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Author: Roy Harris
Publisher: A&C Black
ISBN: 1441129278
Category : Language Arts & Disciplines
Languages : en
Pages : 241
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Book Description
Are contemporary art theorists and critics speaking a language that has lost its meaning? Is it still based on concepts and values that are long out of date? Does anyone know what the function of the arts is in modern society?Roy Harris breaks new ground with his linguistic approach to the key issues. He situates those issues within the long-running debate about the arts and their place in society which goes back to the Classical period in ancient Greece. Contributors to the debate included some of the most celebrated artists and philosophers of their day--Plato, Aristotle, Leonardo, Kant, Hegel, Wagner, Baudelaire, Zola, Delacroix--but none of these eminent figures or their supporters provided a reasoned overview examining the multilingual development of Western artspeak as a whole. Nor did they develop any explicit account of the relationship between the arts and language.The Necessity of Artspeak shows for the first time that what have usually been considered problems of aesthetics and artistic justification often have their source in the linguistic assumptions underlying the terms and arguments presented. It also shows how artspeak has been--and continues to be--manipulated to serve the interests of particular social groups and agendas. Until the semantics of artspeak is more widely understood, the public will continue to be taken in by the latest fads and fashions that propagandists of the art world promote.
Author: Roy Harris
Publisher: A&C Black
ISBN: 1441129278
Category : Language Arts & Disciplines
Languages : en
Pages : 241
Get Book Here
Book Description
Are contemporary art theorists and critics speaking a language that has lost its meaning? Is it still based on concepts and values that are long out of date? Does anyone know what the function of the arts is in modern society?Roy Harris breaks new ground with his linguistic approach to the key issues. He situates those issues within the long-running debate about the arts and their place in society which goes back to the Classical period in ancient Greece. Contributors to the debate included some of the most celebrated artists and philosophers of their day--Plato, Aristotle, Leonardo, Kant, Hegel, Wagner, Baudelaire, Zola, Delacroix--but none of these eminent figures or their supporters provided a reasoned overview examining the multilingual development of Western artspeak as a whole. Nor did they develop any explicit account of the relationship between the arts and language.The Necessity of Artspeak shows for the first time that what have usually been considered problems of aesthetics and artistic justification often have their source in the linguistic assumptions underlying the terms and arguments presented. It also shows how artspeak has been--and continues to be--manipulated to serve the interests of particular social groups and agendas. Until the semantics of artspeak is more widely understood, the public will continue to be taken in by the latest fads and fashions that propagandists of the art world promote.
Author: Eric Gibson
Publisher: Encounter Books
ISBN: 1641771097
Category : Art
Languages : en
Pages : 179
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Book Description
The Necessity of Sculpture brings together a selection of articles on sculpture and sculptors from Eric Gibson’s nearly four-decade career as an art critic. It covers subjects as diverse as Mesopotamian cylinder seals, war memorials, and the art of the American West; stylistic periods such as the Hellenistic in Ancient Greece and Kamakura in medieval Japan; Michelangelo, Gian Lorenzo Bernini, Augustus Saint-Gaudens, and other historical figures; modernists like Auguste Rodin, Pablo Picasso, and Alberto Giacometti; and contemporary artists including Richard Serra, Rachel Whiteread, and Jeff Koons. Organized chronologically by artist and period, this collection is as much a synoptic history of sculpture as it is an art chronicle. At the same time, it is an illuminating introduction to the subject for anyone coming to it for the first time.
Author: Giuliana Elena Garzone
Publisher: Cambridge Scholars Publishing
ISBN: 1443862738
Category : Language Arts & Disciplines
Languages : en
Pages : 470
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Book Description
This volume brings together work by both well-known scholars and emerging researchers in the various areas of Language for Specific Purposes (LSP), such as political, legal, medical, and business discourse. The volume is divided into three parts in order to align rather than separate three different but related aspects of LSP: namely, translation, linguistic research, and domain specific communication on the web. Underlying all the contributions here is the growing awareness of the ever-increasing multiformity of specialised communication and the ever-wider social implications of the communicative situations in which it is embedded, especially where it involves the need to move across languages, cultures and modes, as in translation and interpreting. The contributions consistently bear witness to the need to review received notions, pose new questions, and explore fresh perspectives. The picture that emerges is one of extreme complexity, in which researchers into specifically linguistic aspects of LSPs and their translation across languages and media declare their awareness of the pressing need to come to terms with a wide range of social, pragmatic, intercultural and political factors, above and beyond socio-technical knowledge of the domains under investigation.
Author: Roy Harris
Publisher: A&C Black
ISBN: 1847143482
Category : Language Arts & Disciplines
Languages : en
Pages : 237
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Book Description
The Semantics of Science proposes a radical new rethinking of science and scientific discourse. Roy Harris argues that supercategories such as science, art, religion and history are themselves verbal constructs, and thus language-dependent. Because each supercategory is constructed differently, it is necessary to pay attention to the linguistic process by which a discourse such as 'science' has developed. Through this view it is possible to observe that the function of the supercategory is to integrate what would otherwise be separate activities and enquiries, and the result of this integration is therefore a re-drawing of the intellectual world that society as a whole adopts. In the course of his study of The Semantics of Science Roy Harris looks at the history and development of scientific discourse to show through language that what is meant by science has changed since it was first theorised by the Greeks. Harris traces the semantic development of 'science' through the years of the Royal Society to the present day, moving on to an analysis of rhetoric, mathematics, common sense and finally the supercategory of semantics. This lucidly written yet radical new theory on the language of science will be fascinating reading for academics and students researching semantics, semiotics or applied linguistics.
Author: Roy Harris
Publisher: Bloomsbury Publishing
ISBN: 1441176152
Category : Language Arts & Disciplines
Languages : en
Pages : 249
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Book Description
The problem of definition has a long history and has engaged the minds of some of the most eminent thinkers in the Western tradition, from Plato and Aristotle onwards. But it is also an everyday problem constantly confronting all who have to draft or interpret the countless texts on which modern society depends. Definition in Theory and Practice focuses on two areas where difficulties arise in a particularly acute form: lexicography and the law. Examining a wide range of approaches and definitional techniques, backed up by detailed analyses of dictionary entries and court cases, the authors provide a comprehensive survey of their subject. They argue that what underlies the problem of definition are conflicting assumptions about the way language functions. This in-depth study of definition will be of interest to academics researching lexicography, semantics and the intersection of linguistics and jurisprudence.
Author: Louis S. Berger
Publisher: Jason Aronson
ISBN: 0765706547
Category : Psychology
Languages : en
Pages : 141
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Book Description
The extensive literature about averting ecological disasters, nuclear catastrophe, and unsupportable overpopulation typically describes dangers, analyzes their implications, and presses for remedial action. It seems that what is taken as too obvious and well understood to mention, let alone to address seriously, is humanity's failure to give global and human survival top priority. More careful consideration of this irrational, self-destructive sociocultural negligence shows that it is complex, puzzling, and ensconced and perpetuated by pathological societal defenses. This paradox is Averting Global Extinction's subject; Berger argues that if these psychological defenses were reduced, so would be society's indifference to necessary action. The book's clinically informed approach conceptualizes society's self-destructiveness as an analogue to the self-destructive psychopathologies of individuals, identifies society's ubiquitous and destructive psychological defenses (denial, projection, and avoidance) as the chief element in that sociocultural psychopathology, and devises a 'sociocultural therapy.' This therapy is accomplished by translating a carefully selected individual psychotherapy framework, a subtype of the so-called analysis of defense, into a corresponding societal therapeutic methodology_society becomes the 'patient.' This intervention is intended to complement and facilitate, not replace, the usual recommended approaches to rescuing the globe. Thus, three analogies are deployed between individual and societal: pathology, defenses, and psychotherapy. The book's new and valuable principal contributions are the identification of sociocultural psychopathology as the underlying cause of our near indifference to the threat of global extinction; the recognition of societal defenses as key elements in that pathology; the conceptualization of a therapeutic analogue, applicable at the societal level, to counter that indifference; and the construction of an exemplar of that analogue.
Author: Michael Toolan
Publisher: Routledge
ISBN: 1135907579
Category : Foreign Language Study
Languages : en
Pages : 191
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Book Description
This study demonstrates the relevance of an integrational linguistic perspective to language learning. By shunning realist and structuralist theories, commitment to the perspective of the language user, and adherence to a semiology in which signs are the situated products of interactants' interpretive behavior, this method radically reconceptualizes language learning and teaching.
Author: Gerard Corsane
Publisher: Psychology Press
ISBN: 9780415289450
Category : Architecture
Languages : en
Pages : 414
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Book Description
This reader provides a starting point and introductory resource for anyone wishing to engage with certain key issues relating to the heritage, museums and galleries sector.
Author: Darryl Hocking
Publisher: Cambridge University Press
ISBN: 1108905218
Category : Language Arts & Disciplines
Languages : en
Pages : 144
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Book Description
The practices of visual artists can never be decontextualised from language. Firstly, artists are constantly in dialogue with their peers, dealers, critics, and audiences about their creative activities and these interactions impact on the work they produce. Secondly, artists' conceptualisations of what artistic practice encompasses are always shaped by wider social discourses. These discourses, however, and their manifestation in the language of everyday life are subject to continual change, and potentially reshape the way that artists conceptualise their practices. Using a 235,000-word diachronic corpus developed from artists' interviews and statements, this Element investigates shifts in artists' use of language to conceptualise their art practice from 1950 to 2019. It then compares these shifts to see if they align with changes in the wider English lexicon and whether there might be a relationship between everyday language change and the aesthetic and conceptual developments that take place in the art world.
Author: Roy Harris
Publisher: Paradigm
ISBN:
Category : Art
Languages : en
Pages : 154
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Book Description
In this lucid and insightful essay, renowned linguist Roy Harris reflects on the early nineteenth-century doctrine of "art for art's sake." This was attacked by Proudhon and Nietzsche, but defended by Théophile Gautier and E. M. Forster. It influenced movements as diverse as futurism and Dada. Over the past two centuries, three main positions have emerged. The "institutional" view declares art to be a status conferred upon certain works by the approval of influential institutions. The "idiocentric" view gives absolute priority to the judgment of the individual. The third is the "conceptual" view of art, which insists that what counts is the idea that inspired a work, not the physical execution. But as Harris shows, the tacit assumptions which once supported this Debate and these positions have now collapsed. "Art" as a coherent category has imploded, leaving behind a historical residue of empty questions that contemporary society can no longer answer. The Great Debate about Art provides much needed signposts for understanding this sorry state of affairs.
