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Author: Jean Clottes
Publisher: University of Chicago Press
ISBN: 022618806X
Category : Art
Languages : en
Pages : 214
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Book Description
The noted archaeologist explores the varieties of prehistoric cave art across the world and offers surprising insights into its purpose and meaning. What drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the likenesses of lions, bison, horses, and aurochs as they flickered by firelight? Was it a creative impulse, a spiritual dawn, a shamanistic conception of the world? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to the “why” of Paleolithic art. Discussing sites and surveys across the world, Clottes offers personal reflections on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—and what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal surprising insights into how we think, why we create, why we believe, and who we are
Author: Jean Clottes
Publisher: University of Chicago Press
ISBN: 022618806X
Category : Art
Languages : en
Pages : 214
Get Book Here
Book Description
The noted archaeologist explores the varieties of prehistoric cave art across the world and offers surprising insights into its purpose and meaning. What drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the likenesses of lions, bison, horses, and aurochs as they flickered by firelight? Was it a creative impulse, a spiritual dawn, a shamanistic conception of the world? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to the “why” of Paleolithic art. Discussing sites and surveys across the world, Clottes offers personal reflections on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—and what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal surprising insights into how we think, why we create, why we believe, and who we are
Author: Karl Kusserow
Publisher:
ISBN: 9780300237009
Category : Art
Languages : en
Pages : 0
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Book Description
This multidisciplinary book offers the first broad ecocritical review of American art and examines the environmental contexts of artistic practice from the colonial period to the present day. Tracing how visions of the environment have changed from the Native-European encounter to the emergence of modern ecological activism, more than a dozen scholars and practitioners discuss how artists have both responded to and actively instigated changes in ecological understanding.
Author: Joachim Wolschke-Bulmahn
Publisher: Dumbarton Oaks
ISBN: 9780884022466
Category : Architecture
Languages : en
Pages : 296
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Book Description
The essays in this volume explore the broad range of ideas about nature reflected in twentieth-century concepts of natural gardens and their ideological implications. They also investigate garden designers' use of earlier ideas of natural gardens and their relationship to the rich model that nature offers.
Author: Charlotte Klonk
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300069501
Category : Art
Languages : en
Pages : 198
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Book Description
Charlotte Klonk's deeply researched accounts of the complex and often ambiguous interactions that took place between artists and scientists challenge simplistic accounts of developments in art as mere by-products of scientific progress as well as reductive socio-economic interpretations. For Klonk, the common thread running through the changes in both art and science is the emergence of a new phenomenalist conception of experience around the turn of the century. Phenomenalism involved a commitment to the scrupulous observation of particular phenomena, without making prior assumptions about meaning or underlying causes, and this ideal was common to both artists and scientists. In this way, Klonk argues, the period represents a brief moment of balance before the concerns of science and art split apart into objectivity and subjectivity, respectively.
Author: Sylvia Heudecker
Publisher: Cambridge Scholars Publishing
ISBN: 1443875082
Category : Art
Languages : en
Pages : 195
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Book Description
Nature can be collected in many forms and shapes: live animals have been locked up in cages, displayed in zoos and menageries and their hides and dried body parts have been used as part of installations in galleries and studies. Plants from far-away countries have been cultivated in botanical gardens and in hothouses. Furthermore, the depiction of medicinal plants and of prized animals was regarded as an important part of the decorative schemes, in an attempt to bring nature indoors. Recent research has also shown that artificialia and naturalia were displayed side by side in early modern Europe—sometimes in the company of scientifica—and that the exhibition set-up often included a complex arrangement of stables, kennels, aviaries, art gallery and library. Villas and country houses displayed favourite horses as well as paintings and antiquities. Botanical gardens and gardens of simples at monastic foundations and universities imposed order and intellectual scope to the cultivation of many new species imported to Europe during the age of exploration. Of particular interest to the mission of this working group is the fact that so many collections of naturalia were displayed in close proximity to other collecting categories, according to a similar choreography as well as according to a similar logistical set-up. Thus, the collections, outdoors as well as indoors, resemble one another in terms of labels adopted and discussions conducted on the respective merits of order and categorisation. The essays in the present volume, therefore, connect art, nature and science by tracing objects, as well as the practices of collecting and display from the early kunst- und wunderkammern to the more scientific aspirations and publications of the eighteenth century. Indoor as well as outdoor locations of collecting are considered as well as the dissemination of objects and knowledge in the form of books during a period, which gradually led from an intrinsic, if untidy, connection between art and nature towards a new world of clear, if unhappy, divisions.
Author: Jeanne Nuechterlein
Publisher: Penn State Press
ISBN: 9780271036922
Category : Art
Languages : en
Pages : 266
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Book Description
"Explores how the Renaissance artist Hans Holbein the Younger came to develop his mature artistic styles through the key historical contexts framing his work: the controversies of the Reformation and Renaissance debates about rhetoric"--Provided by publisher.
Author:
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 490
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Book Description
Author: Ernst Haeckel
Publisher: Echo Point Books & Media, LLC
ISBN: 9781648371851
Category :
Languages : en
Pages : 0
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Book Description
The exquisite color illustrations of Haeckel's Art Forms in Nature seamlessly blend scientific accuracy with a distinctive Art Nouveau aesthetic. These compelling images stimulate awe in artists, students, and scientists of all ages.
![Library for the people. (Division 1). The wonders of nature and art. (Division 2). (A display of the arts of life and society). (Division 3). Worthies of the United Kingdom. (Division 4) [entitled] The chimney corner companion PDF](https://books.google.com/books/content/images/frontcover/cqcIAAAAQAAJ?fife=w80-h100)
Author: Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 712
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Book Description
Author: Clare Walker Leslie
Publisher: Storey Publishing
ISBN: 1580176143
Category : Body, Mind & Spirit
Languages : en
Pages : 177
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Book Description
Reveling in the wonders of nature doesnÕt have to be reserved for vacation. By simply taking a few minutes to look up and observe the hawks hovering over their nest at the top of a city building, or to look down and note the variety of weeds growing in a small patch of earth, or just to glance through the window and appreciate the shapes of the clouds moving by, anyone can connect with natureÑanywhere, anytime. Clare Walker Leslie, author of the bestselling book Keeping a Nature Journal, has spent 25 years teaching and showing people how simple and rewarding it is to notice and record local nature. Nothing is more inspiring than the pages of her nature journals, which feature her daily recordings of small, but amazing natural events sheÕs seen while walking the dog, sitting in a park with her children, or driving around city streets. Drawn to Nature features a selection of LeslieÕs journal pages, arranged to inspire the reader to do as she does: look up, look down, look out and around, bring bits of nature indoors to observe and study, or take your eyes for a walk around the neighborhood. Using a combination of quick, impressionistic watercolors with more detailed pen and pencil drawings, along with the written word, Leslie invites readers to share in the pleasure of her nature watching, and to experience the joy of seeing and connecting with nature wherever they live, amidst the whirl of daily life. For journal keepers, nature lovers, birdwatchers, artists, and anyone interested in using nature as a source for self-reflection or meditation, this book will be a welcome companion and source of inspiration.
