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Author: Sumita S. Chakravarty
Publisher: University of Texas Press
ISBN: 0292789858
Category : Performing Arts
Languages : en
Pages : 347
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Book Description
Although Indian popular cinema has a long history and is familiar to audiences around the world, it has rarely been systematically studied. This book offers the first detailed account of the popular film as it has grown and changed during the tumultuous decades of Indian nationhood. The study focuses on the cinema’s characteristic forms, its range of meanings and pleasures, and, above all, its ideological construction of Indian national identity. Informed by theoretical developments in film theory, cultural studies, postcolonial discourse, and “Third World” cinema, the book identifies the major genres and movements within Bombay cinema since Independence and uses them to enter larger cultural debates about questions of identity, authenticity, citizenship, and collectivity. Chakravarty examines numerous films of the period, including Guide (Vijay Anand, 1965), Shri 420 [The gentleman cheat] (Raj Kapoor, 1955), and Bhumika [The role] (Shyam Benegal, 1977). She shows how “imperso-nation,” played out in masquerade and disguise, has characterized the representation of national identity in popular films, so that concerns and conflicts over class, communal, and regional differences are obsessively evoked, explored, and neutralized. These findings will be of interest to film and area specialists, as well as general readers in film studies.
Author: Sumita S. Chakravarty
Publisher: University of Texas Press
ISBN: 0292789858
Category : Performing Arts
Languages : en
Pages : 347
Get Book Here
Book Description
Although Indian popular cinema has a long history and is familiar to audiences around the world, it has rarely been systematically studied. This book offers the first detailed account of the popular film as it has grown and changed during the tumultuous decades of Indian nationhood. The study focuses on the cinema’s characteristic forms, its range of meanings and pleasures, and, above all, its ideological construction of Indian national identity. Informed by theoretical developments in film theory, cultural studies, postcolonial discourse, and “Third World” cinema, the book identifies the major genres and movements within Bombay cinema since Independence and uses them to enter larger cultural debates about questions of identity, authenticity, citizenship, and collectivity. Chakravarty examines numerous films of the period, including Guide (Vijay Anand, 1965), Shri 420 [The gentleman cheat] (Raj Kapoor, 1955), and Bhumika [The role] (Shyam Benegal, 1977). She shows how “imperso-nation,” played out in masquerade and disguise, has characterized the representation of national identity in popular films, so that concerns and conflicts over class, communal, and regional differences are obsessively evoked, explored, and neutralized. These findings will be of interest to film and area specialists, as well as general readers in film studies.
Author: Dilip M. Menon
Publisher: Berghahn Books
ISBN: 9788187358251
Category : History
Languages : en
Pages : 206
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Book Description
'Cultural History Of Modern India Edited By Dilip M. Menon Definitely Qualifies For Interesting Reading&The Different Approach Attempted Through The Book Indubitably Is A Fresh Endeavour For A Multidisciplinary Approach With Sociologists, Art Historians And Music Theorists Working Within A Historical Paradigm.' The Statesman, 9 December 2006 The History Of Modern India Has Been Narrated Largely In Terms Of The Nationalist Movement, Personalities And What Has Been Seen As The 'High' Politics Of The State. Recent Shifts In History Writing Have Tried To Bring In Subordinated Histories Of Regions And Of Groups. We Are Moving Towards A Wider Understanding Of Politics, History And Of The Ordinary People Who Make History. This Collection Tries To Push The Emerging Paradigm Further By Moving Away From Conventional Notions Of The History Of The Nation And Indeed Of The Political. The Six Essays In This Collection Present Original And Pioneering Forays In The Study Of Cricket, Oral History, Gender Studies, Film, Popular Culture And Indian Classical Music. Whether Looking At Issues Of Caste On The Seemingly Level Playing Field Of Cricket In Early Twentieth Century India; Or How A Nineteenth Century Housewife Comes To Pen The First Autobiography By An Indian Woman; Calendar Art Reflecting Deeper Notions Of Religion And Community; Or How An Idea Of Pure Classical Music Faces The Challenge Of Technology, These Essays Show How Ideas Of Self, Community And Art Are Formed Within A Larger Politics. Moreover, Culture Far From Being A Refuge From The Political Is Also The Space Within Which Politics Comes To Be Worked Out.
Author: Sumita S. Chakravarty
Publisher: University of Texas Press
ISBN: 9780292711563
Category : Performing Arts
Languages : en
Pages : 351
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Book Description
Although Indian popular cinema has a long history and is familiar to audiences around the world, it has rarely been systematically studied. This book offers the first detailed account of the popular film as it has grown and changed during the tumultuous decades of Indian nationhood. The study focuses on the cinema’s characteristic forms, its range of meanings and pleasures, and, above all, its ideological construction of Indian national identity. Informed by theoretical developments in film theory, cultural studies, postcolonial discourse, and “Third World” cinema, the book identifies the major genres and movements within Bombay cinema since Independence and uses them to enter larger cultural debates about questions of identity, authenticity, citizenship, and collectivity. Chakravarty examines numerous films of the period, including Guide (Vijay Anand, 1965), Shri 420 [The gentleman cheat] (Raj Kapoor, 1955), and Bhumika [The role] (Shyam Benegal, 1977). She shows how “imperso-nation,” played out in masquerade and disguise, has characterized the representation of national identity in popular films, so that concerns and conflicts over class, communal, and regional differences are obsessively evoked, explored, and neutralized. These findings will be of interest to film and area specialists, as well as general readers in film studies.
Author: Ashish Rajadhyaksha
Publisher: Routledge
ISBN: 1135943184
Category : Social Science
Languages : en
Pages : 659
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Book Description
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
Author: James Donald
Publisher: SAGE
ISBN: 1446206823
Category : Language Arts & Disciplines
Languages : en
Pages : 538
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Book Description
Written by a team of veteran scholars and exciting emerging talents, The SAGE Handbook of Film Studies maps the field internationally, drawing out regional differences in the way that systematic intellectual reflection on cinema and film has been translated into an academic discipline. It examines the conversations between Film Studies and its contributory disciplines that not only defined a new field of discourse but also modified existing scholarly traditions. It reflects on the field′s dominant paradigms and debates and evaluates their continuing salience. Finally, it looks forward optimistically to the future of the medium of film, the institution of cinema and the discipline of Film Studies at a time when the very existence of film and cinema are being called into question by new technological, industrial and aesthetic developments.
Author: Manju Jain
Publisher: Primus Books
ISBN: 8190891847
Category : Film adaptations
Languages : en
Pages : 295
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Book Description
This collection of essays by subject specialists examines the politics of violence, communalism, and terrorism as negotiated in cinema; the representations of identitarian politics; and the complex ideological underpinnings of literary adaptations.
Author: Stephanie Hemelryk Donald
Publisher: Bloomsbury Publishing USA
ISBN: 1501318594
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
The child has existed in cinema since the Lumière Brothers filmed their babies having messy meals in Lyons, but it is only quite recently that scholars have paid serious attention to her/his presence on screen. Scholarly discussion is now of the highest quality and of interest to anyone concerned not only with the extent to which adult cultural conversations invoke the figure of the child, but also to those interested in exploring how film cultures can shift questions of agency and experience in relation to subjectivity. Childhood and Nation in World Cinema recognizes that the range of films and scholarship is now sufficiently extensive to invoke the world cinema mantra of pluri-vocal and pluri-central attention and interpretation. At the same time, the importance of the child in figuring ideas of nationhood is an undiminished tic in adult cultural and social consciousness. Either the child on film provokes claims on the nation or the nation claims the child. Given the waning star of national film studies, and the widely held and serious concerns over the status of the nation as a meaningful cultural unit, the point here is not to assume some extraordinary pre-social geopolitical empathy of child and political entity. Rather, the present collection observes how and why and whether the cinematic child is indeed aligned to concepts of modern nationhood, to concerns of the State, and to geo-political organizational themes and precepts.
Author: Priya Joshi
Publisher: Columbia University Press
ISBN: 023153907X
Category : Art
Languages : en
Pages : 214
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Book Description
Bollywood is India's most popular entertainment and one of its most powerful social forces. Its blockbusters contest ideas about state formation, capture the nation's dispersed anxieties, and fabricate public fantasies of what constitutes "India." Written by an award-winning scholar of popular culture and postcolonial modernity, Bollywood's India analyzes the role of the cinema's most popular blockbusters in making, unmaking, and remaking modern India. With dazzling interpretive virtuosity, Priya Joshi provides an interdisciplinary account of popular cinema as a space that filters politics and modernity for its viewers. Themes such as crime and punishment, family and individuality, vigilante and community capture the diffuse aspirations of an evolving nation. Summoning India's tumultuous 1970s as an interpretive lens, Joshi reveals the cinema's social work across decades that saw the decline of studios, the rise of the multi-starrer genre, and the arrival of corporate capital and new media platforms. In elegantly crafted studies of iconic and less familiar films, including Awara (1951), Ab Dilli Dur Nahin (1957), Deewaar (1975), Sholay (1975), Dil Se (1998), A Wednesday (2008), and 3 Idiots (2009), Joshi powerfully conveys the pleasures and politics of Bollywood blockbusters.
Author: Prem Chowdhry
Publisher: Manchester University Press
ISBN: 9780719057250
Category : Colonies
Languages : en
Pages : 312
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Book Description
An empirico-historical inquiry into the empire cinema in Hollywood and Britain during the turbulent 1930s and 1940s. It shows how the empire cinema constructed the colonial world, its rationale for doing so, and the manner in which such constructions were received by the colonized people.
Author: Joseph Tse-Hei Lee
Publisher: Springer
ISBN: 1349949329
Category : Performing Arts
Languages : en
Pages : 303
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Book Description
This volume examines the transmission, reception, and reproduction of new cinematic styles, meanings, practices, and norms in early twenty-first-century Asia. Hong Kong and Bollywood offers new answers to the field of inter-Asian cultural studies, which has been energized by the trends towards transnationalism and translatability. It brings together a team of international scholars to capture the latest development in the film industries of Hong Kong and Mumbai, and to explore similar cross-cultural, political, and socioeconomic issues. It also explains how Hong Kong and Bollywood filmmakers have gone beyond the traditional focus on nationalism, urbanity and biculturalism to reposition themselves as new cultural forces in the pantheon of global cinema.
