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Author: T. Curtis
Publisher: Springer
ISBN: 1137428864
Category : Art
Languages : en
Pages : 232
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Book Description
Examining novelists, bloggers, and other creators of new media, this study focuses on autobiography by American black women since 1980, including Audre Lorde, Jill Nelson, and Janet Jackson. As Curtis argues, these women used embodiment as a strategy of drawing the audience into visceral identification with them and thus forestalling stereotypes.
Author: T. Curtis
Publisher: Springer
ISBN: 1137428864
Category : Art
Languages : en
Pages : 192
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Book Description
Examining novelists, bloggers, and other creators of new media, this study focuses on autobiography by American black women since 1980, including Audre Lorde, Jill Nelson, and Janet Jackson. As Curtis argues, these women used embodiment as a strategy of drawing the audience into visceral identification with them and thus forestalling stereotypes.
Author: T. Curtis
Publisher: Springer
ISBN: 1137428864
Category : Art
Languages : en
Pages : 232
Get Book Here
Book Description
Examining novelists, bloggers, and other creators of new media, this study focuses on autobiography by American black women since 1980, including Audre Lorde, Jill Nelson, and Janet Jackson. As Curtis argues, these women used embodiment as a strategy of drawing the audience into visceral identification with them and thus forestalling stereotypes.
Author: Catherine Knight Steele
Publisher: NYU Press
ISBN: 1479808385
Category : Social Science
Languages : en
Pages : 208
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Book Description
"This book traces the long arc of Black women's relationship with technology from the antebellum south to the social media era demonstrating how digital culture transforms and is transformed by Black feminist thought"--
Author: The Table Books
Publisher: BookRix
ISBN: 3748749295
Category : Biography & Autobiography
Languages : en
Pages : 148
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Book Description
Black women work twice as hard to have a seat at the infamous table. The table that once we have a seat at, we are told to be grateful for or else we could lose it—back to the kitchen, preparing meals that we may never have the pleasure of sitting down and enjoying. We are given no plate. No utensils. No napkin to clean up those accidental spills. Instead of waiting for a seat at a table where we would have to compromise our stories or have them told by those who have not walked our paths, we decided to build our own table and invited some of our sisters to sit with us and indulge in its spread. This book is an anthology of the various trials and triumphs 11 Black women encountered while working in the student affairs sector of higher education. We are connected by our experiences navigating in spaces where we have sometimes felt disempowered but we have learned the trade of maneuvering in a professional environment, and world, dominated by white people. This is just the beginning. We will be adding more chairs, assembling more tables and inviting others in our communities to have a seat where they’d like. No more unfulfilled appetites and unseasoned dishes. No more scrapes from biting our tongues. At this table, we define spaces. We center conversations. We invite fellowship. We serve you food for your soul and truth elixir for your thirst.
Author: Brianna Holt
Publisher: Penguin
ISBN: 0593186397
Category : Biography & Autobiography
Languages : en
Pages : 305
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Book Description
Part memoir, part cultural critique, In Our Shoes uses pop culture and author Brianna Holt’s own lived experience to dissect the stereotypes and preconceived notions that young Black women must overcome in America today. In this fresh exploration of cultural appropriation, wokeness, tone policing, and more, Holt carefully dismantles myths about Black womanhood, allowing readers to assess their biases while examining the roles Black millennial women are forced to take on simply to survive. Through nine thoughtful chapters—such as “Leave the Box Braids for the Black Girls” and “Why Are You So Dark?”—laced with searing commentary, personal anecdotes from Brianna’s own life, and interviews conducted with “everyday” Black women, In Our Shoes reveals the complexities of existence for Black women and creates a thought-provoking book that helps readers to learn, empathize, reflect, and, most importantly, act. A history, a work of criticism, a piece of reporting, and a call to action, In Our Shoes is a timely exploration of race and womanhood that will entertain, inspire, and inform in equal measures.
Author: Alice Dunnigan
Publisher: University of Georgia Press
ISBN: 0820348600
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
The memoir of “the first African American female reporter to gain entry into the closed society of the White House and congressional news correspondents” (Hank Klibanoff, coauthor of the Pulitzer Prize-winning The Race Beat). In 1942 Alice Allison Dunnigan, a sharecropper’s daughter from Kentucky, made her way to the nation’s capital and a career in journalism that eventually led her to the White House. With Alone Atop the Hill, Carol McCabe Booker has condensed Dunnigan’s 1974 self-published autobiography to appeal to a general audience and has added scholarly annotations that provide historical context. Dunnigan’s dynamic story reveals her importance to the fields of journalism, women’s history, and the civil rights movement and creates a compelling portrait of a groundbreaking American. Dunnigan recounts her formative years in rural Kentucky as she struggled for a living, telling bluntly and simply what life was like in a Border State in the first half of the twentieth century. Later she takes readers to Washington, D.C., where we see her rise from a typist during World War II to a reporter. Ultimately she would become the first black female reporter accredited to the White House; authorized to travel with a U.S. president; credentialed by the House and Senate Press Galleries; accredited to the Department of State and the Supreme Court; voted into the White House Newswomen’s Association and the Women’s National Press Club; and recognized as a Washington sports reporter. In Alone Atop the Hill, “Dunnigan’s indelible self-portrait affirms that while the media landscape has changed, along with some social attitudes and practices, discrimination is far from vanquished, and we still need dedicated and brave journalists to serve as clarion investigators, witnesses, and voices of conscience (Booklist, starred review).
Author: Joanne M. Braxton
Publisher:
ISBN: 9780877226390
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
"As black American women, we are born into a mystic sisterhood, and we live our lives within a magic circle, a realm of shared language, reference, and allusion within the veil of our blackness and our femaleness. We have been as invisible to the dominant culture as rain; we have been knowers, but we have not been known." Joanne Braxton argues for a redefinition of the genre of black American autobiography to include the images of women as well as their memoirs, reminiscences, diaries, and journals—as a corrective to both black and feminist literary criticism. Beginning with slave narratives and concluding with modern autobiography, she deals with individual works as representing stages in a continuum and situates these works in the context of other writings by both black and white writers. Braxton demonstrates that the criteria used to define the slave narrative genre are inadequate for analyzing Harriet "Linda Brent" Jacobs's pseudonymously publishedIncidents in the Life of a Slave Girl: Written by Herself(1861). She examines "sass" as a mode of women's discourse and a weapon of self-defense, and she introduces the "outraged mother" as a parallel to the articulate hero archetype. Not even emancipation authorized black women to define themselves or address an audience. Late-nineteenth-century accounts in the form of confessional spiritual autobiographies, travelogue/adventure stories, and slave memoirs enabled such women as Jarena Lee, Rebecca Cox Jackson, Elizabeth Keckley, Susie King Taylor, as well as Harriet Tubman and Sojourner Truth to tell their own extraordinary stories and to shed light on the thousands of lives obscured by illiteracy and sexual and racial oppression. In her diaries, Charlotte Forten Grimké, the gifted poet, epitomizes the problems faced by a well-educated, extremely articulate black woman attempting to find a public voice in America. Moving into the twentieth century, Braxton analyzes the memoir of Ida B. Wells, journalist and anti-lynching activist, and the work of Zora Neale Hurston and Era Bell Thompson. They represent the first generation of black female autobiographers who did not continually come into contact with former slaves and who transcended the essential struggle for survival that occupied earlier writings. For the contemporary black woman autobiographer, the quest for personal fulfillment is the central theme. Braxton concludes with Maya Angelou'sI Know Why the Caged Bird Sings(1996), which represents the black woman of the 1960s who has found the place to recreate the self in her own image—the place all the others had been searching for. Author note:Joanne M. Braxtonis Cummings Professor of American Studies and English at the College of William and Mary and author ofSometimes I think of Maryland, a collection of poems.
Author: Leticia Anderson
Publisher: Rowman & Littlefield
ISBN: 1498599869
Category : Social Science
Languages : en
Pages : 151
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Book Description
Minority Women and Western Media: Challenging Representations and Articulating New Voices presents research examining media portrayals of women from Africa, Asia, Australia, Europe, and North America. It provides qualitative and quantitative findings of how women are stereotyped and misrepresented not only because of their gender but also their race, religion, ability, physical attributes, and political status. Whilst their voices are frequently excluded, marginalized and misrepresented, the chapters in this volume show how minority women are creating and articulating new discourses and challenging assumptions and expectations about themselves. This book provides insights into how women are represented in different media, including newspapers, television shows, films, and online platforms. Scholars of media studies, women’s studies, and communication will find this book particularly useful.
Author: Elaine Welteroth
Publisher: Penguin
ISBN: 0525561587
Category : Biography & Autobiography
Languages : en
Pages : 338
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Book Description
INSTANT NEW YORK TIMES BESTSELLER WINNER OF THE 2020 NAACP IMAGE AWARD FOR OUTSTANDING LITERARY WORK — BIOGRAPHY/AUTOBIOGRAPHY NOW OPTIONED FOR DEVELOPMENT AS A TV SERIES BY PARAMOUNT TELEVISION STUDIOS AND ANONYMOUS CONTENT “The millennial Becoming . . . Inspiring and empowering.” —Entertainment Weekly “An essential read for women in the workplace today.” —Refinery29 Part-manifesto, part-memoir, from the revolutionary editor who infused social consciousness into the pages of Teen Vogue, an exploration of what it means to come into your own—on your own terms Throughout her life, Elaine Welteroth has climbed the ranks of media and fashion, shattering ceilings along the way. In this riveting and timely memoir, the groundbreaking journalist unpacks lessons on race, identity, and success through her own journey, from navigating her way as the unstoppable child of an unlikely interracial marriage in small-town California to finding herself on the frontlines of a modern movement for the next generation of change makers. Welteroth moves beyond the headlines and highlight reels to share the profound lessons and struggles of being a barrier-breaker across so many intersections. As a young boss and often the only Black woman in the room, she’s had enough of the world telling her—and all women—they’re not enough. As she learns to rely on herself by looking both inward and upward, we’re ultimately reminded that we’re more than enough.
Author: Eric D. Lamore
Publisher: University of Wisconsin Pres
ISBN: 0299309800
Category : Biography & Autobiography
Languages : en
Pages : 294
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Book Description
From the 1760s to Barack Obama, this collection offers fresh looks at classic African American life narratives; highlights neglected African American lives, texts, and genres; and discusses the diverse outpouring of twenty-first-century memoirs.
