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Author: Marie-Luise Kohlke
Publisher: Rodopi
ISBN: 9401208964
Category : History
Languages : en
Pages : 338
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Book Description
Preliminary Material -- The (Mis)Shapes of Neo-Victorian Gothic: Continuations, Adaptations, Transformations /Marie-Luise Kohlke and Christian Gutleben -- The Limits of Neo-Victorian History: Elizabeth Kostova's The Historian and The Swan Thieves /Andrew Smith -- Reclaiming Plots: Albert Wendt's 'Prospecting' and Victoria Nalani Kneubuhl's Ola Nā Iwi as Postcolonial Neo-Victorian Gothic /Cheryl D. Edelson -- Monsters against Empire: The Politics and Poetics of Neo-Victorian Metafiction in The League of Extraordinary Gentlemen /Sebastian Domsch -- A Bodily Metaphorics of Unsettlement: Leora Farber's Dis-Location / Re-Location as Neo-Victorian Gothic /Jeanne Ellis -- Neo-Victorian Gothic and Spectral Sexuality in Colm Tóibín's The Master /Patricia Pulham -- 'Jack the Ripper' as Neo-Victorian Gothic Fiction: Twentieth-Century and Contemporary Sallies into a Late Victorian Case and Myth /Max Duperray -- Chasing the Dragon: Bangtails, Toffs, Jack and Johnny in Neo-Victorian Fiction /Sarah E. Maier -- Neo-Victorian Female Gothic: Fantasies of Self-Abjection /Marie-Luise Kohlke -- Epistemological Rupture and the Gothic Sublime in Slouching Towards Bedlam /Van Leavenworth -- Dead Words and Fatal Secrets: Rediscovering the Sensational Document in Neo-Victorian Gothic /Kym Brindle -- 'Fear is Fun and Fun is Fear': A Reflexion on Humour in Neo-Victorian Gothic /Christian Gutleben -- Contributors -- Index.
Author: Marie-Luise Kohlke
Publisher: Rodopi
ISBN: 9401208964
Category : History
Languages : en
Pages : 338
Get Book Here
Book Description
Preliminary Material -- The (Mis)Shapes of Neo-Victorian Gothic: Continuations, Adaptations, Transformations /Marie-Luise Kohlke and Christian Gutleben -- The Limits of Neo-Victorian History: Elizabeth Kostova's The Historian and The Swan Thieves /Andrew Smith -- Reclaiming Plots: Albert Wendt's 'Prospecting' and Victoria Nalani Kneubuhl's Ola Nā Iwi as Postcolonial Neo-Victorian Gothic /Cheryl D. Edelson -- Monsters against Empire: The Politics and Poetics of Neo-Victorian Metafiction in The League of Extraordinary Gentlemen /Sebastian Domsch -- A Bodily Metaphorics of Unsettlement: Leora Farber's Dis-Location / Re-Location as Neo-Victorian Gothic /Jeanne Ellis -- Neo-Victorian Gothic and Spectral Sexuality in Colm Tóibín's The Master /Patricia Pulham -- 'Jack the Ripper' as Neo-Victorian Gothic Fiction: Twentieth-Century and Contemporary Sallies into a Late Victorian Case and Myth /Max Duperray -- Chasing the Dragon: Bangtails, Toffs, Jack and Johnny in Neo-Victorian Fiction /Sarah E. Maier -- Neo-Victorian Female Gothic: Fantasies of Self-Abjection /Marie-Luise Kohlke -- Epistemological Rupture and the Gothic Sublime in Slouching Towards Bedlam /Van Leavenworth -- Dead Words and Fatal Secrets: Rediscovering the Sensational Document in Neo-Victorian Gothic /Kym Brindle -- 'Fear is Fun and Fun is Fear': A Reflexion on Humour in Neo-Victorian Gothic /Christian Gutleben -- Contributors -- Index.
Author: Tammy Lai-Ming Ho
Publisher: Springer
ISBN: 3030025594
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
This Pivot examines a body of contemporary neo-Victorian novels whose uneasy relationship with the past can be theorised in terms of aggressive eating, including cannibalism. Not only is the imagery of eating repeatedly used by critics to comprehend neo-Victorian literature, the theme of cannibalism itself also appears overtly or implicitly in a number of the novels and their Victorian prototypes, thereby mirroring the cannibalistic relationship between the contemporary and the Victorian. Tammy Lai-Ming Ho argues that aggressive eating or cannibalism can be seen as a pathological and defining characteristic of neo-Victorian fiction, demonstrating how cannibalism provides a framework for understanding the genre’s origin, its conflicted, ambivalent and violent relationship with its Victorian predecessors and the grotesque and gothic effects that it generates in its fiction.
Author: Jessica Cox
Publisher: Springer Nature
ISBN: 3030292908
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
This book represents the first full-length study of the relationship between neo-Victorianism and nineteenth-century sensation fiction. It examines the diverse and multiple legacies of Victorian popular fiction by authors such as Wilkie Collins and Mary Elizabeth Braddon, tracing their influence on a range of genres and works, including detective fiction, YA writing, Gothic literature, and stage and screen adaptations. In doing so, it forces a reappraisal of critical understandings of neo-Victorianism in terms of its origins and meanings, as well as offering an important critical intervention in popular fiction studies. The work traces the afterlife of Victorian sensation fiction, taking in the neo-Gothic writing of Daphne du Maurier and Victoria Holt, contemporary popular historical detective and YA fiction by authors including Elizabeth Peters and Philip Pullman, and the literary fiction of writers such as Joanne Harris and Charles Palliser. The work will appeal to scholars and students of Victorian fiction, neo-Victorianism, and popular culture alike.
Author: R. Arias
Publisher: Springer
ISBN: 0230246745
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
Exploring the pervasive presence of the Victorian past in contemporary culture, these essays use the trope of haunting and spectrality as a critical tool with which to consider neo-Victorian works, as well as our ongoing fascination with the Victorians, combining original readings of well-known novels with engaging analyses of lesser-known works.
Author: Megen de Bruin-Molé
Publisher:
ISBN: 135023446X
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
The bestselling genre of Frankenfiction sees classic literature turned into commercial narratives invaded by zombies, vampires, werewolves, and other fantastical monsters. Too engaged with tradition for some and not traditional enough for others, these 'monster mashups' are often criticized as a sign of the artistic and moral degeneration of contemporary culture. These hybrid creations are the 'monsters' of our age, lurking at the limits of responsible consumption and acceptable appropriation. This book explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. Taking a multimedia approach, case studies range from novels like Pride and Prejudice and Zombies and The Extraordinary Adventures of the Athena Club series, to television programmes such as Penny Dreadful, to popular visual artworks like Kevin J. Weir's Flux Machine GIFs. Megen de Bruin-Molé uses these monstrous and liminal works to show how the thrill of transgression has been contained within safe and familiar formats, resulting in the mashups that dominate Western popular culture.
Author:
Publisher: Hotei Publishing
ISBN: 9004292330
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
This volume explores the complex aesthetic, cultural, and memory politics of urban representation and reconfiguration in neo-Victorian discourse and practice. Through adaptations of traditional city tropes – such as the palimpsest, the labyrinth, the femininised enigma, and the marketplace of desire – writers, filmmakers, and city planners resurrect, preserve, and rework nineteenth-century metropolises and their material traces while simultaneously Gothicising and fabricating ‘past’ urban realities to serve present-day wants, so as to maximise cities’ potential to generate consumption and profits. Within the cultural imaginary of the metropolis, this volume contends, the nineteenth century provides a prominent focalising lens that mediates our apperception of and engagement with postmodern cityscapes. From the site of capitalist romance and traumatic lieux de mémoire to theatre of postcolonial resistance and Gothic sensationalism, the neo-Victorian city proves a veritable Proteus evoking myriad creative responses but also crystallising persistent ethical dilemmas surrounding alienation, precarity, Othering, and social exclusion.
Author: Sarah E. Maier
Publisher: Anthem Press
ISBN: 1785272195
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
Neo-Gothic Narratives defines and theorises what, exactly, qualifies as such a text, what mobilises the employment of the Gothic to speak to our own times, whether nostalgia plays a role and whether there is room for humour besides the sobriety and horror in these narratives across various media. What attracts us to the Gothic that makes us want to resurrect, reinvent, echo it? Why do we let the Gothic redefine us? Why do we let it haunt us? Does it speak to us through intertexuality, self-reflectivity, metafiction, immersion, affect? Are we reclaiming the history of women and other subalterns in the Gothic that had been denied in other forms of history? Are we revisiting the trauma of English colonisation and seeking national identity? Or are we simply tourists who enjoy cruising through the otherworld? The essays in this volume investigate both the readerly experience of Neo-Gothic narratives as well as their writerly pastiche.
Author: Julian Wolfreys
Publisher: Bloomsbury Publishing
ISBN: 1350317713
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
Victorian Hauntings asks its reader to consider the following questions: What does it mean to read or write with ghosts, or to suggest that acts of reading or writing are haunted? In what ways can authors in the nineteenth century be read so as to acknowledge the various phantom effects which return within their texts? In what ways do the traces of such "ghost writing" surface in the works of Dickens, Tennyson, Eliot and Hardy? How does the work of spectrality, revenance and the uncanny transform materially both the forms of the literary in the Victorian era and our reception of it today? Beginning with an expoloration of matters of haunting, the uncanny, the gothic and the spectral, Julian Wolfreys traces the ghostly resonances at work in Victorian writing and how such persistence addresses isues of memory and responsibility which haunt the work of reading. 'Taking the familiar genre of the Gothic as a point of departure and revisiting it through Derridean theory, Wolfreys' book, the first application of "hauntology" to the domain of Victorian Studies is a remarkable achievement. Wolfreys never reduces reading to instrumentality but remains alert to all the potentialities of the texts he reads with a great attention to their idiosyncrasies. Victorian Hauntings should bring a new tone to Victorian Studies, this clever book is quite perfect.' - Jean Michel Rabate, Professor of English, University of Pennsylvania 'You'd have to be dead to know more about ghosts than Julian Wolfreys.' - Martin McQuillan, University of Leeds
Author: Sarah E. Maier
Publisher: Springer Nature
ISBN: 3030465829
Category : Literary Criticism
Languages : en
Pages : 315
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Book Description
Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media investigates contemporary fiction, cinema and television shows set in the Victorian period that depict mad murderers, lunatic doctors, social dis/ease and madhouses as if many Victorians were “mad.” Such portraits demand a “rediagnosing” of mental illness that was often reduced to only female hysteria or a general malaise in nineteenth-century renditions. This collection of essays explores questions of neo-Victorian representations of moral insanity, mental illness, disturbed psyches or non-normative imaginings as well as considers the important issues of legal righteousness, social responsibility or methods of restraint and corrupt incarcerations. The chapters investigate the self-conscious re-visions, legacies and lessons of nineteenth-century discourses of madness and/or those persons presumed mad rediagnosed by present-day (neo-Victorian) representations informed by post-nineteenth-century psychological insights.
Author: A. Milbank
Publisher: Springer
ISBN: 0230372414
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Through innovative and controversial readings of Victorian Gothic and 'sensation' fiction, this book interrogates current feminist assumptions about the relation of women to the private sphere, and reveals the unexpectedly radical potential of this association. It is argued that this potential is an intrinsic aspect of the 'female' Gothic tradition traceable back to Ann Radcliffe. A new typology of 'male' and 'female' Gothic is shown to be relevant to contemporary French feminist debates about sexual difference.
