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Author: Jeffrey S. Adler
Publisher: University of Chicago Press
ISBN: 022664331X
Category : History
Languages : en
Pages : 265
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Book Description
New Orleans in the 1920s and 1930s was a deadly place. In 1925, the city’s homicide rate was six times that of New York City and twelve times that of Boston. Jeffrey S. Adler has explored every homicide recorded in New Orleans between 1925 and 1940—over two thousand in all—scouring police and autopsy reports, old interviews, and crumbling newspapers. More than simply quantifying these cases, Adler places them in larger contexts—legal, political, cultural, and demographic—and emerges with a tale of racism, urban violence, and vicious policing that has startling relevance for today. Murder in New Orleans shows that whites were convicted of homicide at far higher rates than blacks leading up to the mid-1920s. But by the end of the following decade, this pattern had reversed completely, despite an overall drop in municipal crime rates. The injustice of this sharp rise in arrests was compounded by increasingly brutal treatment of black subjects by the New Orleans police department. Adler explores other counterintuitive trends in violence, particularly how murder soared during the flush times of the Roaring Twenties, how it plummeted during the Great Depression, and how the vicious response to African American crime occurred even as such violence plunged in frequency—revealing that the city’s cycle of racial policing and punishment was connected less to actual patterns of wrongdoing than to the national enshrinement of Jim Crow. Rather than some hyperviolent outlier, this Louisiana city was a harbinger of the endemic racism at the center of today’s criminal justice state. Murder in New Orleans lays bare how decades-old crimes, and the racially motivated cruelty of the official response, have baleful resonance in the age of Black Lives Matter.
Author: Jeffrey S. Adler
Publisher: University of Chicago Press
ISBN: 022664331X
Category : History
Languages : en
Pages : 265
Get Book Here
Book Description
New Orleans in the 1920s and 1930s was a deadly place. In 1925, the city’s homicide rate was six times that of New York City and twelve times that of Boston. Jeffrey S. Adler has explored every homicide recorded in New Orleans between 1925 and 1940—over two thousand in all—scouring police and autopsy reports, old interviews, and crumbling newspapers. More than simply quantifying these cases, Adler places them in larger contexts—legal, political, cultural, and demographic—and emerges with a tale of racism, urban violence, and vicious policing that has startling relevance for today. Murder in New Orleans shows that whites were convicted of homicide at far higher rates than blacks leading up to the mid-1920s. But by the end of the following decade, this pattern had reversed completely, despite an overall drop in municipal crime rates. The injustice of this sharp rise in arrests was compounded by increasingly brutal treatment of black subjects by the New Orleans police department. Adler explores other counterintuitive trends in violence, particularly how murder soared during the flush times of the Roaring Twenties, how it plummeted during the Great Depression, and how the vicious response to African American crime occurred even as such violence plunged in frequency—revealing that the city’s cycle of racial policing and punishment was connected less to actual patterns of wrongdoing than to the national enshrinement of Jim Crow. Rather than some hyperviolent outlier, this Louisiana city was a harbinger of the endemic racism at the center of today’s criminal justice state. Murder in New Orleans lays bare how decades-old crimes, and the racially motivated cruelty of the official response, have baleful resonance in the age of Black Lives Matter.
Author: Widmer, Mary Lou
Publisher: Pelican Publishing
ISBN: 9781455609543
Category : History
Languages : en
Pages : 216
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Book Description
It was a decade of flappers, Prohibition, and unprecedented prosperity that abruptly ended with the crash of '29. In New Orleans, steamships lined the wharves, vaudeville gave way to "talkies," and William Faulkner's Sherwood Anderson and Other Famous Creoles was the first book produced by a new publisher called Pelican Publishing Company. Mary Lou Widmer's fourth retrospect of the city reminisces about how New Orleans welcomed the economic growth of the postwar twenties in its own special way. The Crescent City celebrated this prosperity, giving birth to jazz halls in the Vieux Carrand launching the careers of musicians like Louis Armstrong. It was the most progressive era in the city's history since before the Civil War. From politics to homelife there is hardly an aspect of life in the twenties Widmer does not touch upon. A full chapter is devoted to how the city known for Bourbon Street and Mardi Gras reacted to Prohibition. Indoor plumbing and electric lights became the standard in homes throughout the city. Transportation opened up new neighborhoods as cars became status symbols and the streetcar system took riders to every neighborhood in the city. Mary Lou Widmer, a native of New Orleans, is former president of the South Louisiana Chapter of Romance Writers of America. She has written several novels set in New Orleans. A certified descendant of settlers in the area prior to the Louisiana Purchase, she is a member of the Louisiana Colonials and the Daughters of 1812. She is also the author of New Orleans in the Thirties, New Orleans in the Forties, and New Orleans in the Fifties, all published by Pelican.
Author: Eliza Ripley
Publisher: New York ; London : D. Appleton and Company
ISBN:
Category : History
Languages : en
Pages : 374
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Book Description
Author: Thomas Lesher Morgan
Publisher: Turner
ISBN: 9781596525450
Category : Jazz
Languages : en
Pages : 0
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Book Description
New Orleans jazz thrilled the world in the twenties and traveled around the world in the thirties. In the forties and fifties, the world came to New Orleans to hear authentic New Orleans jazz played by real jazz musicians. The sixties brought Preservation Hall, a musical institution that even a hurricane couldn't kill. For the last 40 years, the New Orleans Jazz and Heritage Festival has been celebrating New Orleans' and Louisiana's unique culture and music. This volume contains rare photographs from the Louisiana State Museum's Jazz Collection, lovingly assembled and accompanied by captions written by award-winning author and Jazz Roots radio show host Tom Morgan. Those who love jazz will be amazed by these pictures of some of the best musicians ever to pick up an instrument. For those just beginning to learn about jazz, this 200-page volume is an excellent takeoff point to learn more about what made New Orleans jazz unique, and a source to discover musicians who can further enhance readers' listening pleasure.
Author: Don Congdon
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 676
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Book Description
Era depicted in selections from noted writers of the time.
Author: Sean Dennis Cashman
Publisher: NYU Press
ISBN: 0814714137
Category : History
Languages : en
Pages : 651
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Book Description
In this, the third volume of an interdisciplinary history of the United States since the Civil War, Sean Dennis Cashman provides a comprehensive review of politics and economics from the tawdry affluence of the 1920s throught the searing tragedy of the Great Depression to the achievements of the New Deal in providing millions with relief, job opportunities, and hope before America was poised for its ascent to globalism on the eve of World War II. The book concludes with an account of the sliding path to war as Europe and Asia became prey to the ambitions of Hitler and military opportunists in Japan. The book also surveys the creative achievements of America's lost generation of artists, writers, and intellectuals; continuing innovations in transportation and communications wrought by automobiles and airplanes, radio and motion pictures; the experiences of black Americans, labor, and America's different classes and ethnic groups; and the tragicomedy of national prohibition. The cast of characters includes FDR, the New Dealers, Eleanor Roosevelt, George W. Norris, William E. Borah, Huey Long, Henry Ford, Clarence Darrow, Ernest Hemingway, Scott Fitzgerald, W.E.B. DuBois, A. Philip Randolph, Orson Welles, Wendell Willkie, and the stars of radio and the silver screen. The first book in this series, America in the Gilded Age, is now accounted a classic for historiographical synthesis and stylisic polish. America in the Age of the Titans, covering the Progressive Era and World War I, and America in the Twenties and Thirties reveal the author's unerring grasp of various primary and secondary sources and his emphasis upon structures, individuals, and anecdotes about them. The book is lavishly illustrated with various prints, photographs, and reproductions from the Library of Congress, the Museum of Modern Art, and the Whitney Museum of American Art.
Author: Caroline Durieux
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Provides a comprehensive summary of the artist's work during the 30s and 40s, and show her understanding of both the comic and tragic aspects of satire.
Author: Karen Cox
Publisher: LSU Press
ISBN: 0807169226
Category : History
Languages : en
Pages : 270
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Book Description
Much of American popular culture depicts the 1930s South either as home to a population that was intellectually, morally, and physically stunted, or as a romantic, sentimentalized haven untouched by the nation’s financial troubles. Though these images stand as polar opposites, each casts the South as an exceptional region that stood separate from American norms. Reassessing the 1930s South brings together historians, art critics, and literary scholars to provide a new social and cultural history of the Great Depression South that moves beyond common stereotypes of the region. Essays by Steven Knepper, Anthony J. Stanonis, and Bryan A. Giemza delve into the literary culture of the 1930s South and the multiple ways authors such as Sterling Brown, Tennessee Williams, and E. P. O’Donnell represented the region to outsiders. Lisa Dorrill and Robert W. Haynes explore connections between artists and the South in essays on New Deal murals and southern dramatists on Broadway. Rejecting traditional views of southern resistance to modernization, Douglas E. Thompson and Ted Atkinson survey the cultural impacts of technological advancement and industrialization. Emily Senefeld, Scott L. Matthews, Rebecca Sharpless, and Melissa Walker compare public representations of the South in the 1930s to the circumstances of everyday life. Finally, Ella Howard, Nicholas Roland, and Robert Hunt Ferguson examine the ways southern governments and activists shaped racial perceptions and realities in Georgia, Texas, and Tennessee. Reassessing the 1930s South provides an interpretation that focuses on the region’s embrace of technological innovation, promotion of government-sponsored programs of modernization, rejection of the plantation legend of the late nineteenth century, and experimentation with unionism and interracialism. Taken collectively, these essays provide a better understanding of the region’s identity, both real and perceived, as well as how southerners grappled with modernity during a decade of uncertainty and economic hardship.
Author: Scott S. Ellis
Publisher: Univ. Press of Mississippi
ISBN: 1604733594
Category : History
Languages : en
Pages : 332
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Book Description
Celebrated in media and myth, New Orleans's French Quarter (Vieux Carr(r)) was the original settlement of what became the city of New Orleans. In Madame Vieux Carr(r), Scott S. Ellis presents the social and political history of this famous district as it evolved from 1900 through the beginning of the twenty-first century. From the immigrants of the 1910s, to the preservationists of the 1930s, to the nightclub workers and owners of the 1950s and the urban revivalists of the 1990s, Madame Vieux Carr(r) examines the many different people who have called the Quarter home, who have defined its character, and who have fought to keep it from being overwhelmed by tourism's neon and kitsch. The old French village took on different roles--bastion of the French Creoles, Italian immigrant slum, honky-tonk enclave, literary incubator, working-class community, and tourist playground. The Quarter has been a place of refuge for various groups before they became mainstream Americans. Although the Vieux Carr(r) has been marketed as a free-wheeling, boozy tourist concept, it exists on many levels for many groups, some with competing agendas. Madame Vieux Carr(r) looks, with unromanticized frankness, at these groups, their intentions, and the future of the South's most historic and famous neighborhood. The author, a former Quarter resident, combines five years of research, personal experience, and unique interviews to weave an eminently readable history of one of America's favorite neig
Author: Pamela Tyler
Publisher: University of Georgia Press
ISBN: 0820334553
Category : History
Languages : en
Pages : 348
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Book Description
Silk Stockings and Ballot Boxes is a narrative history of organized, politically active white women in twentieth-century New Orleans. Viewing their involvement as a link between pre-1920s progressivism and 1960s feminism. Pamela Tyler tells how these upper- and middle-class women sought and exercised power at the state and local levels through lobbying, fund-raising, endorsements, watchdog activities, volunteer work, voting, and candidacy. Beginning with an overview of New Orleans politics in the early twentieth century, Tyler looks at the presuffrage political activities of New Orleans women and discusses the relatively dormant state of women's political life in New Orleans in the 1920s. From there she traces, in the careers of the city's women leaders, a shift away from humanitarian, social justice issues toward politics. Subsequent chapters focus on Hilda Phelps Hammond and the Louisiana Women's Committee's crusade against Huey Long's political machine in the 1930s, Martha Gilmore Robinson and the nonpartisan activities of the Woman Citizens' Union and the League of Women Voters in the 1930s and 1940s, and the partisanship and direct political influence of the Independent Women's Organization in the 1940s and 1950s. The final chapters consider Martha Gilmore Robinson's unsuccessful bid for a seat on the New Orleans city council in 1954 and the civil rights activities in the 1950s and 1960s of Urban League stalwart Rosa Freeman Keller, now judged to be the most effective white liberal of her time in New Orleans. Throughout, Tyler places her subjects and their stories in the context of such national trends and events as the Depression. World War II, McCarthyism, and the civil rightsmovement. She discusses, for example, the New Orleans League of Women Voters' purge of suspected Communist sympathizers in 1947-48 and the involvement of a coterie of women's organizations in community efforts during the public school integration crisis from 1959 to 1961. Tyler also discusses the insularity of New Orleans society, the limiting effects of race- and class-consciousness on many of her subjects, and the postwar decline in the domination by elites of the women's political scene in New Orleans. Though they considered themselves to be neither liberals nor feminists, the women Tyler portrays worked within existing social norms and political frameworks to challenge male hegemony in public life and embrace greater individual freedom and participation in government. Filled with previously untold, or only partially told, stories about some of Louisiana's most memorable political figures - female and male - Silk Stockings and Ballot Boxes will broaden our views on southern activism.
