New Horizons in American Realism PDF Download
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Author: Christopher R. Young
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Author: Christopher R. Young
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
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Book Description
Author: Michael Davitt Bell
Publisher: University of Chicago Press
ISBN: 9780226042015
Category : Education
Languages : en
Pages : 270
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Book Description
Ever since William Dean Howells declared his "realism war" in the 1880s, literary historians have regarded the rise of "realism" and "naturalism" as the great development in American post-Civil War fiction. Yet there are many problems with this generalization. It is virtually impossible, for example, to extract from the novels and manifestoes of American writers of this period any consistent definitions of realism or naturalism as modes of literary representation. Rather than seek common traits in widely divergent "realist" and "naturalist" literary works, Michael Davitt Bell focuses here on the role that these terms played in the social and literary discourse of the 1880s and 1890s. Bell argues that in America, "realism" and "naturalism" never achieved the sort of theoretical rigor that they did in European literary debate. Instead, the function of these ideas in America was less aesthetic than ideological, promoting as "reality" a version of social normalcy based on radically anti-"literary" and heavily gendered assumptions. What effects, Bell asks, did ideas about realism and naturalism have on writers who embraced and resisted them? To answer this question, he devotes separate chapters to the work of Howells and Frank Norris (the principal American advocates of realism and naturalism in the 1880s and 1890s), Mark Twain, Henry James, Stephen Crane, Theodore Dreiser, and Sarah Orne Jewett. Bell reveals that a chief function of claiming to be a realist or a naturalist was to provide assurance that one was a "real" man rather than an "effeminate" artist. Since the 1880s, Bell asserts, all serious American fiction writers have had to contend with this problematic conception of literaryrealism. The true story of the transformation of American fiction after the Civil War is the history of this contention - a history of individual accommodations, evasions, holding actions, and occasional triumphs.
Author: Christopher Smith
Publisher: Greenhaven Press, Incorporated
ISBN:
Category : American literature
Languages : en
Pages : 212
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Book Description
A collection of essays on realism in American literature.
Author: Edwin Harrison Cady
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Explores the origins, nature, and significance of American realism, and discusses specific works by such literary masters as Nathaniel Hawthorne, Henry James, and Stephen Crane.
Author: Andrew Lawson
Publisher: Oxford University Press
ISBN: 019937502X
Category : Business & Economics
Languages : en
Pages : 204
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Book Description
Downwardly Mobile explores the links between a growing sense of economic precariousness within the American middle class and the development of literary realism over the course of the nineteenth century, as it examines works by Rebecca Harding Davis, William Dean Howells, Henry James, Hamlin Garland, and others.
Author: Donald Pizer
Publisher: Cambridge University Press
ISBN: 1139825100
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
This Companion examines a number of issues related to the terms realism and naturalism. The introduction seeks both to discuss the problems in the use of these two terms in relation to late nineteenth-century fiction and to describe the history of previous efforts to make the terms expressive of American writing of this period. The Companion includes ten essays which fall into four categories: essays on the historical context of realism and naturalism by Louis Budd and Richard Lehan; essays on critical approaches to the movements since the early 1970s by Michael Anesko, essays on the efforts to expand the canon of realism and naturalism by Elizabeth Ammons; and a full-scale discussion of ten major texts, from W. D. Howell's The Rise of Silas Lapham to Jack London's The Call of the Wild, by John W. Crowley, Tom Quirk, J. C. Levenson, Blanche Gelfant, Barbara Hochman, and Jacqueline Tavernier-Courbin.
Author: Jeremiah William McCarthy
Publisher: Yale University Press
ISBN: 0300244282
Category : Art
Languages : en
Pages : 305
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Book Description
Featuring paintings by American icons like Winslow Homer and Thomas Eakins, this book illustrates the ways American artists have viewed themselves, their peers, and their painted worlds over 200 years.
Author: Jane Benardete
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
This anthology traces the growth & development of Realism in America, which for more than half a century after the end of the Civil War was dominated by such realists as W.D. Howells, Mark Twain & Henry James.
Author: Philip C. Curtis
Publisher: Hudson Hills
ISBN: 9781555951665
Category : Art
Languages : en
Pages : 192
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Book Description
Curtis is a unique artist, an American original whose life and work have spanned and absorbed the art history of the entire twentieth century.
Author: Vernon Parrington
Publisher: Routledge
ISBN: 1351305344
Category : Literary Criticism
Languages : en
Pages : 487
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Book Description
This final volume of Vernon Louis Parrington's Pultzer Prize-winning study deals with the decay of romantic optimism. It shows that the cause of decay is attributed to three sources: stratifying of economics under the pressure of centralization; the rise of mechanistic science; and the emergence of a spirit of skepticism which, with teachings of the sciences and lessons of intellectuals, has resulted in the questioning of democratic ideals. Parrington presents the movement of liberalism from 1913 to 1917, and the reaction to it following World War I. He notes that liberals announced that democratic hopes had not been fulfilled; the Constitution was not a democratic instrument nor was it intended to be; and while Americans had professed to create a democracy, they had in fact created a plutocracy. Industrialization of America under the leadership of the middle class and the rise of critical attitudes towards the ideals and handiwork of that class are examined in great detail. Parrington's interpretation of the literature during this time focuses on four divisions of development: the conquest of America by the middle class; the challenge of that overlordship by democratic agrarianism; the intellectual revolution brought about by science and the appropriation of science by the middle class; and the rise of detached criticism by younger intellectuals. A new introduction by Bruce Brown highlights Parrington's life and explains the importance of this volume.
