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Author: Penelope Turing
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 282
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Book Description
In 1951, Wieland and Wolfgang Wagner revived the annual Bayreuth Festivals with a revolutionary style of production which shocked and delighted the world.
Author: Penelope Turing
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 282
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Book Description
In 1951, Wieland and Wolfgang Wagner revived the annual Bayreuth Festivals with a revolutionary style of production which shocked and delighted the world.
Author: Frederic Spotts
Publisher: Yale University Press
ISBN: 9780300066654
Category : Music
Languages : en
Pages : 348
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Book Description
Providing an overall account of the history of the Wagner festival, a critical analysis of its performers, productions, and enthusiasts establishes its remarkable beginnings, controversial associations, and surprising successes
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 300
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 528
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Book Description
Author: Leonard Bacon
Publisher:
ISBN:
Category :
Languages : en
Pages : 1744
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Book Description
Author:
Publisher:
ISBN:
Category : American wit and humor, Pictorial
Languages : en
Pages : 1174
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Book Description
Author: Arthur Symons
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 242
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Book Description
Author: Oliver Hilmes
Publisher: Yale University Press
ISBN: 0300168233
Category : Biography & Autobiography
Languages : en
Pages : 513
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Book Description
In this meticulously researched book, Oliver Hilmes paints a fascinating and revealing picture of the extraordinary Cosima Wagner—illegitimate daughter of Franz Liszt, wife of the conductor Hans von Bülow, then mistress and subsequently wife of Richard Wagner. After Wagner’s death in 1883 Cosima played a crucial role in the promulgation and politicization of his works, assuming control of the Bayreuth Festival and transforming it into a shrine to German nationalism. The High Priestess of the Wagnerian cult, Cosima lived on for almost fifty years, crafting the image of Richard Wagner through her organizational ability and ideological tenacity.The first book to make use of the available documentation at Bayreuth, this biography explores the achievements of this remarkable and obsessive woman while illuminating a still-hidden chapter of European cultural history.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 544
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Book Description
Author: Michael P. Steinberg
Publisher: Cornell University Press
ISBN: 9780801486920
Category : History
Languages : en
Pages : 290
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Book Description
Austria's renowned Salzburg Festival has from the outset engaged issues of cultural identity in a country that has difficulty coming to terms with its twentieth-century history. That this is the case was especially apparent in 1999, when the Austrian president opened the festival with a speech attacking its profile under the direction of Gerard Mortier and calling for a return to the ideals of its spiritual founder, Hugo von Hofmannsthal. This proved the opening shot in a renewed debate about the direction of the Festival, which is in fact a debate about the identity of Austria itself. The issues posed foreshadowed the uproar that erupted several months later when Joerg Haider's right-wing Freedom Party joined a coalition with the conservative People's Party, wresting control of the government from the Socialists and provoking the wrath of Austria's partners within the European Union. What accounts for the profound intellectual and cultural ambivalences that have characterized Austrian history in the twentieth century?In this highly regarded book, Michael P. Steinberg investigates the goals and meanings of the Salzburg Festival from its origins in the wake of defeat in World War I and the collapse of the Habsburg Empire. He focuses on those aspects that reveal with special clarity the interplay between the Festival's history and the larger problems of Austrian and German ideology and identity. At the heart of his analysis is the problem of "nationalist cosmopolitanism," which he sees as a central element of German and Austrian culture from the period of the German enlightenment on. He shows how the Festival sought to embody and extend this paradoxical tradition and, in the Preface to the Cornell Paperbacks edition, explores the latest chapter in the Austrian culture wars. Steinberg's book is at once a brilliant history of an important cultural institution and a work that deepens our understanding of the unstable relationship between culture and politics in Europe at the beginning of the twenty-first century.
