Author: Jaime López-Díez
Publisher: ESIC
ISBN: 8411220567
Category : Education
Languages : en
Pages : 150
Book Description
Los Carmelitas Descalzos no pudieron estudiar grados académicos hasta el Concilio Vaticano II (1962-1965), circunstancia que impidió su ejercicio como profesores universitarios, al contrario que el resto de integrantes de las demás Órdenes Mendicantes. No obstante, su labor docente fue variada y próspera como se comprueba y se detalla a lo largo de los diversos capítulos del libro, aunque siempre bajo el carisma de una finalidad concreta: que nacieran y se consolidaran vocaciones religiosas. Esta monografía ofrece un recorrido completo sobre la historia de los Colegios Carmelitanos desde la fundación de la Orden en el siglo XVI hasta la actualidad. Es el resultado de un trabajo de investigación serio y riguroso a partir de fuentes documentales y bibliográficas inéditas o de difícil acceso, cuyo objetivo es dar a conocer la acción pedagógica desarrollada por la Orden del Carmen Descalzo. Un libro de referencia para profundizar en la Historia de la Educación en España y en la Historia de la Iglesia en los últimos cinco siglos. ÓscarIgnacio Aparicio Ahedo (Burgos, 1970) es Doctor en Humanidades por la Universidad Rey Juan Carlos (2020). Asimismo, es Licenciado en Ciencias Eclesiásticas (1995), en Historia (2003), y en Teología, Historia de la Iglesia (2009). Pertenece a la Orden del Carmen Descalzo. En la actualidad es director del Archivo Silveriano de Burgos, tras haberlo sido del Archivo General de Roma (2009-2015). También es Profesor en la Facultad de Teología del Norte de España (sede Burgos).
New Perspectives On Indian Cinema
Author: Jaime López-Díez
Publisher: ESIC
ISBN: 8411220567
Category : Education
Languages : en
Pages : 150
Book Description
Los Carmelitas Descalzos no pudieron estudiar grados académicos hasta el Concilio Vaticano II (1962-1965), circunstancia que impidió su ejercicio como profesores universitarios, al contrario que el resto de integrantes de las demás Órdenes Mendicantes. No obstante, su labor docente fue variada y próspera como se comprueba y se detalla a lo largo de los diversos capítulos del libro, aunque siempre bajo el carisma de una finalidad concreta: que nacieran y se consolidaran vocaciones religiosas. Esta monografía ofrece un recorrido completo sobre la historia de los Colegios Carmelitanos desde la fundación de la Orden en el siglo XVI hasta la actualidad. Es el resultado de un trabajo de investigación serio y riguroso a partir de fuentes documentales y bibliográficas inéditas o de difícil acceso, cuyo objetivo es dar a conocer la acción pedagógica desarrollada por la Orden del Carmen Descalzo. Un libro de referencia para profundizar en la Historia de la Educación en España y en la Historia de la Iglesia en los últimos cinco siglos. ÓscarIgnacio Aparicio Ahedo (Burgos, 1970) es Doctor en Humanidades por la Universidad Rey Juan Carlos (2020). Asimismo, es Licenciado en Ciencias Eclesiásticas (1995), en Historia (2003), y en Teología, Historia de la Iglesia (2009). Pertenece a la Orden del Carmen Descalzo. En la actualidad es director del Archivo Silveriano de Burgos, tras haberlo sido del Archivo General de Roma (2009-2015). También es Profesor en la Facultad de Teología del Norte de España (sede Burgos).
Publisher: ESIC
ISBN: 8411220567
Category : Education
Languages : en
Pages : 150
Book Description
Los Carmelitas Descalzos no pudieron estudiar grados académicos hasta el Concilio Vaticano II (1962-1965), circunstancia que impidió su ejercicio como profesores universitarios, al contrario que el resto de integrantes de las demás Órdenes Mendicantes. No obstante, su labor docente fue variada y próspera como se comprueba y se detalla a lo largo de los diversos capítulos del libro, aunque siempre bajo el carisma de una finalidad concreta: que nacieran y se consolidaran vocaciones religiosas. Esta monografía ofrece un recorrido completo sobre la historia de los Colegios Carmelitanos desde la fundación de la Orden en el siglo XVI hasta la actualidad. Es el resultado de un trabajo de investigación serio y riguroso a partir de fuentes documentales y bibliográficas inéditas o de difícil acceso, cuyo objetivo es dar a conocer la acción pedagógica desarrollada por la Orden del Carmen Descalzo. Un libro de referencia para profundizar en la Historia de la Educación en España y en la Historia de la Iglesia en los últimos cinco siglos. ÓscarIgnacio Aparicio Ahedo (Burgos, 1970) es Doctor en Humanidades por la Universidad Rey Juan Carlos (2020). Asimismo, es Licenciado en Ciencias Eclesiásticas (1995), en Historia (2003), y en Teología, Historia de la Iglesia (2009). Pertenece a la Orden del Carmen Descalzo. En la actualidad es director del Archivo Silveriano de Burgos, tras haberlo sido del Archivo General de Roma (2009-2015). También es Profesor en la Facultad de Teología del Norte de España (sede Burgos).
History Through the Lens
Author: S. Theodore Baskaran
Publisher: UN
ISBN:
Category : Performing Arts
Languages : en
Pages : 144
Book Description
THEODORE BASKARAN weaves the magic and matter of South Indian films into a rich tapestry of readable essays. They cover such topics as early cinema in the south, trade unionism in South Indian film industry, and the need for historicizing southern cinema. Baskaran also investigates how Tamil cinema is struggling to get free from the legacy of company drama and the persistence of stage features. While his sharper focus rests on Tamil cinema, this collection will interest historians and students of Indian film, and the general readers who look for a sprightly introduction to the world of South Indian films. Chapter titles include.
Publisher: UN
ISBN:
Category : Performing Arts
Languages : en
Pages : 144
Book Description
THEODORE BASKARAN weaves the magic and matter of South Indian films into a rich tapestry of readable essays. They cover such topics as early cinema in the south, trade unionism in South Indian film industry, and the need for historicizing southern cinema. Baskaran also investigates how Tamil cinema is struggling to get free from the legacy of company drama and the persistence of stage features. While his sharper focus rests on Tamil cinema, this collection will interest historians and students of Indian film, and the general readers who look for a sprightly introduction to the world of South Indian films. Chapter titles include.
Indian Cinema Beyond Bollywood
Author: Ashvin Immanuel Devasundaram
Publisher: Routledge
ISBN: 1351254243
Category : Performing Arts
Languages : en
Pages : 403
Book Description
This is the first edited volume on new independent Indian cinema. It aims to be a comprehensive compendium of diverse theoretical, philosophical, epistemological and practice-based perspectives, featuring contributions from multidisciplinary scholars and practitioners across the world. This edited collection features analyses of cutting-edge new independent films and is conceived to serve as a beacon to guide future explorations into the burgeoning field of new Indian Cinema studies.
Publisher: Routledge
ISBN: 1351254243
Category : Performing Arts
Languages : en
Pages : 403
Book Description
This is the first edited volume on new independent Indian cinema. It aims to be a comprehensive compendium of diverse theoretical, philosophical, epistemological and practice-based perspectives, featuring contributions from multidisciplinary scholars and practitioners across the world. This edited collection features analyses of cutting-edge new independent films and is conceived to serve as a beacon to guide future explorations into the burgeoning field of new Indian Cinema studies.
Bollywood
Author: Tejaswini Ganti
Publisher: Routledge
ISBN: 1134442238
Category : Education
Languages : en
Pages : 265
Book Description
In Bollywood, anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindi cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Bollywood, including composers, directors and stars, as well as material from current filmmakers themselves, the areas covered in Bollywood include: history of Indian cinema main themes and characteristics of Hindi cinema significant films, directors and stars production and distribution of Bollywood films interviews with actors, directors and screenwriters. Anyone interested in, or studying Bollywood cinema will find this a valuable purchase.
Publisher: Routledge
ISBN: 1134442238
Category : Education
Languages : en
Pages : 265
Book Description
In Bollywood, anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindi cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Bollywood, including composers, directors and stars, as well as material from current filmmakers themselves, the areas covered in Bollywood include: history of Indian cinema main themes and characteristics of Hindi cinema significant films, directors and stars production and distribution of Bollywood films interviews with actors, directors and screenwriters. Anyone interested in, or studying Bollywood cinema will find this a valuable purchase.
Singapore Cinema
Author: Kai Khiun Liew
Publisher: Routledge
ISBN: 1317407474
Category : Social Science
Languages : en
Pages : 269
Book Description
This book outlines and discusses the very wide range of cinema which is to be found in Singapore. Although Singapore cinema is a relatively small industry, and relatively new, it has nevertheless made an impact, and continues to develop in interesting ways. The book shows that although Singapore cinema is often seen as part of diasporic Chinese cinema, it is in fact much more than this, with strong connections to Malay cinema and the cinemas of other Southeast Asian nations. Moreover, the themes and subjects covered by Singapore cinema are very wide, ranging from conformity to the regime and Singapore’s national outlook, with undesirable subjects overlooked or erased, to the sympathetic depiction of minorities and an outlook which is at odds with the official outlook. The book will be useful to readers coming new to the subject and wanting a concise overview, while at the same time the book puts forward many new research findings and much new thinking.
Publisher: Routledge
ISBN: 1317407474
Category : Social Science
Languages : en
Pages : 269
Book Description
This book outlines and discusses the very wide range of cinema which is to be found in Singapore. Although Singapore cinema is a relatively small industry, and relatively new, it has nevertheless made an impact, and continues to develop in interesting ways. The book shows that although Singapore cinema is often seen as part of diasporic Chinese cinema, it is in fact much more than this, with strong connections to Malay cinema and the cinemas of other Southeast Asian nations. Moreover, the themes and subjects covered by Singapore cinema are very wide, ranging from conformity to the regime and Singapore’s national outlook, with undesirable subjects overlooked or erased, to the sympathetic depiction of minorities and an outlook which is at odds with the official outlook. The book will be useful to readers coming new to the subject and wanting a concise overview, while at the same time the book puts forward many new research findings and much new thinking.
Handbook of Research on Social and Cultural Dynamics in Indian Cinema
Author: Biswal, Santosh Kumar
Publisher: IGI Global
ISBN: 1799835138
Category : Social Science
Languages : en
Pages : 401
Book Description
Cinema in India is an entertainment medium that is interwoven into society and culture at large. It is clearly evident that continuous struggle and conflict at the personal as well as societal levels is depicted in cinema in India. It has become a reflection of society both in negative and positive ways. Hence, cinema has become an influential factor and one of the largest mass communication mediums in the nation. Social and Cultural Dynamics in Indian Cinema is an essential reference source that discusses cultural and societal issues including caste, gender, oppression, and social movements through cinema and particularly in specific language cinema and culture. Featuring research on topics such as Bollywood, film studies, and gender equality, this book is ideally designed for researchers, academicians, film studies students, and industry professionals seeking coverage on various aspects of regional cinema in India.
Publisher: IGI Global
ISBN: 1799835138
Category : Social Science
Languages : en
Pages : 401
Book Description
Cinema in India is an entertainment medium that is interwoven into society and culture at large. It is clearly evident that continuous struggle and conflict at the personal as well as societal levels is depicted in cinema in India. It has become a reflection of society both in negative and positive ways. Hence, cinema has become an influential factor and one of the largest mass communication mediums in the nation. Social and Cultural Dynamics in Indian Cinema is an essential reference source that discusses cultural and societal issues including caste, gender, oppression, and social movements through cinema and particularly in specific language cinema and culture. Featuring research on topics such as Bollywood, film studies, and gender equality, this book is ideally designed for researchers, academicians, film studies students, and industry professionals seeking coverage on various aspects of regional cinema in India.
Watching Films
Author: Karina Aveyard
Publisher: Intellect (UK)
ISBN:
Category : Performing Arts
Languages : en
Pages : 444
Book Description
Whether we stream them on our laptops, enjoy them in theaters, or slide them into DVD players to watch on our TVs, movies are part of what it means to be socially connected in the twenty-first century. Despite its significant role in our lives, the act of watching films remains an area of social activity that is little studied, and thus, little understood.In "Watching Films," an international cast of contributors correct this problem with a comprehensive investigation of movie going, cinema exhibition, and film reception around the world. With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, this volume centers its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and affects follow? And what do these acts of consumption mean? Responding to these questions, the contributors provide both historical perspective and fresh insights about the ways in which new viewing arrangements and technologies influence how films get watched everywhere from Canada to China to Ireland.A long-overdue consideration of an important topic, "Watching Films" provides an engrossing overview of how we do just that in our homes and across the globe."
Publisher: Intellect (UK)
ISBN:
Category : Performing Arts
Languages : en
Pages : 444
Book Description
Whether we stream them on our laptops, enjoy them in theaters, or slide them into DVD players to watch on our TVs, movies are part of what it means to be socially connected in the twenty-first century. Despite its significant role in our lives, the act of watching films remains an area of social activity that is little studied, and thus, little understood.In "Watching Films," an international cast of contributors correct this problem with a comprehensive investigation of movie going, cinema exhibition, and film reception around the world. With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, this volume centers its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and affects follow? And what do these acts of consumption mean? Responding to these questions, the contributors provide both historical perspective and fresh insights about the ways in which new viewing arrangements and technologies influence how films get watched everywhere from Canada to China to Ireland.A long-overdue consideration of an important topic, "Watching Films" provides an engrossing overview of how we do just that in our homes and across the globe."
India’s New Independent Cinema
Author: Ashvin Immanuel Devasundaram
Publisher: Routledge
ISBN: 1317290747
Category : Performing Arts
Languages : en
Pages : 309
Book Description
This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.
Publisher: Routledge
ISBN: 1317290747
Category : Performing Arts
Languages : en
Pages : 309
Book Description
This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.
Bollywood Cinema
Author: Vijay Mishra
Publisher: Routledge
ISBN: 1135310920
Category : Social Science
Languages : en
Pages : 321
Book Description
India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by roughly 11 million people per day. In Bollywood Cinema, Vijay Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian popular culture. Seeking to understand Bollywood according to its own narrative and aesthetic principles and in relation to a global film industry, he views Indian cinema through the dual methodologies of postcolonial studies and film theory. Mishra discusses classics such as Mother India (1957) and Devdas (1935) and recent films including Ram Lakhan (1989) and Khalnayak (1993), linking their form and content to broader issues of national identity, epic tradition, popular culture, history, and the implications of diaspora.
Publisher: Routledge
ISBN: 1135310920
Category : Social Science
Languages : en
Pages : 321
Book Description
India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by roughly 11 million people per day. In Bollywood Cinema, Vijay Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian popular culture. Seeking to understand Bollywood according to its own narrative and aesthetic principles and in relation to a global film industry, he views Indian cinema through the dual methodologies of postcolonial studies and film theory. Mishra discusses classics such as Mother India (1957) and Devdas (1935) and recent films including Ram Lakhan (1989) and Khalnayak (1993), linking their form and content to broader issues of national identity, epic tradition, popular culture, history, and the implications of diaspora.
Mourning the Nation
Author: Bhaskar Sarkar
Publisher: Duke University Press
ISBN: 0822392216
Category : Performing Arts
Languages : en
Pages : 385
Book Description
What remains of the “national” when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died and ten to twelve million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual “return of the repressed” as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma’s disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning. He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations of 1947 are influenced by economic liberalization and the rise of a Hindu-chauvinist nationalism. Traversing Hindi and Bengali commercial cinema, art cinema, and television, Sarkar provides a history of Indian cinema that interrogates the national (a central category organizing cinema studies) and participates in a wider process of mourning the modernist promises of the nation form.
Publisher: Duke University Press
ISBN: 0822392216
Category : Performing Arts
Languages : en
Pages : 385
Book Description
What remains of the “national” when the nation unravels at the birth of the independent state? The political truncation of India at the end of British colonial rule in 1947 led to a social cataclysm in which roughly one million people died and ten to twelve million were displaced. Combining film studies, trauma theory, and South Asian cultural history, Bhaskar Sarkar follows the shifting traces of this event in Indian cinema over the next six decades. He argues that Partition remains a wound in the collective psyche of South Asia and that its representation on screen enables forms of historical engagement that are largely opaque to standard historiography. Sarkar tracks the initial reticence to engage with the trauma of 1947 and the subsequent emergence of a strong Partition discourse, revealing both the silence and the eventual “return of the repressed” as strands of one complex process. Connecting the relative silence of the early decades after Partition to a project of postcolonial nation-building and to trauma’s disjunctive temporal structure, Sarkar develops an allegorical reading of the silence as a form of mourning. He relates the proliferation of explicit Partition narratives in films made since the mid-1980s to disillusionment with post-independence achievements, and he discusses how current cinematic memorializations of 1947 are influenced by economic liberalization and the rise of a Hindu-chauvinist nationalism. Traversing Hindi and Bengali commercial cinema, art cinema, and television, Sarkar provides a history of Indian cinema that interrogates the national (a central category organizing cinema studies) and participates in a wider process of mourning the modernist promises of the nation form.