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Author: Orlando Figes
Publisher: Metropolitan Books
ISBN: 1466862890
Category : History
Languages : en
Pages : 544
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Book Description
History on a grand scale--an enchanting masterpiece that explores the making of one of the world's most vibrant civilizations A People's Tragedy, wrote Eric Hobsbawm, did "more to help us understand the Russian Revolution than any other book I know." Now, in Natasha's Dance, internationally renowned historian Orlando Figes does the same for Russian culture, summoning the myriad elements that formed a nation and held it together. Beginning in the eighteenth century with the building of St. Petersburg--a "window on the West"--and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself--its character, spiritual essence, and destiny. He skillfully interweaves the great works--by Dostoevsky, Stravinsky, and Chagall--with folk embroidery, peasant songs, religious icons, and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world. Figes's characters range high and low: the revered Tolstoy, who left his deathbed to search for the Kingdom of God, as well as the serf girl Praskovya, who became Russian opera's first superstar and shocked society by becoming her owner's wife. Like the European-schooled countess Natasha performing an impromptu folk dance in Tolstoy's War and Peace, the spirit of "Russianness" is revealed by Figes as rich and uplifting, complex and contradictory--a powerful force that unified a vast country and proved more lasting than any Russian ruler or state.
Author: Orlando Figes
Publisher: Macmillan
ISBN: 0805057838
Category : History
Languages : en
Pages : 781
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Book Description
Explores the history of Russia, starting in the eighteenth century, through art, literature and customs of daily life.
Author: Isabella Grosso
Publisher:
ISBN: 9781948598378
Category :
Languages : en
Pages :
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Book Description
Natasha's Not My Name introduces readers to the complex underground of the strip club industry from the perspective of a sixteen-year-old. Groomed by her cousin, supported by older dancers, and paid by strangers for lap dances, the memoir follows Isabella Grosso's adolescence and young adult years as she struggles, succeeds, and ultimately survives as a child-turned-adult with a double life. ?Natasha's Not My Name dives deep into the dark pockets of sexual abuse, suicide, drug use, exploitation, and the inner strength it takes for a wounded child to grow up to be a strong woman, and what ultimately saves her: a love for dance and the arts, and a desire to share her story to help girls in equally vulnerable situations.?Introspective, unapologetic, and brave, Natasha's Not My Name is inspirational reading for all women.
Author: Orlando Figes
Publisher: Metropolitan Books
ISBN: 1627792155
Category : History
Languages : en
Pages : 488
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Book Description
From the “master of historical narrative” (Financial Times), a dazzling, richly detailed, panoramic work—the first to document the genesis of a continent-wide European culture. The nineteenth century in Europe was a time of unprecedented artistic achievement. It was also the first age of cultural globalization—an epoch when mass communications and high-speed rail travel brought Europe together, overcoming the barriers of nationalism and facilitating the development of a truly European canon of artistic, musical, and literary works. By 1900, the same books were being read across the continent, the same paintings reproduced, the same music played in homes and heard in concert halls, the same operas performed in all the major theatres. Drawing from a wealth of documents, letters, and other archival materials, acclaimed historian Orlando Figes examines the interplay of money and art that made this unification possible. At the center of the book is a poignant love triangle: the Russian writer Ivan Turgenev; the Spanish prima donna Pauline Viardot, with whom Turgenev had a long and intimate relationship; and her husband Louis Viardot, an art critic, theater manager, and republican activist. Together, Turgenev and the Viardots acted as a kind of European cultural exchange—they either knew or crossed paths with Delacroix, Berlioz, Chopin, Brahms, Liszt, the Schumanns, Hugo, Flaubert, Dickens, and Dostoyevsky, among many other towering figures. As Figes observes, nearly all of civilization’s great advances have come during periods of heightened cosmopolitanism—when people, ideas, and artistic creations circulate freely between nations. Vivid and insightful, The Europeans shows how such cosmopolitan ferment shaped artistic traditions that came to dominate world culture.
Author: Orlando Figes
Publisher: Penguin UK
ISBN: 1846144884
Category : Biography & Autobiography
Languages : en
Pages : 424
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Book Description
Almost everything we know about the terrible experience of the Gulag has been based on survivor memoirs, in many cases written decades later. For obvious reasons there is very little authentic, contemporary material.Just Send Me Word is a uniquely powerful and moving experience. It is the story of the relationship between Lev and Sveta, two young Muscovites separated by the Second World War and then the Gulag, where the Soviet state sent Lev for ten years on absurd and arbitrary charges. Extraordinarily, during Lev's long exile in an Arctic camp they were able to smuggle letters to each other and even meet. Both sides of the entire correspondence have survived and these letters (of which there are some 1,500) form a detailed and agonizing account of life in Stalin's Soviet Union. They are a testament to human constancy under impossible circumstances - a love story like no other.
Author: Orlando Figes
Publisher: Penguin UK
ISBN: 014180887X
Category : History
Languages : en
Pages : 970
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Book Description
Drawing on a huge range of sources - letters, memoirs, conversations - Orlando Figes tells the story of how Russians tried to endure life under Stalin. Those who shaped the political system became, very frequently, its victims. Those who were its victims were frequently quite blameless. The Whisperers recreates the sort of maze in which Russians found themselves, where an unwitting wrong turn could either destroy a family or, perversely, later save it: a society in which everyone spoke in whispers - whether to protect themselves, their families, neighbours or friends - or to inform on them.
Author: Orlando Figes
Publisher: Weidenfeld & Nicolson
ISBN: 9781842124215
Category : History
Languages : en
Pages : 400
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Book Description
From the preface Many historians outside the Soviet Union have sought to explain why the Bolsheviks won the civil war. Some have focused on the military history of 1918-20. Others have connected the victory of the Red Army to the growth of the Soviet State. But none has made a detailed study of the relationship between the Bolsheviks and the peasantry, the overwhelming majority of the Russian population, during the formative years of the Soviet regime. None has seriously investigated the ways in which the Bolshevik victory was made possible by the transformation of the Russian countryside in the years leading up to and during the revolution. That is the purpose of this book.
Author: Dave Malloy
Publisher:
ISBN: 9781454923282
Category : Music
Languages : en
Pages : 0
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Book Description
A behind-the-scenes look at the making of an award-winning musical! Here is the official, fascinating, behind-the scenes journey of the new musical Natasha, Pierre & The Great Comet of 1812, from its inception, to Off-Off Broadway, to Off-Broadway, to its premiere at the Imperial Theatre on Broadway. The musical is based on a dramatic 70-page slice of Leo Tolstoy's War and Peace. Profusely illustrated, the book also includes an annotated script and a special CD with three songs from the Off-Broadway production and two all-new recordings for the Broadway production featuring Josh Groban with a 25-piece orchestra.
Author: Orlando Figes
Publisher: Bodley Head Childrens
ISBN: 9781847922915
Category : Russia
Languages : en
Pages : 0
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Book Description
Vast in scope, based on exhaustive original research, and written with passion, narrative skill and human sympathy, this book offers an account of the Russian Revolution for a new generation.
Author: Orlando Figes
Publisher: Metropolitan Books
ISBN: 1466862890
Category : History
Languages : en
Pages : 544
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Book Description
History on a grand scale--an enchanting masterpiece that explores the making of one of the world's most vibrant civilizations A People's Tragedy, wrote Eric Hobsbawm, did "more to help us understand the Russian Revolution than any other book I know." Now, in Natasha's Dance, internationally renowned historian Orlando Figes does the same for Russian culture, summoning the myriad elements that formed a nation and held it together. Beginning in the eighteenth century with the building of St. Petersburg--a "window on the West"--and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself--its character, spiritual essence, and destiny. He skillfully interweaves the great works--by Dostoevsky, Stravinsky, and Chagall--with folk embroidery, peasant songs, religious icons, and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world. Figes's characters range high and low: the revered Tolstoy, who left his deathbed to search for the Kingdom of God, as well as the serf girl Praskovya, who became Russian opera's first superstar and shocked society by becoming her owner's wife. Like the European-schooled countess Natasha performing an impromptu folk dance in Tolstoy's War and Peace, the spirit of "Russianness" is revealed by Figes as rich and uplifting, complex and contradictory--a powerful force that unified a vast country and proved more lasting than any Russian ruler or state.
Author: Natalie K. Zelensky
Publisher: Indiana University Press
ISBN: 0253041228
Category : Music
Languages : en
Pages : 237
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Book Description
An examination of the popular music culture of the post-Bolshevik Russian emigration and the impact made by this group on American culture and politics. Performing Tsarist Russia in New York begins with a rich account of the musical evenings that took place in the Russian émigré enclave of Harlem in the 1920s and weaves through the world of Manhattan’s Russian restaurants, Tin Pan Alley industry, Broadway productions, 1939 World’s Fair, Soviet music distributors, postwar Russian parish musical life, and Cold War radio programming to close with today’s Russian ball scene, exploring how the idea of Russia Abroad has taken shape through various spheres of music production in New York over the course of a century. Engaging in an analysis of musical styles, performance practice, sheet music cover art, the discourses surrounding this music, and the sonic, somatic, and social realms of dance, author Natalie K. Zelensky demonstrates the central role played by music in shaping and maintaining the Russian émigré diaspora over multiple generations as well as the fundamental paradox underlying this process: that music’s sustaining power in this case rests on its proclivity to foster collective narratives of an idealized prerevolutionary Russia while often evolving stylistically to remain relevant to its makers, listeners, and dancers. By combining archival research with fieldwork and interviews with Russian émigrés of various generations and emigration waves, Zelensky presents a close historical and ethnographic examination of music’s potential as an aesthetic, discursive, and social space through which diasporans can engage with an idea of a mythologized homeland, and, in turn, the vital role played by music in the organization, development, and reception of Russia Abroad.
