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Author: Manujendra Kundu
Publisher: Oxford University Press
ISBN: 0199089582
Category : Performing Arts
Languages : en
Pages : 387
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Book Description
This is the first-ever, full-length study of Badal Sircar's Third Theatre. Sircar was a very prominent playwright of modern Bengali Theatre. It challenges some of the well-established notions of the Third Theatre. It brings to the fore the lost voices of some members of the Third Theatre. It has some rare photographs of Shatabdi, Sircar's Theatre group.
Author: Natya Shodh Sansthan (Kolkata, India)
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 92
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Book Description
Catalog of the activities of the Sansthan.
Author: Manujendra Kundu
Publisher: Oxford University Press
ISBN: 0199089582
Category : Performing Arts
Languages : en
Pages : 387
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Book Description
This is the first-ever, full-length study of Badal Sircar's Third Theatre. Sircar was a very prominent playwright of modern Bengali Theatre. It challenges some of the well-established notions of the Third Theatre. It brings to the fore the lost voices of some members of the Third Theatre. It has some rare photographs of Shatabdi, Sircar's Theatre group.
Author: Uddalak Dutta
Publisher: Springer Nature
ISBN: 9819921279
Category : Performing Arts
Languages : en
Pages : 211
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Book Description
This book offers the reader an in-depth understanding of Utpal Dutt’s entire career in drama. Covering Dutt’s career in proscenium, street theatre and Jatra, it analyzes the interesting exchange of dramatic art with politics in his theatre. Owing to a plethora of unsubstantiated opinions, Dutt is either revered by his followers or dismissed by his opponents, but hardly ever studied with necessary objectivity and intellectual rigour. The book attempts to bust the myth that Dutt was primarily a political propagandist who used theatre only as a means to achieve his political end. The remarkable range of Dutt’s subject matter makes him as internationally significant as he is loved by Indian theatre enthusiasts. His work has been discussed on various reputed international platforms. Yet there is a stark lacuna when it comes to intellectual attention devoted to Dutt’s theatre. This is the first book which attempts to introduce Dutt’s theatre comprehensively to an international readership. The book looks briefly at Dutt’s life, the impact of his politics on his theatre, the art of his characterization, his dramaturgy and stage technique, and the legacy of his work in theatre. It also offers the reader with a chronological list of the first performances of his original theatrical works and an exhaustive bibliography, which, it is hoped, shall prove especially useful for researchers. The book is designed for lay theatre enthusiasts as well as advanced students of theatre.
Author: Debasish Lahiri
Publisher: Cambridge Scholars Publishing
ISBN: 152758979X
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
The essays gathered here alternately adjust the focal length of the critical lens brought to bear upon texts and contexts in the area of Indian writing in English. They bring into view both intense engagements with major voices in this literary scene and the wider socio-historical perspectives in which they have thrived. Three clearly defined sections on the genres of poetry, prose, and drama are augmented by three incisive interviews with the diasporic Indian English poet Bashabi Fraser, the renowned Indian English fiction writer Kunal Basu, and the premier Indian English playwright Mahesh Dattani. The volume will appeal to students and teachers of postcolonial and comparative literatures. It raises crucial and timely questions about the state of culture in India and the world, the crisis of intolerance, and the loss of memory and diversity. It hones a post-millennial perspective on literature written in the late 20th and early 21st centuries.
Author: Arupjyoti Saikia
Publisher: Penguin Random House India Private Limited
ISBN: 9357082123
Category : History
Languages : en
Pages : 607
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Book Description
'A model work of historical scholarship'-Ramachandra Guha 'The most well-researched, comprehensive history of contemporary Assam ever written'-Partha Chatterjee The crucial battles of World War II fought in India's north-east-followed soon after by Independence and Partition-had a critical impact on the making of modern Assam. In the three decades following 1947, the state of Assam underwent massive political turmoil, geographical instability, and social and demographic upheaval, among others. Later, the truncated state suffered widespread unrest as various groups believed their cultural identity and political leverage were under threat. New social energies and political forces were unleashed and came to the fore. Definitive, comprehensive and unputdownable, The Quest for Modern Assam explores the interconnected layers of political, environmental, economic and cultural processes that shaped the development of Assam since the 1940s. It offers an authoritative account that sets new standards in the writing of regional political history. Not to be missed by any one keen on Assam, India, Asia or world history in the twentieth century.
Author: Mallarika Sinha Roy
Publisher:
ISBN: 1009264087
Category : Literary Criticism
Languages : en
Pages : 84
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Book Description
Among the most significant playwrights and theatre-makers of postcolonial India, Utpal Dutt (1929-1993), was an early exponent of rethinking colonial history through political theatre. Dutt envisaged political theatre as part of the larger Marxist project, and his incorporation of new developments in Marxist thinking, including the contributions of Antonio Gramsci, makes it possible to conceptualise his protagonists as insurgent subalterns. A decolonial approach to staging history remained a significant element in Dutt's artistic project. This Element examines Dutt's passionate engagement with Marxism and explores how this sense of urgency was actioned through the writing and producing of plays about the peasant revolts and armed anti-colonial movements which took place during the period of British rule. Drawing on contemporary debates in political theatre regarding the autonomy of the spectator and the performance of history, the author locates Dutt's political theatre in a historical frame.
Author: Amal Allana
Publisher: Penguin Random House India Private Limited
ISBN: 9357085246
Category : Biography & Autobiography
Languages : en
Pages : 836
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Book Description
Amal Allana’s compelling biography of her father is the first carefully researched, full-length account of the life, work and times of Ebrahim Alkazi, one of the giants of twentieth-century theatre and a key promoter of the visual arts movement in India. Evoking the excitement of Alkazi’s student years in England, the controversies that surrounded his provocative ideas to transform the theatre movement in Bombay and later in Delhi, as the director of the National School of Drama (NSD), this book charts Alkazi’s meteoric rise to the top, with his modernist staging of plays and his aim of putting Hindi theatre on the map. It was at the Sangeet Natak Akademi that Alkazi first confronted resistance to his ideas on the role of tradition in the making of a new ‘national’ culture. By the 1970s, disillusioned with the curtailing of civil liberties and a dysfunctional bureaucracy, he ultimately resigned from the NSD, developing his own independent institutions for the promotion of the visual arts in India as well as abroad. Staging the cultural history of India between the 1940s and 2000s, and featuring a galaxy of artists and actors as the dramatis personae—including M.F. Husain, F.N. Souza, Akbar Padamsee, Gieve Patel, Nissim Ezekiel, Alyque Padamsee, Girish Karnad, Manohar Singh, Vijaya Mehta, Kusum Haidar and Gerson da Cunha—Allana’s chronicle is charged with their fierce energy and commitment as contributors to a vibrant new India. The author’s personal perspective as Alkazi’s daughter brings to the narrative an added dimension of veracity and sensitivity. With objective candour, Allana shares details of her parents’ relationship as they examine their marriage on entirely new terms, as a partnership of equals. Holding Time Captive shows a dynamic Alkazi in his quest to bring about an inclusive, international, intercultural and interdisciplinary thinking in artistic expressions that is transformative and liberating. This book offers unique glimpses into an enigmatic personality whose emotionally charged life closely reflected and ran parallel to the growth and evolution of his startlingly fresh ideas and vision for a modern cultural movement in India.
Author: Dia da Costa
Publisher: Routledge
ISBN: 1317810074
Category : Social Science
Languages : en
Pages : 263
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Book Description
This book uses political theatre to trace the present-day protests in West Bengal against the Left government's acquisition of agricultural land for industrialisation to decades of public protest by the rural Bengali against an accumulated dispossession of meanings.
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521466592
Category : Drama
Languages : en
Pages : 108
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Book Description
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
Author: Vikram Singh Thakur
Publisher: Bloomsbury Publishing
ISBN: 9389812658
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
This book looks at adaptations, translations and performance of Shakespeare's productions in India from the mid-18th century, when British officers in India staged Shakespeare's plays along with other English playwrights for entertainment, through various Indian adaptations of his plays during the colonial period to post-Independence period. It studies Shakespeare in Bengali and Parsi theatre at length. Other theatre traditions, such as Marathi, Kannada, Malayalam and Hindi, have been included. The book dwells on the fascinating story of the languages of India that have absorbed Shakespeare's work and have transformed the original educated Indian's Shakespeare into the popular Shakespeare practice of the 19th and 20th centuries, and the unique urban-folkish tradition in postcolonial India.
