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Author: Anne Rorimer
Publisher:
ISBN: 9780500284711
Category : Art
Languages : en
Pages : 304
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Book Description
By the end of the 1960s a revolution had taken place in the perception and practice of art in Europe and North America. This book, the first detailed account of developments centered around the conceptual art movement, highlights the main issues underlying visually disparate works dating from the second half of the 1960s to the end of the 1970s. These works questioned the accepted categories of painting and sculpture by embracing a wealth of alternative media and procedures. Traditional two- and three-dimensional representations were supplanted by a variety of linguistic and photographic means, as well as installations that brought into play the importance of presentation and site. Through close examination of individual works and artists, Anne Rorimer demonstrates the pervading desire to redefine the characteristics of what was once accepted as truly visual in order to dispel earlier assumptions and offer other criteria for seeing. Artists whose work is discussed in depth include Robert Ryman, Gerhard Richter, Joseph Kosuth, Lawrence Weiner, Eleanor Antin, John Baldessari, Gilbert & George, Sol LeWitt, Adrian Piper, Bruce Nauman, Vito Acconci, Marcel Broodthaers, Robert Smithson, Daniel Buren, and Michael Asher. Forerunners of the period such as Jasper Johns, Robert Rauschenberg, Andy Warhol, Frank Stella, Piero Manzoni, Joseph Beuys, Allan Kaprow, and Fluxus are also included. 303 illustrations.
Author: Anne Rorimer
Publisher:
ISBN: 9780500284711
Category : Art
Languages : en
Pages : 304
Get Book Here
Book Description
By the end of the 1960s a revolution had taken place in the perception and practice of art in Europe and North America. This book, the first detailed account of developments centered around the conceptual art movement, highlights the main issues underlying visually disparate works dating from the second half of the 1960s to the end of the 1970s. These works questioned the accepted categories of painting and sculpture by embracing a wealth of alternative media and procedures. Traditional two- and three-dimensional representations were supplanted by a variety of linguistic and photographic means, as well as installations that brought into play the importance of presentation and site. Through close examination of individual works and artists, Anne Rorimer demonstrates the pervading desire to redefine the characteristics of what was once accepted as truly visual in order to dispel earlier assumptions and offer other criteria for seeing. Artists whose work is discussed in depth include Robert Ryman, Gerhard Richter, Joseph Kosuth, Lawrence Weiner, Eleanor Antin, John Baldessari, Gilbert & George, Sol LeWitt, Adrian Piper, Bruce Nauman, Vito Acconci, Marcel Broodthaers, Robert Smithson, Daniel Buren, and Michael Asher. Forerunners of the period such as Jasper Johns, Robert Rauschenberg, Andy Warhol, Frank Stella, Piero Manzoni, Joseph Beuys, Allan Kaprow, and Fluxus are also included. 303 illustrations.
Author: Hunter Drohojowska-Philp
Publisher: Henry Holt and Company
ISBN: 9780805088366
Category : Art
Languages : en
Pages : 288
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Book Description
The extraordinary story of the artists who propelled themselves to international fame in 1960s Los Angeles Los Angeles, 1960: There was no modern art museum and there were few galleries, which is exactly what a number of daring young artists liked about it, among them Ed Ruscha, David Hockney, Robert Irwin, Bruce Nauman, Judy Chicago and John Baldessari. Freedom from an established way of seeing, making, and marketing art fueled their creativity, which in turn inspired the city. Today Los Angeles has four museums dedicated to contemporary art, around one hundred galleries, and thousands of artists. Here, at last, is the book that tells the saga of how the scene came into being, why a prevailing Los Angeles permissiveness, 1960s-style, spawned countless innovations, including Andy Warhol's first exhibition, Marcel Duchamp's first retrospective, Frank Gehry's mind-bending architecture, Rudi Gernreich's topless bathing suit, Dennis Hopper's Easy Rider, even the Beach Boys, the Byrds, the Doors, and other purveyors of a California style. In the 1960s, Los Angeles was the epicenter of cool.
Author: Ana Janevski
Publisher:
ISBN: 9788392404439
Category : Art, Yugoslav
Languages : en
Pages : 0
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Book Description
In the late 1960s and '70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with "anti-art"--works on the borderline of the form that balanced between amateurism and professionalism and breached modernist conventions. These artists seized upon the opportunities to disseminate their art offered by film clubs--public institutions that brought together amateur artists and served as enclaves of freedom. As Soon as I Open My Eyes I See a Film explores the crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe.
Author: Gwen Allen
Publisher: MIT Press
ISBN: 0262015196
Category : Art
Languages : en
Pages : 377
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Book Description
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system.
Author: Patrick Favardin
Publisher: Norma Editions
ISBN: 9782915542837
Category : Architecture
Languages : en
Pages : 0
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Book Description
The 1960s and 1970s marked a sharp turning point in the history of decoration and furniture. Until that point, the world was confined to national and elitist forms of expression. At the beginning of the 1960s, the sector took its inspiration from Anglo-Saxon, Scandinavian, Italian and French decoration. Genres were combined in a frenzied desire to live in symbiosis with one's time. The progress of technology strengthened the conviction that the individual had unlimited freedom and aroused the desire to inhabit in a new manner. Forms became rounder, furniture was in sync with a warm, playful, and anticonformist universe. Colors and decorative motifs took on the brilliance and fantasies of Pop Art and psychedelia. The living environment was transformed into a waking dream in which luxurious furniture in original materials and surprising objects were mixed, associated, for the first time, with early furniture. The end of the 1970s marked the advent of a period in which beauty and classic elegance gave way to a host of expressions that were unclassifiable and rejected any hierarchy. The postmodern period had arrived. Composed of a long introduction that provides a synoptic view and 32 monographs that describe its many faces, this book invites the reader to discover an exceptionally creative period and revels through an abundant iconography.
Author: Peter Schlesinger
Publisher: Vendome Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 136
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Book Description
"Fascinated with the rich tradition and youthful creativity of London in the 1960s and longing to leave suburban America, a wide-eyed twenty-year-old Californian named Peter Schlesinger arrived in 1968 with his partner, David Hockney, to study painting at the Slade School of Art. He stayed on for ten years and moved in some of the city's most intriguing social and artistic circles. Manolo Blahnik, Paloma Picasso, Ossie Clark, Cecil Beaton, Bianca Jagger, Christopher Isherwood, and Bryan Ferry - all became friends of the bright and talented Schlesinger, along with other prominent figures in the worlds of art, ballet, music, photography, film, and society." "Schlesinger was one of Hockney's favorite models and he appears in many of his most important paintings of this period, but he was a gifted artist in his own right, with a tireless interest in documenting the amazing world of London bohemia in which he found himself. His privileged position during these extraordinary years resulted in literally thousands of intimate photographs of friends and acquaintances in everyday situations, taken both at home in London and on numerous trips to continental Europe. Featuring 180 of the most artful and revealing images, Checkered Past guides us with a wry eye through the artists' studios, fashion shows, grand country houses, and gay discos that made London such a magnet during the late 1960s and early 1970s."--BOOK JACKET.
Author: Joshua Mack
Publisher: Damiani Limited
ISBN: 9788862084000
Category : Art
Languages : en
Pages : 0
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Book Description
In the decades following World War II, both Japan and Italy were rebuilding after the ravages of war, constructing democratic political systems after a period of fascism and transforming into economic powerhouses, all of which profoundly influenced their respective cultures. Artists in both nations were working in these similar conditions, examining their formidable artistic traditions and seeking a new path forward in the wake of modernism - ways of making art objects that had never been made before. 'Parallel Views' presents a breadth of postwar masters of Italian and Japanese art.
Author: Michael Fishel
Publisher: Schiffer Publishing
ISBN: 9780764355486
Category : Art
Languages : en
Pages : 304
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Book Description
Throughout the 1960s and 70s, London-based Big O Posters helped define the new and democratic art medium of the psychedelic poster, a vehicle for rebellion against the old order that went hand in hand with the music, literature, and film of the time. This is a comprehensive collection of works published by Big O artists, astonishingly creative folks whose artistry developed almost completely outside the influence of the art establishment. Included in more than 300 images are works by 19 artists, including Martin Sharp, Roger Dean, H.R. Giger, Robert Venosa, and Vali Myers whose signature styles include sci-fi, fantasy, visionary, botanical, and surrealism. In addition to hundreds of original works, this book digs below the surface to offer insights and anecdotes about the era, the artistic process, and reveals connections to artists from the past (Aubrey Beardsley, Alphonse Mucha, Kay Nielsen) whose spirit chimed with the age of Big O Posters.
Author: Judith E. Stein
Publisher: Macmillan + ORM
ISBN: 0374715203
Category : Biography & Autobiography
Languages : en
Pages : 293
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Book Description
In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert support of America’s first celebrity art collectors, Robert and Ethel Scull, Bellamy gained his footing just as pop art, minimalism, and conceptual art were taking hold and the art world was becoming a playground for millionaires. Yet as an eccentric impresario dogged by alcohol and uninterested in profits or posterity, Bellamy rarely did more than show the work he loved. As fellow dealers such as Leo Castelli and Sidney Janis capitalized on the stars he helped find, Bellamy slowly slid into obscurity, becoming the quiet man in oversize glasses in the corner of the room, a knowing and mischievous smile on his face. Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York in his twenties and made a life for himself between the Beat orbits of Provincetown and white-glove events like the Guggenheim’s opening gala. No matter the scene, he was always considered “one of us,” partying with Norman Mailer, befriending Diane Arbus and Yoko Ono, and hosting or performing in historic Happenings. From his early days at the Hansa Gallery to his time at the Green to his later life as a private dealer, Bellamy had his finger on the pulse of the culture. Based on decades of research and on hundreds of interviews with Bellamy’s artists, friends, colleagues, and lovers, Judith E. Stein’s Eye of the Sixties rescues the legacy of the elusive art dealer and tells the story of a counterculture that became the mainstream. A tale of money, taste, loyalty, and luck, Richard Bellamy’s life is a remarkable window into the art of the twentieth century and the making of a generation’s aesthetic. -- "Bellamy had an understanding of art and a very fine sense of discovery. There was nobody like him, I think. I certainly consider myself his pupil." --Leo Castelli
Author: Joe Houston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Published to accompany an exhibition at the Columbus Museum of Art, Ohio, this book examines the development of the Op Art movement, its cultural context, and its widespread impact on advertising, fashion and film-making. It includes works by Josef Albers, Bridget Riley and Victor Vasarely.
