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Author: Brian Norman
Publisher: University of Georgia Press
ISBN: 0820335975
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Norman traces a neo-segregation narrative tradition--one that developed in tandem with neo-slave narratives--by which writers return to a moment of stark de jure segregation to address contemporary concerns about national identity and the persistence of racial divides.
Author: Brian Norman
Publisher: University of Georgia Press
ISBN: 0820335975
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Norman traces a neo-segregation narrative tradition--one that developed in tandem with neo-slave narratives--by which writers return to a moment of stark de jure segregation to address contemporary concerns about national identity and the persistence of racial divides.
Author: Mollie Godfrey
Publisher: University of Illinois Press
ISBN: 025205024X
Category : Social Science
Languages : en
Pages : 413
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Book Description
African Americans once passed as whites to escape the pains of racism. Today's neo-passing has pushed the old idea of passing in extraordinary new directions. A white author uses an Asian pen name; heterosexuals live "out" as gay; and, irony of ironies, whites try to pass as black. Mollie Godfrey and Vershawn Ashanti Young present essays that explore practices, performances, and texts of neo-passing in our supposedly postracial moment. The authors move from the postracial imagery of Angry Black White Boy and the issues of sexual orientation and race in ZZ Packer's short fiction to the politics of Dave Chappelle's skits as a black President George W. Bush. Together, the works reveal that the questions raised by neo-passing—questions about performing and contesting identity in relation to social norms—remain as relevant today as in the past. Contributors: Derek Adams, Christopher M. Brown, Martha J. Cutter, Marcia Alesan Dawkins, Michele Elam, Alisha Gaines, Jennifer Glaser, Allyson Hobbs, Brandon J. Manning, Loran Marsan, Lara Narcisi, Eden Osucha, Gayle Wald, and Deborah Elizabeth Whaley
Author: Julie Armstrong
Publisher: Cambridge University Press
ISBN: 131624038X
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
The Cambridge Companion to American Civil Rights Literature brings together leading scholars to examine the significant traditions, genres, and themes of civil rights literature. While civil rights scholarship has typically focused on documentary rather than creative writing, and political rather than cultural history, this Companion addresses the gap and provides university students with a vast introduction to an impressive range of authors, including Richard Wright, Lorraine Hansberry, Gwendolyn Brooks, James Baldwin, Amiri Baraka, and Toni Morrison. Accessible to undergraduates and academics alike, this Companion surveys the critical landscape of a rapidly growing field and lays the foundation for future studies.
Author: Dion J. Pierre
Publisher:
ISBN: 9781950765010
Category :
Languages : en
Pages :
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Book Description
The Supreme Court's 1954 decision in Brown v. Board of Education and the reinvigorated Civil Rights Movement spurred American colleges and universities by the early 1960s to a good-faith effort to achieve racial integration. To overcome the shortage of black students who were prepared for elite academic programs, universities such as Yale began to admit substantial numbers of under-qualified black students. Disaster ensued. More than a third of these students dropped out in the first year and those who remained were often embittered by the experience. They turned to each other for support and found inspiration in black nationalism. What emerged by the late sixties were radical and sometimes militant black groups on campus, rejecting the ideal of racial integration and voicing a new separatist ethic. On campus after campus, black separatists won concessions from administrators who were afraid of further alienating blacks. The pattern of college administrators rolling over to black separatist demands came to dominate much of American higher education. The old integrationist ideal has been sacrificed almost entirely. Instead of offering opportunities for students to mix freely with students of dissimilar backgrounds, colleges promote ethnic enclaves, stoke racial resentment, and build organizational structures on the basis of group grievance.Neo-segregation is the voluntary racial segregation of students, aided by college institutions, into racially exclusive housing and common spaces, orientation and commencement ceremonies, student associations, scholarships, and classes. This case study of Yale University is part of a larger project from the National Association of Scholars, Separate but Equal, Again: Neo-Segregation in American Higher Education. The Yale case study explains: 1) Yale's attempt to deal with the academic deficiencies of black students alternately by segregating them into remedial programs or mainstreaming them into programs they couldn't handle. 2) The readiness of black students to adopt race nationalist ideas and theatrics in preference to the ideals of racial integration. 3) Yale's willingness to buy temporary racial peace on campus by conceding to segregationist demands, even when this meant sacrificing academic standards and principles of equal application of rules regardless of race.
Author: Alexander Manshel
Publisher: Columbia University Press
ISBN: 0231558821
Category : Literary Criticism
Languages : en
Pages : 173
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Book Description
Contemporary fiction has never been less contemporary. Midcentury writers tended to set their works in their own moment, but for the last several decades critical acclaim and attention have fixated on historical fiction. This shift is particularly dramatic for writers of color. Even as the literary canon has become more diverse, cultural institutions have celebrated Black, Asian American, Latinx, and Indigenous novelists almost exclusively for their historical fiction. Writing Backwards explores what the dominance of historical fiction in the contemporary canon reveals about American literary culture. Alexander Manshel investigates the most celebrated historical genres—contemporary narratives of slavery, the World War II novel, the multigenerational family saga, immigrant fiction, and the novel of recent history—alongside the literary and academic institutions that have elevated them. He examines novels by writers including Toni Morrison, Viet Thanh Nguyen, Colson Whitehead, Julia Alvarez, Leslie Marmon Silko, Michael Chabon, Julie Otsuka, Yaa Gyasi, Ben Lerner, and Tommy Orange in the context of MFA programs, literary prizes, university syllabi, book clubs, and the National Endowment for the Arts. Manshel studies how historical fiction has evolved over the last half century, documenting the formation of the newly inclusive literary canon as well as who and what it still excludes. Offering new insight into how institutions shape literature and the limits of historical memory, Writing Backwards also considers recent challenges to the historical turn in American fiction.
Author:
Publisher: Edinburgh University Press
ISBN: 147446159X
Category : Fiction
Languages : en
Pages : 266
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Book Description
Analysing the ubiquity of the small town in fiction of the mid-century US South, Living Jim Crow is the first extended scholarly study to explore how authors mobilised this setting as a tool for racial resistance.
Author: John L. Glenn
Publisher: LSU Press
ISBN: 0807169943
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
In Progress Compromised, John L. Glenn examines how African American literature engages in debates about the political and cultural tensions prompted by black social movements during the 1950s and 1960s. Glenn presents detailed case studies of four major novels that illuminate specific periods crucial in the history of African American political struggles, including campaigns for racial integration, the zenith of the civil rights movement, black nationalism, and the immediate legacy of the civil rights era. His analysis provides a nuanced understanding of black postmodern culture and shows how writers use fiction to postulate new modes of resistance and selfhood that defy societal constraints. In Colson Whitehead’s The Intuitionist, the first black female elevator inspector and her male counterparts reconsider their notions of what progress means for African Americans newly integrated into civil service and mass industry. Alice Walker’s Meridian observes the novel’s title character as she copes with the psychological distress experienced by activists participating in the civil rights movement, emphasizing how they bear the psychic and emotional weight of their struggle for equality. John Oliver Killens’s satire The Cotillion; or, One Good Bull Is Half the Herd considers class stratification among black communities and social organizations by following the protagonists as they expose the biases of a society women’s group, set against a backdrop of late-1960s black nationalism. Finally, Toni Morrison’s Tar Baby concerns members of the post–civil rights generation who struggle to achieve self-renewal through introspection while confronting unresolved issues about racial identity and socioeconomic mobility. Progress Compromised showcases the discourse on black cultural politics circulating within late-twentieth-century African American literature, revealing how postmodern fiction investigates the effects of historical movements on individuals, their respective communities, and their efforts to resist social conformity and retain personal identity.
Author: Cameron Leader-Picone
Publisher: Univ. Press of Mississippi
ISBN: 1496824539
Category : Social Science
Languages : en
Pages : 216
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Book Description
CHOICE Outstanding Academic Title for 2020 Post-Blackness. Post-Soul. Post-Black Art. New Blackness. How has the meaning of blackness changed in the twenty-first century? Cameron Leader-Picone suggests that this proliferation of terms, along with the renewed focus on questioning the relationship between individual black artists and the larger black community, indicates the arrival of novel forms of black identity and black art. Leader-Picone defines these terms as significant facets of a larger post era, linking them with the social and political context of Barack Obama’s presidency. Analyzing claims of progress associated with Obama’s election and post-era thinking, he examines the contours of black aesthetics in the new century. To do so, he sifts through post-era African American fiction, considering both celebrations and rejections of an early twenty-first-century rhetoric of progress. In addition, he maps the subsequent implications of these concepts for rearticulating racial identities. Through the works of Colson Whitehead, Alice Randall, Chimamanda Ngozi Adichie, Paul Beatty, Kiese Laymon, and Jesmyn Ward, Leader-Picone tracks how recent fiction manifests the tension between the embrace of post–civil rights era gains and the recognition of persistent structural racism. Ultimately far less triumphal than the prefix post would imply, these authors address the Black Arts Movement and revise double consciousness and other key themes from the African American literary tradition. They interrogate their relevance in an era encompassing not only the election of the nation’s first black president, but also the government’s failed response to Hurricane Katrina, the expansion of class divisions within the black community, mass incarceration, and ongoing police violence.
Author: Robert J. Patterson
Publisher: University of Virginia Press
ISBN: 081393527X
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Using the term "exodus politics" to theorize the valorization of black male leadership in the movement for civil rights, Robert J. Patterson explores the ways in which the political strategies and ideologies of this movement paradoxically undermined the collective enfranchisement of black people. He argues that by narrowly conceptualizing civil rights in only racial terms and relying solely on a male figure, conventional African American leadership, though frequently redemptive, can also erode the very goals of civil rights. The author turns to contemporary African American writers such as Ernest Gaines, Gayl Jones, Alice Walker, and Charles Johnson to show how they challenge the dominant models of civil rights leadership. He draws on a variety of disciplines—including black feminism, civil rights history, cultural studies, and liberation theology—in order to develop a more nuanced formulation of black subjectivity and politics. Patterson's connection of the concept of racial rights to gender and sexual rights allows him to illuminate the literature's promotion of more expansive models. By considering the competing and varied political interests of black communities, these writers reimagine the dominant models in a way that can empower communities to be self-sustaining in the absence of a messianic male leader.
Author: Eric Gary Anderson
Publisher: LSU Press
ISBN: 080716108X
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
Examines physical, symbolic, psychological, and cultural forms of undeadness in a variety of media and historical periods.
