Renaissance Drama 40 PDF Download
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Author: Jeffrey Masten
Publisher: Northwestern University Press
ISBN: 0810128454
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
Rather than assemble a retrospective, the editors of Renaissance Drama use the release of their fortieth volume to survey the present and to attempt a view into the future. Scholars working on different kinds of Renaissance drama contributed brief essays addressing the state of their field, "field" being convenient shorthand for the practical but productive lack of a firm definition under which they and their colleagues study, do research, and write.
Author: Jeffrey Masten
Publisher: Northwestern University Press
ISBN: 0810128454
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
Rather than assemble a retrospective, the editors of Renaissance Drama use the release of their fortieth volume to survey the present and to attempt a view into the future. Scholars working on different kinds of Renaissance drama contributed brief essays addressing the state of their field, "field" being convenient shorthand for the practical but productive lack of a firm definition under which they and their colleagues study, do research, and write.
Author: Pascale Aebischer
Publisher: Cambridge University Press
ISBN: 0521193354
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Recent performances of early modern plays are analysed in essays by practitioners and academics, featuring critical, pedagogical and practical approaches.
Author: W. B. Worthen
Publisher: Cambridge University Press
ISBN: 1107055954
Category : Drama
Languages : en
Pages : 265
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Book Description
This book looks at Shakespeare through performance, capturing the dialogue between performance, Shakespeare, and contemporary concerns in the humanities.
Author: Sarah Werner
Publisher: Palgrave MacMillan
ISBN: 9781809605405
Category : Theater
Languages : en
Pages : 226
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Book Description
"This collection asks pressing questions about how and why we study performances of Renaissance drama, challenging prevailing views and suggesting new methodologies for the field. How does an emphasis on Shakespeare limit us? What can we learn from non-traditional theatre? Why should we rethink the value of studying what happens onstage?"--Provided by publisher.
Author: Stephanie Elsky
Publisher:
ISBN: 0198861435
Category : Law
Languages : en
Pages : 241
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Book Description
The Law and Literature series publishes work that connects legal ideas to literary and cultural history, texts, and arte facts. The series encompasses a wide range of historical periods, literary genres, legal fields and theories, and transnational subjects, focusing on interdisciplinary books that engage with legal and literary forms, methods, concepts, dispositions, and media. It seeks innovative studies of every kind, including but not limited to work that examines race, ethnicity, gender, national-identity, criminal and civil law, legal institutions and actors, digital media, intellectual property, economic markets, and corporate power, while also foregrounding current interpretive methods in the humanities, using these methods as dynamic tools that are themselves subject to scrutiny. Book jacket.
Author: Amy Cook
Publisher: University of Michigan Press
ISBN: 0472053760
Category : Performing Arts
Languages : en
Pages : 199
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Book Description
An illuminating look into the cognitive processes at play when we cast theatrical and political figures--as well as everyday people--as characters
Author: Gina Bloom
Publisher: University of Michigan Press
ISBN: 0472123912
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
Rich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not just see a play; they were encouraged to play the play, and knowledge of gaming helped them become better theatergoers. Examining dramas written for these theaters alongside evidence of analog games popular then and today, Bloom argues for games as theatrical media and theater as an interactive gaming technology. Gaming the Stage also introduces a new archive for game studies: scenes of onstage gaming, which appear at climactic moments in dramatic literature. Bloom reveals plays to be systems of information for theater spectators: games of withholding, divulging, speculating, and wagering on knowledge. Her book breaks new ground through examinations of plays such as The Tempest, Arden of Faversham, A Woman Killed with Kindness, and A Game at Chess; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.
Author: Amy Cook
Publisher: Cambridge University Press
ISBN: 1108802303
Category : Literary Criticism
Languages : en
Pages : 130
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Book Description
Casting is the process by which directors assign parts to actors, creating the idea of the character for the audience. Casting is how we rehearse change, as we come to see an expanded repertoire of the kinds of bodies that are selected to play the lead, the hero, and the villain. This Element focuses on the casting in productions of Shakespeare from 2017–2020 to demonstrate how casting functions affectively and cognitively to reimagine who can be what. The central argument is that directors are using casting as the central mode of meaning-making in productions of Shakespeare.
Author: Andrew James Hartley
Publisher: Bloomsbury Publishing
ISBN: 1350316911
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
What makes a Shakespeare production political? Can Shakespeare's plays ever be truly radical? Revealing the unspoken politics of Shakespeare's plays on stage, Andrew Hartley examines their nature, agenda, limits and potential. In considering key theoretical issues, analysing a wide range of productions, and engaging in a collaborative debate with Professor Ayanna Thompson, Hartley highlights a more consciously political approach to making theatre out of Shakespeare's scripts – and to experiencing it as an audience. Dynamic and provocative, this book is a crucial text for students and theatre practitioners alike.
Author: Paul Yachnin
Publisher: Bloomsbury Publishing
ISBN: 1474252907
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
Was Shakespeare really the original genius he has appeared to be since the eighteenth century, a poet whose words came from nature itself? The contributors to this volume propose that Shakespeare was not the poet of nature, but rather that he is a genius of rewriting and re-creation, someone able to generate a new language and new ways of seeing the world by orchestrating existing social and literary vocabularies. Each chapter in the volume begins with a key word or phrase from Shakespeare and builds toward a broader consideration of the social, poetic, and theatrical dimensions of his language. The chapters capture well the richness of Shakespeare's world of words by including discussions of biblical language, Latinity, philosophy of language and subjectivity, languages of commerce, criminality, history, and education, the gestural vocabulary of performance, as well as accounts of verbal modality and Shakespeare's metrics. An Afterword outlines a number of other important languages in Shakespeare, including those of law, news, and natural philosophy.
