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Author: Matthew Gale
Publisher: Tate
ISBN: 9781849766296
Category : Art
Languages : en
Pages : 0
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Book Description
Natalia Goncharova (1881-1962) was the leading female artist of the Russian avant-garde and a key figure of the modernist era. She embraced with a complete openness a wide range of artistic styles, traditions and media. From sculpture and painting, printmaking and book illustration, to fashion and innovative cinema, she applied the spirit of "everythingness" (Toutisme) to her creative practice. After gaining fame for her early experiments with abstraction, she earned further international renown for her work for Diaghilev's Ballets Russes following her emigration to Paris in 1914.0This publication will consider the entire spectrum of Goncharova's creative practice. An important focus will be her 1913 exhibition in Moscow at which she displayed over 350 paintings along with the numerous drawings, studies, prints and designs, demonstrating her prolific and prodigious talent. It will also address how Goncharova was unafraid to explore subjects in her art that were considered taboo for a gentile woman of pre-war Europe, such as the female nude, paganism and marginalised cultures. 00Exhibition: Tate Modern, London, UK (06.06.-08.09.2019).
Author: Matthew Gale
Publisher: Tate
ISBN: 9781849766296
Category : Art
Languages : en
Pages : 0
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Book Description
Natalia Goncharova (1881-1962) was the leading female artist of the Russian avant-garde and a key figure of the modernist era. She embraced with a complete openness a wide range of artistic styles, traditions and media. From sculpture and painting, printmaking and book illustration, to fashion and innovative cinema, she applied the spirit of "everythingness" (Toutisme) to her creative practice. After gaining fame for her early experiments with abstraction, she earned further international renown for her work for Diaghilev's Ballets Russes following her emigration to Paris in 1914.0This publication will consider the entire spectrum of Goncharova's creative practice. An important focus will be her 1913 exhibition in Moscow at which she displayed over 350 paintings along with the numerous drawings, studies, prints and designs, demonstrating her prolific and prodigious talent. It will also address how Goncharova was unafraid to explore subjects in her art that were considered taboo for a gentile woman of pre-war Europe, such as the female nude, paganism and marginalised cultures. 00Exhibition: Tate Modern, London, UK (06.06.-08.09.2019).
Author: Наталия Сергеевна Гончарова
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 346
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Book Description
The most comprehensive catalogue of the owrks of Natalia Goncharova's Russian period.
Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870701252
Category : Architecture
Languages : en
Pages : 296
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Book Description
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Author: Anthony Parton
Publisher: Antique Collectors Club Dist
ISBN: 9781851496051
Category : Art, Russian
Languages : en
Pages : 0
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Book Description
Explores the life and work of the Russian artist and stage designer Natalia Goncharova (1881-1962). Extensive text with 600 illustrations, many in colour A contemporary of Picasso, Matisse and Kandinsky, Goncharova is now recognised as one of the leading Russian artists of the twentieth century. This book traces the development of her art from its impressionist origins, through a provocative phase of 'primitive' style paintings on peasant themes to highly innovative abstract works that rivalled the most daring experiments of the Cubists and Futurists. As a woman artist she was galvanized by gender issues and addressed these directly in her work. In both her paintings and her behaviour she questioned accepted conventions and scandalised Russian society. Arrested in 1909 on the grounds of the 'pornographic' content of her paintings, accused of heresy against the Orthodox Church in 1914 because of her religious work and branded a Futurist because she walked about in public with a painted face, her large-scale retrospective in Moscow in 1913, in which she exhibited over 700 works, demonstrated to public and critics alike that she was, unquestionably, one of the greatest painterly talents that Russia had ever produced. In 1914 Diaghilev, the director of the famous "Ballets Russes" invited Goncharova to make designs for The Golden Cockerel which was staged at the Paris Opera. The staggering success of this production opened up new creative horizons for her and she remained in Paris to become one of Diaghilev's 'resident' designers. Her work of this period reveals her gifts not only as a superb stage designer but also as a designer of women's fashions for the haute-couture industry of Art Deco Paris. Her work is now in the collections of museums and galleries across the world and is so highly sought that she has achieved the highest sale price ever recorded at auction for a woman artist. Contents: Life and work in Moscow, Impressionism and Symbolism, Goncharova and gender, Neo-primitivism, Abstraction, futurist books, life and work in Paris, designs for the stage, fashions and textiles, graphic work, later paintings. AUTHOR: Dr. Anthony Parton is a specialist in Russian avant-garde art of the early-20th century. He is author of Mikhail Larionov and the Russian Avant-garde, editor of Women Artists of Russia's New Age and has contributed many scholarly essays on the subject of Russian modernism to exhibition catalogues, journals and reference works. He is lecturer in the History of Art at Durham University. ILLUSTRATIONS 600 colour illustrations *
Author: Nancy Perloff
Publisher: Getty Publications
ISBN: 1606065084
Category : Art
Languages : en
Pages : 210
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Book Description
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.
Author: Gillian McIver
Publisher: Bloomsbury Publishing
ISBN: 1474246206
Category : Art
Languages : en
Pages : 647
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Book Description
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.
Author:
Publisher: BRILL
ISBN: 9004333142
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Marianne Werefkin and the Women Artists in Her Circle traces the relationships between the modernist artists in Werefkin’s circle, including Erma Bossi, Elisabeth Epstein, Natalia Goncharova, Elizaveta Kruglikova, Else Lasker-Schüler, Marta Liepiņa-Skulme, Elena Luksch-Makowsky, and Maria Marc. The book demonstrates that their interactions were dominated not primarily by national ties, but rather by their artistic ideas, intellectual convictions, and gender roles; it offers an analysis of the various artistic scenes, the places of exchange, and the artists’ sources of inspiration. Specifically focusing on issues of cosmopolitan culture, transcultural dialogue, gender roles, and the building of new artistic networks, the collection of essays re-evaluates the contributions of these artists to the development of modern art. Contributors: Shulamith Behr, Marina Dmitrieva, Simone Ewald, Bernd Fäthke, Olga Furman, Petra Lanfermann, Tanja Malycheva, Galina Mardilovich, Antonia Napp, Carla Pellegrini Rocca, Dorothy Price, Hildegard Reinhardt, Kornelia Röder, Kimberly A. Smith, Laima Laučkaitė-Surgailienė, Baiba Vanaga, and Isabel Wünsche
Author: Margit Rowell
Publisher:
ISBN: 0870700073
Category : Design
Languages : en
Pages : 304
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Book Description
Edited by Deborah Wye and Margit Rowell. Essays by Jared Ash, Gerald Janecek, Nina Gurianova, Margit Rowell and Deborah Wye.
Author: Museum Kunst Palast (Düsseldorf, Germany)
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 342
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Book Description
The rich tradition of French painting was an important influence on Russian art from the mid-nineteenth century to the 1920s, a period that saw the rise of many of the most important movements in modern art. A magnificent visual record of an unprecedented event, this book, the catalogue of an ambitious exhibition of master paintings from the four greatest museums of Russia, examines the interaction of these two great cultures. Drawing on the collections of the State Russian Museum and the Pushkin Museum in Moscow and the Tretyakov Gallery and the State Hermitage Museum in St. Petersburg, the book presents outstanding examples of Salon painting, Impressionism, Fauvism, and Cubism in France, and related movements in Russia, among them The Wanderers, Constructivism, and Suprematism. Paintings by Renoir, Cezanne, Van Gogh, Gauguin, and Matisse are reproduced, along with works by Kandinsky, Tatlin, and Malevich. Key episodes in the story of this fascinating exchange include the vital role played by the great Russian collectors Ivan Morosov and Sergei Shchukin, whose preeminent collections of French art were an inspiration to the Russian avant-garde; the ballet impresario Sergei Diaghilev's promotion of Russian art in France in 1906; and Henri Matisse's visit to Russia in 1911.
Author: Alston W. Purvis
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 216
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Book Description
The Ballets Russes was unmistakably influential in its time, and its impact can still be seen in contemporary set and costume design, music, dance, choreography, and more--and with the 100th anniversary of its formation in 2009, this book is a must-have for anyone interested in today's wide-ranging arts scene.
