Narrative, Catastrophe and Historicity in Eighteenth-century French Literature PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Narrative, Catastrophe and Historicity in Eighteenth-century French Literature PDF full book. Access full book title Narrative, Catastrophe and Historicity in Eighteenth-century French Literature by Jessica Stacey. Download full books in PDF and EPUB format.
Author: Jessica Stacey
Publisher:
ISBN: 9781800855342
Category : Catastrophical, The, in literature
Languages : en
Pages : 384
Get Book Here
Book Description
Author: Jessica Stacey
Publisher:
ISBN: 9781800855342
Category : Catastrophical, The, in literature
Languages : en
Pages : 384
Get Book Here
Book Description
Author: Marina Formica
Publisher: Springer Nature
ISBN: 3031412605
Category : History
Languages : en
Pages : 331
Get Book Here
Book Description
This book analyses the evolution of the city of Rome, in particular, papal Rome, from the plague of 1656 until 1870 when it became the capital of the Kingdom of Italy. The authors explore papal Rome as a resilient city that had to cope with numerous crises during this period. By focusing on a selection of different crises in Rome, the book combines cultural, political, and economic history to examine key turning points in the city’s history. The book is split into chapters exploring themes such as diplomacy and international relations, disease, environmental disasters, famine, public debt, and unravels the political, economic, and social consequences of these transformative events. All the chapters are based on untapped original sources, chiefly from the State Archive in Rome, the Vatican Archives, the Rome Municipal Archives, the École Française Library, the National Library, and the Capitoline Library.
Author: Jessica Stacey
Publisher:
ISBN: 9781800856004
Category :
Languages : en
Pages : 368
Get Book Here
Book Description
How do communities tell and re-tell stories of catastrophe to explain their own origins, imagine their future, and work for their survival? This book contends that such stories are central to how communities claim a position within history. It explores this question, so vital for our present moment, through narratives produced in eighteenth-century France: a tumultuous period when a new understanding of a properly "modern" national history was being elaborated. Who gets to belong to the modern era? And who or what is relegated to a gothic, barbarous or medieval past? Is an enlightened future assured, or is a return to a Dark Age inevitable? Following barbarians, bastards, usurpers, prophets and Revolutionary martyrs through stories of catastrophes real and imagined, the book traces how narrative temporalities become historicities: visions of the laws which govern the past, present and future. Ultimately it argues that the complex temporality of catastrophe offers a privileged insight into how a modern French historical consciousness was formed out of the multiple pasts and possible futures that co-existed alongside the Age of Enlightenment. Further, examining the tension between a desire to place the imagined community definitively beyond catastrophic times, and a fascination with catastrophe in its revelatory or regenerative aspect, it offers an important historical perspective on the presence of this same tension in the stories of catastrophe that we tell in our own multiple, tumultuous present.
Author: William Albert Nitze
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 852
Get Book Here
Book Description
Author: Catherine Delors
Publisher: Penguin
ISBN: 9780525950547
Category : Fiction
Languages : en
Pages : 476
Get Book Here
Book Description
Forced to marry an elderly baron instead of a man she loves, impoverished noblewoman Gabrielle de Montserrat is condemned to death at the height of the French Revolution and finds her life placed in the hands of her former lover.
Author: William Albert Nitze
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 824
Get Book Here
Book Description
Author: Oana Panaïté
Publisher: Liverpool University Press
ISBN: 1786948141
Category : Literary Criticism
Languages : en
Pages : 216
Get Book Here
Book Description
This book explores the 'colonial fortune' in light of contemporary concerns with issues of fate, economics, legacy, and debt and the persistence of the colonial in today’s political and cultural conversation.
Author: Ilya Kliger
Publisher: Penn State Press
ISBN: 0271078162
Category : Philosophy
Languages : en
Pages : 257
Get Book Here
Book Description
Its champions—and its detractors—have often understood the novel as the genre par excellence of truthlessness. The Narrative Shape of Truth counters this widely accepted view. It argues instead that the novel has found new, historically specific configurations of truth and narrative. The nineteenth-century novel, in particular, can be understood as responding to the emerging tendency to view truth as inseparable from, rather than opposed to, time. Ilya Kliger offers a nonreductive way of reading the histories of philosophy and the novel side by side. He identifies the crucial moment in the epistemological history of narrative when, at the end of the eighteenth century, a new structural affiliation between truth and time emerged. This book examines novels by four authors—Balzac, Stendhal, Dostoevsky, and Tolstoy—as well as the writings of leading European intellectuals and philosophers. Kliger argues that the “realist” novel can be conceived as prompting us (and giving us the means) to think of truth differently, as immanent in a temporal shape rather than transcendent in a principle, a fact, or a higher order.
Author: Samantha J. Rayner
Publisher: UCL Press
ISBN: 1787357600
Category : Literary Criticism
Languages : en
Pages : 320
Get Book Here
Book Description
The Nonesuch is the name of one of Georgette Heyer’s most famous novels. It means a person or thing without equal, and Georgette Heyer is certainly that. Her historical works inspire a fiercely loyal, international readership and are championed by literary figures such as A. S. Byatt and Stephen Fry. Georgette Heyer, History, and Historical Fiction brings together an eclectic range of chapters from scholars all over the world to explore the contexts of Heyer’s career. Divided into four parts – gender; genre; sources; and circulation and reception – the volume draws on scholarship on Heyer and her contemporaries to show how her work sits in a chain of influence, and why it remains pertinent to current conversations on books and publishing in the twenty-first century. Heyer’s impact on science fiction is accounted for, as are the milieu she was writing in, the many subsequent works that owe Heyer’s writing a debt, and new methods for analysing these enduring books. From the gothic to data science, there is something for everyone in this volume; a celebration of Heyer’s ‘nonesuch’ status amongst historical novelists, proving that she and her contemporary women writers deserve to be read (and studied) as more than just guilty pleasures.
Author: Alison James
Publisher: Oxford University Press
ISBN: 0192603493
Category : Literary Criticism
Languages : en
Pages : 403
Get Book Here
Book Description
The Documentary Imagination in Twentieth-Century French Literature identifies a documentary impulse in French literature that emerges at the end of the nineteenth century and culminates in a proliferation of factual writings in the twenty-first. Focusing on the period bookended by these two moments, it highlights the enduring concern with factual reference in texts that engage either with current events or the historical archive. Specifically, it considers a set of ideas and practices centered on the conceptualization and use of documents. In doing so, it contests the widespread narrative that twentieth-century French literature abandons the realist enterprise, and argues that writers instead renegotiate the realist legacy outside, or at the margins of, the fictional space of the novel. Analyzing works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, the book defines a specific documentary mode of literary representation that records, assembles, and investigates material traces of reality. The document is a textual, visual, or material piece of evidence repurposed through its visual insertion, textual transcription, or description within a literary work. It is a fact, but it also becomes a figure, standing for literature's confrontation with the real. The documentary imagination involves a fantasy of direct access to a reality that speaks for itself. At the same time, it gives rise to concrete textual practices that open up new directions for literature, by interrogating the construction and interpretation of facts.
