Author: Christoph Dallach
Publisher: Faber & Faber
ISBN: 0571377696
Category : Music
Languages : en
Pages : 518
Book Description
West Germany, 1968. Like everywhere else in the Western world, the young generation is pushing for radical change, still suffering the after-effects of the Second World War. Many stream out of the lecture halls and onto the streets. Some into the underground. And some into the practice basements, in search of the soundtrack of the movement. The unique and adventurous sounds that German bands like Can, Neu!, Amon Düül, Popul Vuh, Tangerine Dream, Faust, Cluster or Kraftwerk produced back then, now known as Krautrock, are considered a blueprint for modern rock music. And the stream of their creative admirers and continuators has been constantly widening since the first fans like David Bowie and Iggy Pop: whether Blur, Aphex Twin, Sonic Youth, Radiohead or the Red Hot Chilli Peppers. In Neu Klang, Christoph Dallach interviewed its pioneers, including Irmin Schmidt, Jaki Liebezeit and Holger Czukay of CAN; Neu!'s Michael Rother; Dieter Moebius of Cluster; Klaus Schulze of Tangerine Dream; Karl Bartos of Kraftwerk, Brian Eno and many others. Their answers combine to form an oral history that points far beyond the individual band histories: on the one hand, into the past, to Nazi teachers, post-war parental homes, free jazz, terrorism, LSD and extremely long hair; but just as much into the future, to global recognition, myth-making, techno or post-rock.
Neu Klang
Author: Christoph Dallach
Publisher: Faber & Faber
ISBN: 0571377696
Category : Music
Languages : en
Pages : 518
Book Description
West Germany, 1968. Like everywhere else in the Western world, the young generation is pushing for radical change, still suffering the after-effects of the Second World War. Many stream out of the lecture halls and onto the streets. Some into the underground. And some into the practice basements, in search of the soundtrack of the movement. The unique and adventurous sounds that German bands like Can, Neu!, Amon Düül, Popul Vuh, Tangerine Dream, Faust, Cluster or Kraftwerk produced back then, now known as Krautrock, are considered a blueprint for modern rock music. And the stream of their creative admirers and continuators has been constantly widening since the first fans like David Bowie and Iggy Pop: whether Blur, Aphex Twin, Sonic Youth, Radiohead or the Red Hot Chilli Peppers. In Neu Klang, Christoph Dallach interviewed its pioneers, including Irmin Schmidt, Jaki Liebezeit and Holger Czukay of CAN; Neu!'s Michael Rother; Dieter Moebius of Cluster; Klaus Schulze of Tangerine Dream; Karl Bartos of Kraftwerk, Brian Eno and many others. Their answers combine to form an oral history that points far beyond the individual band histories: on the one hand, into the past, to Nazi teachers, post-war parental homes, free jazz, terrorism, LSD and extremely long hair; but just as much into the future, to global recognition, myth-making, techno or post-rock.
Publisher: Faber & Faber
ISBN: 0571377696
Category : Music
Languages : en
Pages : 518
Book Description
West Germany, 1968. Like everywhere else in the Western world, the young generation is pushing for radical change, still suffering the after-effects of the Second World War. Many stream out of the lecture halls and onto the streets. Some into the underground. And some into the practice basements, in search of the soundtrack of the movement. The unique and adventurous sounds that German bands like Can, Neu!, Amon Düül, Popul Vuh, Tangerine Dream, Faust, Cluster or Kraftwerk produced back then, now known as Krautrock, are considered a blueprint for modern rock music. And the stream of their creative admirers and continuators has been constantly widening since the first fans like David Bowie and Iggy Pop: whether Blur, Aphex Twin, Sonic Youth, Radiohead or the Red Hot Chilli Peppers. In Neu Klang, Christoph Dallach interviewed its pioneers, including Irmin Schmidt, Jaki Liebezeit and Holger Czukay of CAN; Neu!'s Michael Rother; Dieter Moebius of Cluster; Klaus Schulze of Tangerine Dream; Karl Bartos of Kraftwerk, Brian Eno and many others. Their answers combine to form an oral history that points far beyond the individual band histories: on the one hand, into the past, to Nazi teachers, post-war parental homes, free jazz, terrorism, LSD and extremely long hair; but just as much into the future, to global recognition, myth-making, techno or post-rock.
Das Neue Musiklexikon
Author: Arthur Eaglefield Hull
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 766
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 766
Book Description
Major and Minor Keys
Author: Ricaredo Demetillo
Publisher:
ISBN: 9789711002879
Category : Literary Collections
Languages : en
Pages : 604
Book Description
Essays om filipinsk litteratur
Publisher:
ISBN: 9789711002879
Category : Literary Collections
Languages : en
Pages : 604
Book Description
Essays om filipinsk litteratur
Eighteen Two-part Songs
Author: Anton Rubinstein
Publisher:
ISBN:
Category : Vocal duets with piano
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category : Vocal duets with piano
Languages : en
Pages : 136
Book Description
The Universal Library of Music
Author: Karl Klauser
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 308
Book Description
Fifty Songs
Author: Franz Schubert
Publisher:
ISBN:
Category : Songs (High voice) with piano
Languages : en
Pages : 262
Book Description
Publisher:
ISBN:
Category : Songs (High voice) with piano
Languages : en
Pages : 262
Book Description
Famous Composers and Their Music
Author: Theodore Thomas
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 178
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 178
Book Description
Rethinking Mendelssohn
Author: Benedict Taylor Ph.D.
Publisher: Oxford University Press
ISBN: 0190611804
Category : Music
Languages : en
Pages : 539
Book Description
As one of the foremost composers, conductors, and pianists of the nineteenth century, Felix Mendelssohn played a fundamental role in the shaping of modern musical tastes through his contributions to the early music revival and the formation of the Austro-German musical canon. His career allows for a remarkable meeting point for critical engagement with a host of crucial issues in the last two centuries of music history, including the relation between musical meaning and social function, programmatic and absolute music, notions of classicism and Romanticism, modernism and historicism. It also serves as a pertinent case-study of the roles political ideology, racism, and musical ignorance may play in creating and perpetuating a composer's posthumous reception. Fittingly, Rethinking Mendelssohn focuses on critical engagement with the composer's music and aesthetics, and on the interpretation of his works in relation to contemporaneous culture. Building on the renaissance in Mendelssohn scholarship of the last two decades, Rethinking Mendelssohn sets a fresh and exciting tone for research on the composer. Opening new ways of understanding Mendelssohn and setting the future direction of Mendelssohn studies, the contributing scholars pay particular attention to Mendelssohn's contested views on the relationship between art and religion, analysis of Mendelssohn's instrumental music in the wake of recent controversies in Formenlehre, and the burgeoning interest in his previously neglected contribution to the German song.
Publisher: Oxford University Press
ISBN: 0190611804
Category : Music
Languages : en
Pages : 539
Book Description
As one of the foremost composers, conductors, and pianists of the nineteenth century, Felix Mendelssohn played a fundamental role in the shaping of modern musical tastes through his contributions to the early music revival and the formation of the Austro-German musical canon. His career allows for a remarkable meeting point for critical engagement with a host of crucial issues in the last two centuries of music history, including the relation between musical meaning and social function, programmatic and absolute music, notions of classicism and Romanticism, modernism and historicism. It also serves as a pertinent case-study of the roles political ideology, racism, and musical ignorance may play in creating and perpetuating a composer's posthumous reception. Fittingly, Rethinking Mendelssohn focuses on critical engagement with the composer's music and aesthetics, and on the interpretation of his works in relation to contemporaneous culture. Building on the renaissance in Mendelssohn scholarship of the last two decades, Rethinking Mendelssohn sets a fresh and exciting tone for research on the composer. Opening new ways of understanding Mendelssohn and setting the future direction of Mendelssohn studies, the contributing scholars pay particular attention to Mendelssohn's contested views on the relationship between art and religion, analysis of Mendelssohn's instrumental music in the wake of recent controversies in Formenlehre, and the burgeoning interest in his previously neglected contribution to the German song.
Twenty-four songs
Author: Franz Schubert
Publisher:
ISBN:
Category : Piano music, Arranged
Languages : en
Pages : 90
Book Description
Publisher:
ISBN:
Category : Piano music, Arranged
Languages : en
Pages : 90
Book Description
Twenty-four favorite songs
Author: Franz Schubert
Publisher:
ISBN:
Category : Songs (Low voice) with piano
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category : Songs (Low voice) with piano
Languages : en
Pages : 104
Book Description