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Author: Anita Price Davis
Publisher: McFarland
ISBN: 0786437790
Category : Art
Languages : en
Pages : 255
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Book Description
As the people and economy of the United States struggled to recover during the Great Depression, 42 towns in North Carolina would benefit directly from the $83 million the federal government allocated for public art as part of the New Deal. The result was some of the state's most memorable murals, sculptures, reliefs, paintings, oils, and frescoes, most of which were installed in post offices and courthouses. This book is the only record of all of the North Carolina public art works under the program. It provides in-depth accounts of the works themselves and the artists who created them. Photographs of all of the buildings that originally received the art, the works themselves, and almost all of the 41 artists are provided. An appendix describes federal art projects, 1933-1943. There are detailed footnotes, an extensive bibliography, and an index.
Author: Anita Price Davis
Publisher: McFarland
ISBN: 0786437790
Category : Art
Languages : en
Pages : 255
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Book Description
As the people and economy of the United States struggled to recover during the Great Depression, 42 towns in North Carolina would benefit directly from the $83 million the federal government allocated for public art as part of the New Deal. The result was some of the state's most memorable murals, sculptures, reliefs, paintings, oils, and frescoes, most of which were installed in post offices and courthouses. This book is the only record of all of the North Carolina public art works under the program. It provides in-depth accounts of the works themselves and the artists who created them. Photographs of all of the buildings that originally received the art, the works themselves, and almost all of the 41 artists are provided. An appendix describes federal art projects, 1933-1943. There are detailed footnotes, an extensive bibliography, and an index.
Author: Kate Dossett
Publisher: UNC Press Books
ISBN: 1469654431
Category : History
Languages : en
Pages : 359
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Book Description
Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated "Negro Units" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of "white" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community—a broad network of actors, dramatists, audiences, critics, and community activists—who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle. Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.
Author: Sklaroff
Publisher: ReadHowYouWant.com
ISBN: 1458782328
Category : History
Languages : en
Pages : 594
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Book Description
In the 1930s, the Roosevelt administration--unwilling to antagonize a powerful southern congressional bloc--refused to endorse legislation that openly sought to improve political, economic, and social conditions for African Americans. Instead, as historian Lauren Rebecca Sklaroff shows, the administration recognized and celebrated African Americ...
Author: Mary Ann Calo
Publisher: Penn State Press
ISBN: 0271095741
Category : Art
Languages : en
Pages : 217
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Book Description
This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists’ works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation. Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists’ participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists’ Guild, the Guild’s activities during the 1930s, and its alliances with other groups, such as the Artists’ Union and the National Negro Congress. Calo also explores African American artists’ representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program. Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations.
Author: Anita Price Davis
Publisher: McFarland
ISBN: 0786498293
Category : Art
Languages : en
Pages : 231
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Book Description
As the United States struggled to recover from the Great Depression, 24 towns in Alabama would directly benefit from some of the $83 million allocated by the Federal Government for public art works under the New Deal. In the words of Harold Lloyd Hopkins, administrator of the Federal Emergency Relief Act, "artists had to eat, too," and these funds aided people who needed employment during this difficult period in American history. This book examines some of the New Deal art--murals, reliefs, sculptures, frescoes and paintings--of Alabama and offers biographical sketches of the artists who created them. An appendix describes federal art programs and projects of the period (1933-1943).
Author: Kenneth J. Bindas
Publisher: Routledge
ISBN: 100047013X
Category : History
Languages : en
Pages : 153
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Book Description
The New Deal and American Society, 1933–1941 explores what some have labeled the third American revolution, in one concise and accessible volume. This book examines the emergence of modern America, beginning with the 100 Days legislation in 1933 through to the second New Deal era that began in 1935. This revolutionary period introduced sweeping social and economic legislation designed to provide the American people with a sense of hope while at the same time creating regulations designed to safeguard against future depressions. It was not without critics or failures, but even these proved significant in the ongoing discussions concerning the idea of federal power, social inclusion, and civil rights. Uncertainties concerning aggressive, nationalistic states like Italy, Germany, and Japan shifted the focus of FDR's administration, but the events of World War II solidified the ideas and policies begun during the 1930s, especially as they related to the welfare state. The legacy of the New Deal would resonate well into the current century through programs like Social Security, unemployment compensation, workers' rights, and the belief that the federal government is responsible for the economic well-being of its citizenry. The volume includes many primary documents to help situate students and bring this era to life. The text will be of interest to students of American history, economic and social history, and, more broadly, courses that engage social change and economic upheaval.
Author: Sharon Ann Musher
Publisher: University of Chicago Press
ISBN: 022624718X
Category : Art
Languages : en
Pages : 306
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Book Description
At its height in 1935, the New Deal devoted roughly $27 million ($320 million today) to supporting tens of thousands of needy writers, dancers, actors, musicians, and visual artists, who created over 100,000 worksbooks, murals, plays, concertsthat were performed for or otherwise imbibed by millions of Americans. But why did the government get so involved with the arts in the first place? Musher addresses this question and many others by exploring the political and aesthetic concerns of the 1930s, as well as the range of responsesfrom politicians, intellectuals, artists, and taxpayersto the idea of active government involvement in the arts. In the process, she raises vital questions about the roles that the arts should play in contemporary society."
Author: Nina Silber
Publisher: UNC Press Books
ISBN: 1469646552
Category : History
Languages : en
Pages : 249
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Book Description
The New Deal era witnessed a surprising surge in popular engagement with the history and memory of the Civil War era. From the omnipresent book and film Gone with the Wind and the scores of popular theater productions to Aaron Copeland's "A Lincoln Portrait," it was hard to miss America's fascination with the war in the 1930s and 1940s. Nina Silber deftly examines the often conflicting and politically contentious ways in which Americans remembered the Civil War era during the years of the Depression, the New Deal, and World War II. In doing so, she reveals how the debates and events of that earlier period resonated so profoundly with New Deal rhetoric about state power, emerging civil rights activism, labor organizing and trade unionism, and popular culture in wartime. At the heart of this book is an examination of how historical memory offers people a means of understanding and defining themselves in the present. Silber reveals how, during a moment of enormous national turmoil, the events and personages of the Civil War provided a framework for reassessing national identity, class conflict, and racial and ethnic division. The New Deal era may have been the first time Civil War memory loomed so large for the nation as a whole, but, as the present moment suggests, it was hardly the last.
Author: Victoria Grieve
Publisher: University of Illinois Press
ISBN: 025203421X
Category : Art and state
Languages : en
Pages : 242
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Book Description
Art for everyone--the Federal Art Project's drive for middlebrow visual culture and identity
Author: John Franklin White
Publisher: Scarecrow Press
ISBN: 9780810820074
Category : Art
Languages : en
Pages : 206
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Book Description
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