Narrative Machine PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Narrative Machine PDF full book. Access full book title Narrative Machine by Zena Meadowsong. Download full books in PDF and EPUB format.
Author: Zena Meadowsong
Publisher: Routledge
ISBN: 0429649142
Category : Literary Criticism
Languages : en
Pages : 238
Get Book Here
Book Description
Narrative Machine: The Naturalist, Modernist, and Postmodernist Novel advances a new history of the novel, identifying a crucial link between narrative innovation and the historical process of mechanization. In the late nineteenth century, the novel grapples with a new and increasingly acute problem: In its attempt to represent the colossal power of modern machinery—the steam-driven machines of the Industrial Revolution, the electrical machines of the modern city, and the atomic and digital machines developed after the Second World War—it encounters the limitations of traditional representative strategies. Beginning in the naturalist novel, the machine is typically portrayed as a mythic monster, and though that monster represents a potentially horrific reality—the superhuman power of mechanization—it also disrupts the documentary objectives of narrative realism (the dominant mode of nineteenth-century fiction). The mechanical monster, realistic and yet at odds with traditional realist strategies, tears the form of the novel apart. In doing so, it unleashes a series of innovations that disclose, critique, and contest the force of mechanization: the innovations associated with literary naturalism, modernism, and postmodernism.
Author: Zena Meadowsong
Publisher: Routledge
ISBN: 0429649142
Category : Literary Criticism
Languages : en
Pages : 238
Get Book Here
Book Description
Narrative Machine: The Naturalist, Modernist, and Postmodernist Novel advances a new history of the novel, identifying a crucial link between narrative innovation and the historical process of mechanization. In the late nineteenth century, the novel grapples with a new and increasingly acute problem: In its attempt to represent the colossal power of modern machinery—the steam-driven machines of the Industrial Revolution, the electrical machines of the modern city, and the atomic and digital machines developed after the Second World War—it encounters the limitations of traditional representative strategies. Beginning in the naturalist novel, the machine is typically portrayed as a mythic monster, and though that monster represents a potentially horrific reality—the superhuman power of mechanization—it also disrupts the documentary objectives of narrative realism (the dominant mode of nineteenth-century fiction). The mechanical monster, realistic and yet at odds with traditional realist strategies, tears the form of the novel apart. In doing so, it unleashes a series of innovations that disclose, critique, and contest the force of mechanization: the innovations associated with literary naturalism, modernism, and postmodernism.
Author: Ed S. Tan
Publisher: Routledge
ISBN: 1136694978
Category : Language Arts & Disciplines
Languages : en
Pages : 309
Get Book Here
Book Description
Introduced one hundred years ago, film has since become part of our lives. For the past century, however, the experience offered by fiction films has remained a mystery. Questions such as why adult viewers cry and shiver, and why they care at all about fictional characters -- while aware that they contemplate an entirely staged scene -- are still unresolved. In addition, it is unknown why spectators find some film experiences entertaining that have a clearly aversive nature outside the cinema. These and other questions make the psychological status of emotions allegedly induced by the fiction film highly problematic. Earlier attempts to answer these questions have been limited to a few genre studies. In recent years, film criticism and the theory of film structure have made use of psychoanalytic concepts which have proven insufficient in accounting for the diversity of film induced affect. In contrast, academic psychology -- during the century of its existence -- has made extensive study of emotional responses provoked by viewing fiction film, but has taken the role of film as a natural stimulus completely for granted. The present volume bridges the gap between critical theories of film on the one hand, and recent psychological theory and research of human emotion on the other, in an attempt to explain the emotions provoked by fiction film. This book integrates insights on the narrative structure of fiction film including its themes, plot structure, and characters with recent knowledge on the cognitive processing of natural events, and narrative and person information. It develops a theoretical framework for systematically describing emotion in the film viewer. The question whether or not film produces genuine emotion is answered by comparing affect in the viewer with emotion in the real world experienced by persons witnessing events that have personal significance to them. Current understanding of the psychology of emotions provides the basis for identifying critical features of the fiction film that trigger the general emotion system. Individual emotions are classified according to their position in the affect structure of a film -- a larger system of emotions produced by one particular film as a whole. Along the way, a series of problematic issues is dealt with, notably the reality of the emotional stimulus in film, the identification of the viewer with protagonists on screen, and the necessity of the viewer's cooperation in arriving at a genuine emotion. Finally, it is argued that film-produced emotions are genuine emotions in response to an artificial stimulus. Film can be regarded as a fine-tuned machine for a continuous stream of emotions that are entertaining after all. The work paves the way for understanding and, in principle, predicting emotions in the film viewer using existing psychological instruments of investigation. Dealing with the problems of film-induced affect and rendering them accessible to formal modeling and experimental method serves a wider interest of understanding aesthetic emotion -- the feelings that man-made products, and especially works of art, can evoke in the beholder.
Author: Robert J. Shiller
Publisher: Princeton University Press
ISBN: 0691212074
Category : Business & Economics
Languages : en
Pages : 408
Get Book Here
Book Description
From Nobel Prize–winning economist and New York Times bestselling author Robert Shiller, a groundbreaking account of how stories help drive economic events—and why financial panics can spread like epidemic viruses Stories people tell—about financial confidence or panic, housing booms, or Bitcoin—can go viral and powerfully affect economies, but such narratives have traditionally been ignored in economics and finance because they seem anecdotal and unscientific. In this groundbreaking book, Robert Shiller explains why we ignore these stories at our peril—and how we can begin to take them seriously. Using a rich array of examples and data, Shiller argues that studying popular stories that influence individual and collective economic behavior—what he calls "narrative economics"—may vastly improve our ability to predict, prepare for, and lessen the damage of financial crises and other major economic events. The result is nothing less than a new way to think about the economy, economic change, and economics. In a new preface, Shiller reflects on some of the challenges facing narrative economics, discusses the connection between disease epidemics and economic epidemics, and suggests why epidemiology may hold lessons for fighting economic contagions.
Author: Kai Mikkonen
Publisher: Rodopi
ISBN: 9789042015968
Category : Literary Criticism
Languages : en
Pages : 278
Get Book Here
Book Description
This book presents a new and exciting theory of the modern French novel by developing the notion of the narrative as a "textual machine". Many turn-of-the-century French novels thematically identified their means of narration through the various machines that they depicted. The narrative devices that were particularly important in this self-reflection included: the temporal order of the plot, the question of a narrative's beginning and end, the hierarchy of narrative voices, and the techniques of the point of view. The question of mechanization became central on all these fronts. Has the novel become automated or machine-like? At the same time, the machine metaphors in the novels of Alfred Jarry, Emile Zola, Jules Verne, Villiers de l'Isle-Adam, Raymond Roussel combined the question of the narrative form with new ways to think about man's relationship with technology and the cultural environment. The early modernist texts drew upon contradictory notions of technological promise and threat while they also depicted new forms of identity and behavior, related to or modeled after machines. These texts highlighted cultural assumptions concerning technological innovations and critiqued, mainly through parody and through various figures of man-machine fusion, the positivistic belief in progress. Such writers looked for evidence of advanced forms of consciousness arising out of encounters with new technology such as: telephones, trains, bicycles, telegraphy, phonographs and electricity. This volume will be of interest to anyone working in the field of modern French literary and cultural history. It will especially appeal to anyone intrigued with the origins of the modernist novel, the history of narrative forms, and the question of how the experience of new technology may be portrayed in literary texts.
Author: James Curcio
Publisher: Mythos Media
ISBN: 9780692916452
Category : Philosophy
Languages : en
Pages : 208
Get Book Here
Book Description
Will the future be like a Reality TV show where we compete to have human rights? Will you be popular and relatable enough to successfully crowdfund your healthcare? Tune in 20 years hence and find out. Many will mark 2015 to 2017 as the transitional moment the nihilistic id came into plain view in American culture and politics. But it is hardly the product of any single movement or idea, and it is hardly unprecedented. Narrative Machines uses a cut-up, pastiche approach to analyze how sub-cultural and fringe ideas permeate the mainstream, especially through the Internet-from Aleksandr Dugin's faux-postmodern Traditionalism to the cult of personality Reality TV show that has taken over every media outlet, from the gnostic horror of Nick Land's Dark Enlightenment to the Calvinism of identity politics, from the millenarian fervor of Transhumanism to the utopian nightmare of Fascism. A retrofuturist aesthetic unites them all, an "occulted theology", allegedly secular recreations of the religious impulse, accidental rewrites of the metaphysics of the past. Compiling ten years of writing and research with a series of palimpsest artworks, this assemblage was created for the outsider artists and insider theorists, and everyone else that lives at the fringes. For those opposed to a world formed by a single, monolithic myth, and yet still seek a collective dream in the fractured panopticon of the present. As Antonin Artaud said in The Theater and Its Double, "All writing is filth." Help us give birth to an abomination. Philosophical Project This book will help decode the political repercussions of art and media, using the work of theorists such as Delanda, Bataille, Baudrillard, Gray, Zizek, and Benjamin as a springboard. Art Project A series of illustrations accompany the text, using a mix of collage, bricolage and palimpsest repainting, a style inspired by Adbusters, artists of artifice like Bowie and Warhol, satirists of fascist and pop culture like Laibach and NSK. This cut up, derivative method is explored theoretically within the text. We recognize that in a world where nothing is original, everything is source material for appropriation to new purposes. This aesthetic clearly involve a certain wink in the general direction of 90s Utopian-Dystopian Industrial and alt culture, updated as a dark LSD vision of 2015-17 Internet, a series of love (and hate) notes pieced together of other sources and painstakingly re-created and subsumed. These pieces will appear in a variety of art shows, and a forthcoming full-color collectors edition.
Author: Susan Steinberg
Publisher: Graywolf Press
ISBN: 1555978916
Category : Fiction
Languages : en
Pages : 130
Get Book Here
Book Description
A haunting story of guilt and blame in the wake of a drowning, the first novel by the author of Spectacle Susan Steinberg’s first novel, Machine, is a dazzling and innovative leap forward for a writer whose most recent book, Spectacle, gained her a rapturous following. Machine revolves around a group of teenagers—both locals and wealthy out-of-towners—during a single summer at the shore. Steinberg captures the pressures and demands of this world in a voice that effortlessly slides from collective to singular, as one girl recounts a night on which another girl drowned. Hoping to assuage her guilt and evade a similar fate, she pieces together the details of this tragedy, as well as the breakdown of her own family, and learns that no one, not even she, is blameless. A daring stylist, Steinberg contrasts semicolon-studded sentences with short lines that race down the page. This restless approach gains focus and power through a sharply drawn narrative that ferociously interrogates gender, class, privilege, and the disintegration of identity in the shadow of trauma. Machine is the kind of novel—relentless and bold—that only Susan Steinberg could have written.
Author: Joseph Drury
Publisher: Oxford University Press
ISBN: 0198792387
Category : Language Arts & Disciplines
Languages : en
Pages : 286
Get Book Here
Book Description
Novel Machines explores the ideas of technological modernity and the machinery of narrative fiction in the eighteenth-century British novel.
Author: T. Alexander Aleinikoff
Publisher: JHU Press
ISBN: 142144867X
Category : History
Languages : en
Pages : 355
Get Book Here
Book Description
Why an account of "the peopling" of the United States must include the stories of indigenous people, enslaved persons, and those living in territories and foreign nations taken and acquired by the United States. In New Narratives on the Peopling of America, editors T. Alexander Aleinikoff and Alexandra Délano Alonso present an extraordinary collection of original essays that reshape our understanding of the peopling of the United States. This thought-provoking volume goes beyond conventional accounts of immigration by reexamining narratives about foreign-born populations in the United States. It situates them as part of a larger story of forced displacement and dispossession that needs to include indigenous people, enslaved persons, deported and returned migrants, and those residing in territories and foreign nations acquired by the United States. The diverse range of contributors—which include academics, journalists, artists, legal scholars, and activists—confront complex topics such as migration, racial justice, tribal sovereignty, and the pursuit of equality. As nationalism, globalization, and economic challenges reshape the social and political landscape, this timely volume calls for a reevaluation and reconstruction of national narratives of belonging. Challenging nativist tropes and offering broader understandings of collective history, this pathbreaking book centers issues of race and dispossession in the story of the American people. New Narratives on the Peopling of America is an essential resource for students and a compelling read for general readers seeking a deeper understanding of the complex tapestry of American identity. Contributors: Neil Agarwal; T. Alexander Aleinikoff; Jill Anderson; Kwame Anthony Appiah; Hana Brown; Alexandra Délano Alonso; Allison Dorsey; Taylor Dow; Maria Cristina Garcia; Justin Gest; Daniel Immerwahr; Jennifer A. Jones; Katy Long; Maggie Loredo; Dakota Mace; Ruth Milkman; Ana Raquel Minian; Carlos Motta; Mae Ngai; Eboo Patel; QUEEROCRACY; Marco Saavedra; Cinthya Santos Briones; Rogers M. Smith; Pireeni Sundaralingam; Héctor Tobar; Jesús I.Valles; Wendy A. Vogt; John Weeks
Author: Mary Ann Doane
Publisher: Routledge
ISBN: 1136638970
Category : Social Science
Languages : en
Pages : 323
Get Book Here
Book Description
In this work of feminist film criticism, Mary Ann Doane examines questions of sexual difference and knowledge in cinematic, theoretical, and psychoanalytic discourses. "Femmes Fatales" examines Freud, the female spectator, the meaning of the close-up, and the nature of stardom. Doane's analyses of such figures as Pabst's Lulu and Rita Hayworth's Gilda trace the thematics and mechanics of maskes, masquerade, and veiling, with specific attention to the form and technology of the cinema. Working through and against the intellectual frameworks of post-structuralist and psychoanalytic theory, Doane interrogates cinematic and theoretical claims to truth about women which rely on judgements about vision and its stability or instability. Reflecting the shift in conceptual priorities within feminist film theory over the last decade, "Femmes Fatales" addresses debates over female spectatorhsip, essentialism and anti-essentialism, the tensions between psychoanalysis and history, and the relations between racial and sexual difference. Doane's nuanced and original readings of the "femme fatale" in cinema illustrate confrontations between feminism, film theory and psychoanalysis. This book should be of interest to students and lecturers in women's studies, communications studies and film theory.
Author: Mark Seltzer
Publisher: Routledge
ISBN: 131757091X
Category : Literary Criticism
Languages : en
Pages : 227
Get Book Here
Book Description
Bodies and Machines is a striking and persuasive examination of the body-machine complex and its effects on the modern American cultural imagination. Bodies and Machines, first published in 1992, explores the links between techniques of representation and social and scientific technologies of power in a wide range of realist and naturalist discourses and practices. Seltzer draws on realist and naturalist writing, such as the work of Hawthorne and Henry James, and the discourses which inform it: from scouting manuals and the programmes of systematic management to accounts of sexual biology and the rituals of consumer culture. He explores other mass-produced and mass-consumed cultural forms, including visual representations such as composite photographs, scale models, and the astonishing iconography of standardization.
