New Kids On The Block: An Exploration into ‘The New Chinese’ collectors as Producers of Meaning in Chinese contemporary art PDF Download
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Author: Patrizia Koenig
Publisher: GRIN Verlag
ISBN: 3656356971
Category : Art
Languages : en
Pages : 20
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Book Description
Seminar paper from the year 2012 in the subject Art - Extra-European art, grade: A+, University of California, Los Angeles, course: Contemporary Chinese Art Seminar, language: English, abstract: This term paper explores the increasing presence of Chinese collectors of contemporary Chinese art. It is driven by the idea that collectors ‘produce’ or cultivate meaning in the larger canon of art history. Based on Belk’s analysis of collecting as a consumption activity (1991), the motivations of these collectors and the resulting implications for contemporary art are investigated. The development of patronage and art appreciation throughout China’s tumultuous past, and the current barren cultural landscape have given rise to a collector who differs greatly to the traditional model. At the same time, it is hypothesized that there exists a more deeper-lying uniquely Chinese altruism next to the amalgam of social refinement, identity, nationalistic and financial motives. On the basis of this, is suggested that whereas the current nature of collecting contemporary art in China does not yet demonstrate the high level of critical thinking and sophistication that would be beneficial for the development of the contemporary art scene, there nevertheless lies potential for a more healthy development in the years to come.
Author: Patrizia Koenig
Publisher: GRIN Verlag
ISBN: 3656356971
Category : Art
Languages : en
Pages : 20
Get Book Here
Book Description
Seminar paper from the year 2012 in the subject Art - Extra-European art, grade: A+, University of California, Los Angeles, course: Contemporary Chinese Art Seminar, language: English, abstract: This term paper explores the increasing presence of Chinese collectors of contemporary Chinese art. It is driven by the idea that collectors ‘produce’ or cultivate meaning in the larger canon of art history. Based on Belk’s analysis of collecting as a consumption activity (1991), the motivations of these collectors and the resulting implications for contemporary art are investigated. The development of patronage and art appreciation throughout China’s tumultuous past, and the current barren cultural landscape have given rise to a collector who differs greatly to the traditional model. At the same time, it is hypothesized that there exists a more deeper-lying uniquely Chinese altruism next to the amalgam of social refinement, identity, nationalistic and financial motives. On the basis of this, is suggested that whereas the current nature of collecting contemporary art in China does not yet demonstrate the high level of critical thinking and sophistication that would be beneficial for the development of the contemporary art scene, there nevertheless lies potential for a more healthy development in the years to come.
Author: John Clark
Publisher: VDG Weimar - Verlag und Datenbank für Geisteswissenschaften
ISBN: 3958994601
Category : Art
Languages : en
Pages : 375
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Book Description
Contemporary Chinese art is still a young field now being opened up to critical academic research. Negotiating Difference is a pioneering collection of articles which engage with contemporary Chinese art in a global context. The contributions collectively address the urgent methodological question of how to describe, contextualize and theorize artworks and artistic processes in and beyond the People's Republic of China since the end of the Cultural Revolution. The studies break new ground as they chalk out the transcultural entanglements of which art and its practices partake and which they in turn reconfigure. The book features 20 essays written by a select group of international junior and senior scholars engaged in ambitious and methodologically innovative research on contemporary Chinese art. Their multi-faceted, in part interdisciplinary approaches are complemented by four contributions by distinguished practitioners in the field, who - as art curators and critics - are located in China and explore key developments within Chinese art and the changing art scene of the last three decades.
Author: Barbara Pollack
Publisher: Bloomsbury Publishing
ISBN: 1838608060
Category : Art
Languages : en
Pages : 294
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Book Description
A unique and visionary generation of young Chinese artists are coming to prominence in the art world - just as China cements its place as the second largest art market on the planet. Building on the new frontiers opened up by the Chinese artists of the late 1980s and 1990s, artists such as Ai Wei Wei who came to the West and became household names, this new generation are provocative, exciting and bold. But what does it mean to be a Chinese artist today? And how can we better understand their work? Here, renowned critic Barbara Pollack presents the first book to tell the story of how these Chinese millennials, fast becoming global art superstars, negotiate their cultural heritage, and what this means for China's impact on the future of global culture. Many young Chinese artists have declared they are "not Chinese, but global" - this book investigates just what that means for China, the art market, and the world. Brand new Art from China is the first collection to showcase the dynamic new art coming from Chinese artists, and features full-colour photos and video stills throughout - with many works being published in book-form for the first time. Featuring an in-depth interview with Zhang Xiaogang, probably the most well-known artist in China itself, whose sombre portraits of Chinese families during the Cultural Revolution sell for as much as $12 million at auction, alongside unparalleled access to the tastemakers of today's art scene, Brand New Art from China is the essential guide to Chinese contemporary art today - its vision, values and aesthetics.
Author: Asia Society. Galleries
Publisher: Univ of California Press
ISBN: 9780520217478
Category : Art
Languages : en
Pages : 224
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Book Description
The late twentieth century has been marked by momentous political, economic, and social change throughout the Chinese world. Deeply rooted cultural assumptions and ancient visual traditions have been challenged by rapid modernization and conflicting global, ethnic, and local identities. Inside/Out: New Chinese Art was the first major international exhibition to explore the impact of these challenges on artists in the People's Republic of China, Hong Kong, Taiwan, and those of the 1980s Diaspora. The multifaceted exhibition and accompanying catalog encompass an extensive range of artistic forms, including installation, video, and performance art as well as more traditional media such as oils and ink. The art is grouped according to themes, some specific to regions and others that reflect widespread and overlapping trends. With the inclusion of ambiguous territories like Hong Kong and Taiwan, the exhibition opens up a perspective of modern Chinese art from the "outside" as well as a looking-out from the "inside." The catalog features essays by eminent Chinese art scholars and curators along with leading curators and historians of Western art. Together they promote Chinese art's rightful place in the contemporary global cultural arena and at the same time acknowledge the influence of its rich heritage. The diversity and freshness of the exhibition reflects the explosion of creativity among Chinese artists during the past decade. The ironic social commentary of Li Shan's The Rouge Series, no. 24, the "apartment art" of artists reacting against the traditional patronage of large museums and corporations, and Wang Jin's sly humor in portraying consumer fetishes in today's China are a few examples of the spirited artistry awaiting the viewers of Inside/Out.
Author: Hsingyuan Tsao
Publisher: State University of New York Press
ISBN: 1438437927
Category : Philosophy
Languages : en
Pages : 264
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Book Description
How Chinese is contemporary Chinese art? Treasured by collectors, critics, and art world cognoscenti, this art developed within an avant-garde that looked West to find a language to strike out against government control. Traditionally, Chinese artistic expression has been related to the structure and function of the Chinese language and the assumptions of Chinese natural cosmology. Is contemporary Chinese art rooted in these traditions or is it an example of cultural self-colonization? Contributors to this volume address this question, going beyond the more obvious political and social commentaries on contemporary Chinese art to find resonances between contemporary artistic ideas and the indigenous sources of Chinese cultural self-understanding. Focusing in particular on the acclaimed artist Xu Bing, this book looks at how he and his peers have navigated between two different cultural sites to establish a third place, a place from which to appropriate Western ideas and use them to address centuries-old Chinese cultural issues within a Chinese cultural discourse.
Author: Mary Wiseman
Publisher: BRILL
ISBN: 9004201475
Category : Philosophy
Languages : en
Pages : 476
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Book Description
How contemporary Chinese art is creating “a philosophy of life, a philosophy of politics, and a natural philosophy,” as artist Qiu Zhijie says it must, is explored in this collection of essays by philosophers and art historians from America and China.
Author: Jörg Huber
Publisher: transcript Verlag
ISBN: 3839423090
Category : Art
Languages : en
Pages : 279
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Book Description
This publication enquires into the role and treatment of the body in the visual culture of contemporary China. What meanings are assigned to the body in artistic practice, what does it represent and what (hi)stories does it refer to? Considerable importance is ascribed to the body as a means of orientation and placement; as an arena and medium of social experience. 19 Chinese artists, theatre practitioners and theorists describe their personal experiences, put their thoughts and views up for discussion and explore how art can shed light on the individual and collective experiences that emerge in the wake of historical change and the anticipation of a newly won freedom.
Author: Sarah E. Fraser
Publisher: Springer Nature
ISBN: 9811530645
Category : Art
Languages : en
Pages : 196
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Book Description
This volume offers a path-breaking reassessment of Xu Bing’s oeuvre by analyzing the diverse cultural environments in which his work has developed since the Book from the Sky. It contains three lecture transcripts and eight art historical essays; these explore themes such as Xu’s animal works, audience participation, new ink, prints, realism, socialist spectacle, and word play. A critical question addressed in this volume is what carries art to a global level beyond regional histories and cultural symbols. Absorbing critical essays on contemporary Chinese aesthetics addressing the social context and philosophical concerns that underlie Xu Bing’s key works. The authors analyze Xu’s art, shedding light on the tangled history of socialism and neoliberalism in the Post-Mao period. --Prof. Dr. Lothar Ledderose, Senior Professor, Institute of East Asian Art, Universität Heidelberg
Author: Jane Chin Davidson
Publisher: Manchester University Press
ISBN: 1526139804
Category : Art
Languages : en
Pages : 355
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Book Description
This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist’s residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book’s case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation.
Author: Meiqin Wang
Publisher: Routledge
ISBN: 1317481690
Category : Art
Languages : en
Pages : 282
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Book Description
This book explores the relationship between the ongoing urbanization in China and the production of contemporary Chinese art since the beginning of the twenty-first century. Wang provides a detailed analysis of artworks and methodologies of art-making from eight contemporary artists who employ a wide range of mediums, including painting, sculpture, photography, installation, video, and performance. She also sheds light on the relationship between these artists and their sociocultural origins, investigating their provocative responses to various processes and problems brought about by Chinese urbanization. With this urbanization comes a fundamental shift of the philosophical and aesthetic foundations in the practice of Chinese art: from a strong affiliation with nature and countryside to one that is complexly associated with the city and the urban world.
