Author: Christine Sciacca
Publisher: Getty Publications
ISBN: 1606065262
Category : Art
Languages : en
Pages : 124
Book Description
When one thinks of women in the Middle Ages, the images that often come to mind are those of damsels in distress, mystics in convents, female laborers in the field, and even women of ill repute. In reality, however, medieval conceptions of womanhood were multifaceted, and women’s roles were varied and nuanced. Female stereotypes existed in the medieval world, but so too did women of power and influence. The pages of illuminated manuscripts reveal to us the many facets of medieval womanhood and slices of medieval life—from preoccupations with biblical heroines and saints to courtship, childbirth, and motherhood. While men dominated artistic production, this volume demonstrates the ways in which female artists, authors, and patrons were instrumental in the creation of illuminated manuscripts. Featuring over one hundred illuminations depicting medieval women from England to Ethiopia, this book provides a lively and accessible introduction to the lives of women in the medieval world.
Illuminating Women in the Medieval World
Author: Christine Sciacca
Publisher: Getty Publications
ISBN: 1606065262
Category : Art
Languages : en
Pages : 124
Book Description
When one thinks of women in the Middle Ages, the images that often come to mind are those of damsels in distress, mystics in convents, female laborers in the field, and even women of ill repute. In reality, however, medieval conceptions of womanhood were multifaceted, and women’s roles were varied and nuanced. Female stereotypes existed in the medieval world, but so too did women of power and influence. The pages of illuminated manuscripts reveal to us the many facets of medieval womanhood and slices of medieval life—from preoccupations with biblical heroines and saints to courtship, childbirth, and motherhood. While men dominated artistic production, this volume demonstrates the ways in which female artists, authors, and patrons were instrumental in the creation of illuminated manuscripts. Featuring over one hundred illuminations depicting medieval women from England to Ethiopia, this book provides a lively and accessible introduction to the lives of women in the medieval world.
Publisher: Getty Publications
ISBN: 1606065262
Category : Art
Languages : en
Pages : 124
Book Description
When one thinks of women in the Middle Ages, the images that often come to mind are those of damsels in distress, mystics in convents, female laborers in the field, and even women of ill repute. In reality, however, medieval conceptions of womanhood were multifaceted, and women’s roles were varied and nuanced. Female stereotypes existed in the medieval world, but so too did women of power and influence. The pages of illuminated manuscripts reveal to us the many facets of medieval womanhood and slices of medieval life—from preoccupations with biblical heroines and saints to courtship, childbirth, and motherhood. While men dominated artistic production, this volume demonstrates the ways in which female artists, authors, and patrons were instrumental in the creation of illuminated manuscripts. Featuring over one hundred illuminations depicting medieval women from England to Ethiopia, this book provides a lively and accessible introduction to the lives of women in the medieval world.
Medieval Women
Author: Deirdre Jackson
Publisher:
ISBN: 9780712358651
Category : Illumination of books and manuscripts, Medieval
Languages : en
Pages : 0
Book Description
Our understanding of the lives and roles of medieval women has changed dramatically in recent years. Far from being background characters of the middle ages, women often wielded an influence beyond their expected station. Many women fortunate enough to receive an education became patrons of literature, particularly secular tales of adventure and romance. Some bold pioneers became writers themselves. Others commissioned, or had dedicated to them, the earliest historical chronicles, bestiaries, and treatises on healthcare and military prowess. This book celebrates the importance that women across Europe assigned to reading and literature, and the many ways women advanced medieval culture.
Publisher:
ISBN: 9780712358651
Category : Illumination of books and manuscripts, Medieval
Languages : en
Pages : 0
Book Description
Our understanding of the lives and roles of medieval women has changed dramatically in recent years. Far from being background characters of the middle ages, women often wielded an influence beyond their expected station. Many women fortunate enough to receive an education became patrons of literature, particularly secular tales of adventure and romance. Some bold pioneers became writers themselves. Others commissioned, or had dedicated to them, the earliest historical chronicles, bestiaries, and treatises on healthcare and military prowess. This book celebrates the importance that women across Europe assigned to reading and literature, and the many ways women advanced medieval culture.
The Literary Subversions of Medieval Women
Author: Jane Chance
Publisher: Springer
ISBN: 0230605591
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
This study of medieval women as postcolonial writers defines the literary strategies of subversion by which they authorized their alterity within the dominant tradition. To dismantle a colonizing culture, they made public the private feminine space allocated by gender difference: they constructed 'unhomely' spaces. They inverted gender roles of characters to valorize the female; they created alternate idealized feminist societies and cultures, or utopias, through fantasy; and they legitimized female triviality the homely female space to provide autonomy. While these methodologies often overlapped in practice, they illustrate how cultures impinge on languages to create what Deleuze and Guattari have identified as a minor literature, specifically for women as dis-placed. Women writers discussed include Hrotsvit of Gandersheim, Hildegard of Bingen, Marie de France, Marguerite Porete, Catherine of Siena, Margery Kempe, Julian of Norwich, and Christine de Pizan.
Publisher: Springer
ISBN: 0230605591
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
This study of medieval women as postcolonial writers defines the literary strategies of subversion by which they authorized their alterity within the dominant tradition. To dismantle a colonizing culture, they made public the private feminine space allocated by gender difference: they constructed 'unhomely' spaces. They inverted gender roles of characters to valorize the female; they created alternate idealized feminist societies and cultures, or utopias, through fantasy; and they legitimized female triviality the homely female space to provide autonomy. While these methodologies often overlapped in practice, they illustrate how cultures impinge on languages to create what Deleuze and Guattari have identified as a minor literature, specifically for women as dis-placed. Women writers discussed include Hrotsvit of Gandersheim, Hildegard of Bingen, Marie de France, Marguerite Porete, Catherine of Siena, Margery Kempe, Julian of Norwich, and Christine de Pizan.
The Medieval Woman
Author: Sally Fox
Publisher: Bulfinch Press
ISBN: 9780821215876
Category : Diaries (Blank-books)
Languages : en
Pages : 150
Book Description
Publisher: Bulfinch Press
ISBN: 9780821215876
Category : Diaries (Blank-books)
Languages : en
Pages : 150
Book Description
Medieval Women
Author: Michelle Rosenberg
Publisher: Pen and Sword History
ISBN: 1526731517
Category : Biography & Autobiography
Languages : en
Pages : 169
Book Description
A jewel of a book, this latest release from one of Pen & Sword’s women historians, contains a treasure trove of medieval dramatis personae, from the more mainstream figures such as Lady Godiva and Joan of Arc to the lesser known Crusader Queens and mystics. For the first time together, we meet two elusive Jewish medieval business women, one of whom was imprisoned in the Tower of London and the other who was likely one of the richest women in the world. Meticulously researched and clearly showing the author’s keen eye for detail, this latest offering from Michelle Rosenberg builds on her reputation for bringing back to life women often forgotten from mainstream history. Relatively new figures include the elusive Virdimura of Sicily, and Julian of Norwich. The medieval period saw life expectancy at around 33 years old, with the vast majority of women unable to read or write. This text weaves together a rich and broad historic tapestry of women’s stories from the fall of the Roman Empire, the invasion of the Vikings, the First Crusade, Hundred Years War and Black Death. It offers an intriguing insight into medieval women whose lives were deemed outstanding enough, (whether through exemplary religious conduct, queenly, consort or intellectual accomplishment or scandal), by their contemporaries, to record. Their ability to endure, thrive and survive during a time when most women were subordinate to the men in their lives, makes them extraordinary; it also makes the loss of so many other missing stories so acute and tantalising for what our collective history has been deprived of. Only imagine what richness of tales we might have had, should more women’s lives have been better recorded for posterity.
Publisher: Pen and Sword History
ISBN: 1526731517
Category : Biography & Autobiography
Languages : en
Pages : 169
Book Description
A jewel of a book, this latest release from one of Pen & Sword’s women historians, contains a treasure trove of medieval dramatis personae, from the more mainstream figures such as Lady Godiva and Joan of Arc to the lesser known Crusader Queens and mystics. For the first time together, we meet two elusive Jewish medieval business women, one of whom was imprisoned in the Tower of London and the other who was likely one of the richest women in the world. Meticulously researched and clearly showing the author’s keen eye for detail, this latest offering from Michelle Rosenberg builds on her reputation for bringing back to life women often forgotten from mainstream history. Relatively new figures include the elusive Virdimura of Sicily, and Julian of Norwich. The medieval period saw life expectancy at around 33 years old, with the vast majority of women unable to read or write. This text weaves together a rich and broad historic tapestry of women’s stories from the fall of the Roman Empire, the invasion of the Vikings, the First Crusade, Hundred Years War and Black Death. It offers an intriguing insight into medieval women whose lives were deemed outstanding enough, (whether through exemplary religious conduct, queenly, consort or intellectual accomplishment or scandal), by their contemporaries, to record. Their ability to endure, thrive and survive during a time when most women were subordinate to the men in their lives, makes them extraordinary; it also makes the loss of so many other missing stories so acute and tantalising for what our collective history has been deprived of. Only imagine what richness of tales we might have had, should more women’s lives have been better recorded for posterity.
Medieval Women and Their Objects
Author: Jennifer Adams
Publisher: University of Michigan Press
ISBN: 0472902563
Category : History
Languages : en
Pages : 305
Book Description
The essays gathered in this volume present multifaceted considerations of the intersection of objects and gender within the cultural contexts of late medieval France and England. Some take a material view of objects, showing buildings, books, and pictures as sites of gender negotiation and resistance and as extensions of women’s bodies. Others reconsider the concept of objectification in the lives of fictional and historical medieval women by looking closely at their relation to gendered material objects, taken literally as women’s possessions and as figurative manifestations of their desires. The opening section looks at how medieval authors imagined fictional and legendary women using particular objects in ways that reinforce or challenge gender roles. These women bring objects into the orbit of gender identity, employing and relating to them in a literal sense, while also taking advantage of their symbolic meanings. The second section focuses on the use of texts both as objects in their own right and as mechanisms by which other objects are defined. The possessors of objects in these essays lived in the world, their lives documented by historical records, yet like their fictional and legendary counterparts, they too used objects for instrumental ends and with symbolic resonances. The final section considers the objectification of medieval women’s bodies as well as its limits. While this at times seems to allow for a trade in women, authorial attempts to give definitive shapes and boundaries to women’s bodies either complicate the gender boundaries they try to contain or reduce gender to an ideological abstraction. This volume contributes to the ongoing effort to calibrate female agency in the late Middle Ages, honoring the groundbreaking work of Carolyn P. Collette.
Publisher: University of Michigan Press
ISBN: 0472902563
Category : History
Languages : en
Pages : 305
Book Description
The essays gathered in this volume present multifaceted considerations of the intersection of objects and gender within the cultural contexts of late medieval France and England. Some take a material view of objects, showing buildings, books, and pictures as sites of gender negotiation and resistance and as extensions of women’s bodies. Others reconsider the concept of objectification in the lives of fictional and historical medieval women by looking closely at their relation to gendered material objects, taken literally as women’s possessions and as figurative manifestations of their desires. The opening section looks at how medieval authors imagined fictional and legendary women using particular objects in ways that reinforce or challenge gender roles. These women bring objects into the orbit of gender identity, employing and relating to them in a literal sense, while also taking advantage of their symbolic meanings. The second section focuses on the use of texts both as objects in their own right and as mechanisms by which other objects are defined. The possessors of objects in these essays lived in the world, their lives documented by historical records, yet like their fictional and legendary counterparts, they too used objects for instrumental ends and with symbolic resonances. The final section considers the objectification of medieval women’s bodies as well as its limits. While this at times seems to allow for a trade in women, authorial attempts to give definitive shapes and boundaries to women’s bodies either complicate the gender boundaries they try to contain or reduce gender to an ideological abstraction. This volume contributes to the ongoing effort to calibrate female agency in the late Middle Ages, honoring the groundbreaking work of Carolyn P. Collette.
New Images of Medieval Women
Author: Edelgard E. DuBruck
Publisher: Edwin Mellen Press
ISBN:
Category : Social Science
Languages : en
Pages : 362
Book Description
Offers an approach to medieval womanhood by depicting the social position of the lady and the working woman; women's education; the phenomenology of women in daily life; alternate lifestyles; the reality of married daily life; clandestine marriages; and images of the female in literature and art.
Publisher: Edwin Mellen Press
ISBN:
Category : Social Science
Languages : en
Pages : 362
Book Description
Offers an approach to medieval womanhood by depicting the social position of the lady and the working woman; women's education; the phenomenology of women in daily life; alternate lifestyles; the reality of married daily life; clandestine marriages; and images of the female in literature and art.
Visualizing Household Health
Author: Jennifer Borland
Publisher: Penn State Press
ISBN: 0271091495
Category : Art
Languages : en
Pages : 237
Book Description
In 1256, the countess of Provence, Beatrice of Savoy, enlisted her personal physician to create a health handbook to share with her daughters. Written in French and known as the Régime du corps, this health guide would become popular and influential, with nearly seventy surviving copies made over the next two hundred years and translations in at least four other languages. In Visualizing Household Health, art historian Jennifer Borland uses the Régime to show how gender and health care converged within the medieval household. Visualizing Household Health explores the nature of the households portrayed in the Régime and how their members interacted with professionalized medicine. Borland focuses on several illustrated versions of the manuscript that contain historiated initials depicting simple scenes related to health care, such as patients’ consultations with physicians, procedures like bloodletting, and foods and beverages recommended for good health. Borland argues that these images provide important details about the nature of women’s agency in the home—and offer highly compelling evidence that women enacted multiple types of health care. Additionally, she contends, the Régime opens a window onto the history of medieval women as owners, patrons, and readers of books. Interdisciplinary in scope, this book broadens notions of the medieval medical community and the role of women in medieval health care. It will be welcomed by scholars and students of women’s history, art history, book history, and the history of medicine.
Publisher: Penn State Press
ISBN: 0271091495
Category : Art
Languages : en
Pages : 237
Book Description
In 1256, the countess of Provence, Beatrice of Savoy, enlisted her personal physician to create a health handbook to share with her daughters. Written in French and known as the Régime du corps, this health guide would become popular and influential, with nearly seventy surviving copies made over the next two hundred years and translations in at least four other languages. In Visualizing Household Health, art historian Jennifer Borland uses the Régime to show how gender and health care converged within the medieval household. Visualizing Household Health explores the nature of the households portrayed in the Régime and how their members interacted with professionalized medicine. Borland focuses on several illustrated versions of the manuscript that contain historiated initials depicting simple scenes related to health care, such as patients’ consultations with physicians, procedures like bloodletting, and foods and beverages recommended for good health. Borland argues that these images provide important details about the nature of women’s agency in the home—and offer highly compelling evidence that women enacted multiple types of health care. Additionally, she contends, the Régime opens a window onto the history of medieval women as owners, patrons, and readers of books. Interdisciplinary in scope, this book broadens notions of the medieval medical community and the role of women in medieval health care. It will be welcomed by scholars and students of women’s history, art history, book history, and the history of medicine.
Medieval Women
Author: Eileen Power
Publisher: Cambridge University Press
ISBN: 1107650151
Category : History
Languages : en
Pages : 137
Book Description
An accessible and clear snapshot of the life and work of women in medieval times from the nunnery to the town to the castle.
Publisher: Cambridge University Press
ISBN: 1107650151
Category : History
Languages : en
Pages : 137
Book Description
An accessible and clear snapshot of the life and work of women in medieval times from the nunnery to the town to the castle.
The Absent Image
Author: Elina Gertsman
Publisher: Penn State Press
ISBN: 0271089016
Category : Art
Languages : en
Pages : 599
Book Description
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
Publisher: Penn State Press
ISBN: 0271089016
Category : Art
Languages : en
Pages : 599
Book Description
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.