach to narrative perspective, with essays by leading scholars of literary studies, cognitive psychology, linguistics, philosophy, and film and media criticism.
Author: Willie van Peer
Publisher: SUNY Press
ISBN: 9780791447871
Category : Language Arts & Disciplines
Languages : en
Pages : 438
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Book Description
Offers an interdisciplinary approach to narrative perspective, with essays by leading scholars of literary studies, cognitive psychology, linguistics, philosophy, and film and media criticism.
Author: David Herman
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 416
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Book Description
Author: David Herman
Publisher:
ISBN:
Category : Narration (Rhetoric)
Languages : en
Pages : 416
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Book Description
Author: Peter Hühn
Publisher: Walter de Gruyter
ISBN: 3110218909
Category : Language Arts & Disciplines
Languages : en
Pages : 312
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Book Description
Stories do not actually exist in the world but are created and structured- modeled- through the process of mediation, i.e. through the means and techniques by which they are represented. This is an important field, not only for narratology but a
Author: Natalia Igl
Publisher: John Benjamins Publishing Company
ISBN: 9027267448
Category : Language Arts & Disciplines
Languages : en
Pages : 185
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Book Description
The book offers a novel approach to the question of how to model narrativity against the background of perspectivization. By bringing together contributions from neuro- and cognitive linguistics, literary studies, and picture theory, the volume uncovers basic mechanisms of perspectivization that are common to the different levels of linguistic structure, literary novels, and narrative pictures. As such, it is also a book on narrative perspectivization since its contributions examine in detail the perspectival principles in medieval, romantic and postmodern literature, in the micro-linguistic structure of language, narrative pictures, literary novels, dramatic texts, and everyday stories. In doing so, it contributes both to the theoretical debate on the core definition of narrativity and offers new empirical investigations on perspectival principles in specific historical, medial, and genre constellations. This volume will be of interest to scholars and students of cognitive linguistics, narrative research and (transmedial) narratology, cognitive poetics, and stylistics.
Author: Ruth Page
Publisher: Routledge
ISBN: 1135254605
Category : Language Arts & Disciplines
Languages : en
Pages : 242
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Book Description
The contributors in this collection question what kinds of relationships hold between narrative studies and the recently established field of multimodality, evaluate how we might develop an analytical vocabulary which recognizes that stories do not consist of words alone, and demonstrate the ways in which multimodality brings into fresh focus the embodied nature of narrative production and processing. Engaging with a spectrum of multimodal storytelling, from ‘low tech’ examples encompassing face-to-face stories, comic books, printed literature, through to opera, film adaptation and television documentary, stretching beyond to narratives that employ new media such as hypertext, performance art, and interactive museum guides, this volume examines the interplay of semiotic codes (visual, oral, aural, haptic, physiological) within each case under scrutiny, thereby exposing both points of commonality and difference in the range of multimodal narrative experiences.
Author: Claudia Holler
Publisher: John Benjamins Publishing
ISBN: 9027226571
Category : Language Arts & Disciplines
Languages : en
Pages : 216
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Book Description
Why is it that we tend to think about our lives as stories? Why do we strive to create coherent narratives that reflect a particular perspective? What happens when we discover multiple, perhaps conflicting perspectives in our narratives? Following groundbreaking work in the study of narrative identity in the last 20 years, the scholars of this volume have expanded and merged their theories of narrative identity with new perspectives in fields such as narratology, literary theory, philosophy, cultural studies, psychology, sociology, gender studies and history. Their contributions focus on the significance of perspective in the formation of narrative identities, probing the stratagems and narrative means of individuals in testing out personae for themselves.
Author: David A. Moss
Publisher: The Tobin Project
ISBN: 0982478801
Category : Business & Economics
Languages : en
Pages : 169
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Book Description
As an experiment in reconnecting academia to the broader democracy, this work is designed to invigorate public policy debate by rededicating academic work to the pursuit of solutions to society's great problems.
Author: Nathan Bransford
Publisher: Nathan Bransford
ISBN: 173414940X
Category : Language Arts & Disciplines
Languages : en
Pages : 183
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Book Description
Author and former literary agent Nathan Bransford shares his secrets for creating killer plots, fleshing out your first ideas, crafting compelling characters, and staying sane in the process. Read the guide that New York Times bestselling author Ransom Riggs called "The best how-to-write-a-novel book I've read."
Author: Peter Hühn
Publisher: Walter de Gruyter
ISBN: 3110218917
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Stories do not actually exist in the (fictional or factual) world but are constituted, structured and endowed with meaning through the process of mediation, i.e. they are represented and transmitted through systems of verbal, visual or audio-visual signs. The terms usually proposed to describe aspects of mediation, especially perspective, point of view, and focalization, have yet to bring clarity to this field, which is of central importance, not only for narratology but also for literary and media studies. One crucial problem about mediation concerns the dimensions of its modeling effect, particularly the precise status and constellation of the mediating agents, i.e. author, narrator or presenter and characters. The question is how are the structure and the meaning of the story conditioned by these different positions in relation to the mediated happenings perceived from outside and/or inside the storyworld? In this volume, fourteen articles by international scholars from seven different countries address these problems anew from various angles, reviewing the sub-categorization of mediation and re-specifying its dimensions both in literary texts and other media such as drama and theater, film, and computer games.
