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Author: Lei Yang
Publisher: State University of New York Press
ISBN: 1438497229
Category : History
Languages : en
Pages : 247
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Book Description
Narrative Devices in the Shiji: Retelling the Past offers the first systematic analysis of narratives in early Chinese historical writings from 400 BCE to 100 CE, with a focus on the Shiji (Records of the Historian), a vast collection of historical accounts completed by Sima Qian (145–86 BCE). For centuries, the dominant approach to the Shiji has been to infer Sima's intentions from his biographical experiences and subsequently project them back into the text. This has caused the import of the work to be overshadowed by Sima's tragedy of castration, and has minimized the question of how narrative as a form affects the text's interpretation. Lei Yang fills the gap by exploring how Sima manipulated the Shiji's narrative structure to represent the past. Drawing on Gérard Genette's narratological theories, the book examines how sequences of events build causality, what is slowed down and sped up to manage information control, and how the text provides multiple perspectives on the same events. Redefining the Shiji's place as a turning point in Chinese textual history, Narrative Devices in the Shiji sheds light on the evolution of early Chinese historiography. As an interdisciplinary dialogue between Chinese texts and the Western theories, it opens the Shiji to new interpretations and provides a novel framework for Chinese historical writings.
Author: Lei Yang
Publisher: State University of New York Press
ISBN: 1438497229
Category : History
Languages : en
Pages : 247
Get Book Here
Book Description
Narrative Devices in the Shiji: Retelling the Past offers the first systematic analysis of narratives in early Chinese historical writings from 400 BCE to 100 CE, with a focus on the Shiji (Records of the Historian), a vast collection of historical accounts completed by Sima Qian (145–86 BCE). For centuries, the dominant approach to the Shiji has been to infer Sima's intentions from his biographical experiences and subsequently project them back into the text. This has caused the import of the work to be overshadowed by Sima's tragedy of castration, and has minimized the question of how narrative as a form affects the text's interpretation. Lei Yang fills the gap by exploring how Sima manipulated the Shiji's narrative structure to represent the past. Drawing on Gérard Genette's narratological theories, the book examines how sequences of events build causality, what is slowed down and sped up to manage information control, and how the text provides multiple perspectives on the same events. Redefining the Shiji's place as a turning point in Chinese textual history, Narrative Devices in the Shiji sheds light on the evolution of early Chinese historiography. As an interdisciplinary dialogue between Chinese texts and the Western theories, it opens the Shiji to new interpretations and provides a novel framework for Chinese historical writings.
Author: Paul R. Goldin
Publisher: Taylor & Francis
ISBN: 1003861334
Category : Philosophy
Languages : en
Pages : 199
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Book Description
This book presents the foundations of classical Chinese aesthetic discourse - roughly from the Bronze Age to the early Middle Ages - with the following animating questions: What is art? Why do we produce it? How do we judge it? The arts that garnered the most theoretical attention during this time period were music, poetry, calligraphy, and painting, and this book considers the reasons why these four were privileged. Whereas modern artists most likely consider themselves musicians or poets or calligraphers or painters or sculptors or architects, the pre-modern authors who produced the literature that established Chinese aesthetics prided themselves on being wenren, “cultured people,” conversant with all forms of art and learning. Other comparisons with Western theories and works of art are presented at due junctures. Key Features Addresses Chinese aesthetic discourse on its own terms Provides comparisons of key concepts and theories with examples from Western sources Includes more coverage of primary sources than any other English-language book on the subject Each chapter opens with a helpful summary, highlighting the chapter’s key themes
Author: Mary English
Publisher: Routledge
ISBN: 1351694995
Category : History
Languages : en
Pages : 464
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Book Description
Pushing the Boundaries of Historia collects together 20 chapters, whose coverage extends from the prehistory of Greece through early Christianity in the Roman Empire to the reception of classical texts by contemporary playwrights and poets. The essays range beyond Greece and Rome to the ancient realms of Persia and China and explore a vast array of ancient authors – Homer, Herodotus, Thucydides, Euripides, Vergil, Ovid, Livy, and Tacitus. Written by philologists, historians, epigraphers, palaeographers, archaeologists, and art historians, it brings together the best of old and new traditions of classical study, from senior emeritus faculty with established records of scholarly productivity, to the newest generation of classics and archaeology professors. What draws together the disparate strands of academic inquiry found in these pages is a passion for understanding how the lessons of the world of the ancient Greeks, Romans, and their still lamentably understudied neighbors, can offer commentary on the contemporary world.
Author: Shankman Steven
Publisher: Pearson Education India
ISBN: 9788131716021
Category : Cross-cultural studies
Languages : en
Pages : 288
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Book Description
Author: Stephen W. Durrant
Publisher: SUNY Press
ISBN: 9780791426555
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Sima Qian's writings have influenced the Chinese for over 2,000 years and still serve as a fiscal source of historical information about China.
Author: Bruce Rusk
Publisher: Columbia University Press
ISBN: 0231551371
Category : History
Languages : en
Pages : 793
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Book Description
“Information” has become a core concept across the disciplines, yet it is still often seen as a unique feature of the Western world that became central only in the digital age. In this book, leading experts turn to China’s textual tradition to show the significance of information for reconceptualizing the work of literary history, from its beginnings to the present moment. Contributors trace the organization of literary information across China’s three millennia of history, examining the forms and practices of information management that have evolved alongside the increasing scale and complexity of textual production. They reimagine literary history as information processing, detailing the many kinds of storage, encoding, sorting, and transmission that constitute and feed back into China’s long and ever-growing cultural tradition. The volume features state-of-the-field essays on all major forms of literary information management, from graphs to internet literature, and from commentaries to literary museums and archives. By shifting focus from individual works and their authors to the informatic schemata of literature, it identifies three scales of information management—the word, the document, and the collection—and surveys the forms that operate at each level, such as the dictionary, the anthology, and the library. Literary Information in China is a groundbreaking work that provides a systematic and innovative reassessment of literary history with implications that extend beyond the particular Chinese context, revealing how informatic practices shape literary tradition.
Author:
Publisher: State University of New York Press
ISBN: 1438499361
Category : Fiction
Languages : en
Pages : 249
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Book Description
A Tale of Two Kingdoms offers a highly readable translation of the earliest surviving novel written in the Chinese language, Wu Yue chunqiu (The Spring and Autumn Annals of the Kingdoms of Wu and Yue). Composed nearly two millennia ago and featuring some of the most famous characters in Chinese literature, this powerful saga of humiliation, violence, and revenge recounts the battles between the states of Wu and Yue during the Spring and Autumn period (770–481 BCE). In her detailed introduction and annotations, translator Olivia Milburn places the work in its historical and cultural context and explains its ongoing significance in the history of fiction writing in East Asia, making the case that this was, in fact, China's first novel. This approachable translation by one of the leading scholars in the field makes this key text available to specialist and nonspecialist readers alike.
Author: Grant Hardy
Publisher: Columbia University Press
ISBN: 9780231504515
Category : History
Languages : en
Pages : 336
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Book Description
Sima Qian (c. 100 B.C.E.) was China's first historian—he was known as Grand Astrologer at the court of Emperor Wu during the Han dynasty—and, along with Confucius and the First Emperor of Qin, was one of the creators of imperial China. His Shiji (published for Columbia in a translation by Burton Watson as Records of the Grand Historian) not only became the model for the twenty-six Standard Histories that the historians of each Chinese dynasty wrote to legitimize the dynastic succession, but also has been an enormously influential resource to historians, literary scholars, philosophers, and many others seeking an understanding of early Chinese history. In Worlds of Bronze and Bamboo, Grant Hardy presents convincing evidence that the Shiji is quite unlike such Western counterparts as the histories of Herodotus and Thucydides, for, Hardy argues, Sima Qian's work seeks not only to represent but to influence the world in a manner based on Confucian concepts of sageliness and "the rectification of names." Although many scholars have sought close parallels between Sima Qian and the Greek historians—either criticizing Sima's work, as if Western models of historical interpretation could serve as a template by which to read it, or overemphasizing his "objectivity" to more closely align his text with these "respectable" Greek models—Hardy boldly contends that the Chinese historian never intended to produce a consistent, closed interpretation of the past. Instead, Hardy argues, the Shiji is a microcosm in which Sima Qian sought to represent the open-endedness and multivalence of the world around him, revealing and reinforcing the natural order. In mapping out this model of the world, Sima embodies the historian as sage rather than chronicler. Transcending mere accuracy in recording events, such a historian seeks not to present an opinion about what happened in the past, buttressed with rational arguments and pertinent evidence, but to penetrate the outer details of an incident and discover the moral truths it embodies. Thus intuiting the moral significance of events, the sage-historian delineates the Way and offers his readers a chance to become more in tune with the natural order. Illustrating his provocative theses about the Shiji by analyzing Sima Qian's handling of specific historical personages and episodes such as the First Emperor of the Qin, the hereditary house of Confucius, and the conflicts that ended with the founding of the Han dynasty, Hardy both extends and challenges existing interpretations of this crucial yet understudied text and sheds light on its puzzles and incongruities.
Author: Ming Dong Gu
Publisher: SUNY Press
ISBN: 9780791464243
Category : Philosophy
Languages : en
Pages : 352
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Book Description
A groundbreaking work that uncovers an implicit system of hermeneutics in traditional Chinese thought and aesthetics.
Author: Wendy Larson
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 232
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Book Description
Throughout the twentieth century, Chinese writers have confronted the problem of creating a new literary tradition that both maintains the culturally unique aspects of a rich heritage and succeeds in promoting a new modernity. In the first book-length treatment of the topic, Wendy Larson examines the contradictory forms of authority at work in the autobiographical texts of modern Chinese writers and scholars and the way these conflicts helped to shape and determine the manner in which writers viewed themselves, their texts, and their work. Larson focuses on the most famous writers associated with the May Fourth Movement, a group most active in the 1920s and 1930s, and their fundamental ambivalence about writing. She analyzes how their writing paradoxically characterized textual labor as passive, negative, and inferior to material labor and the more physical political work of social progress, and she describes the ways they used textual means to devalue literary labor. The impact of China's increasing contact with the West--particularly the ways in which Western notions of "individualism" and "democracy" influenced Chinese ideologies of self and work--is considered. Larson also studies the changes in China's social structure, notably those linked to the abolition in 1905 of the educational exam system, which subsequently broke the link between the mastery of certain texts and the attainment of political power, further denigrating the cultural role of the writer.
