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Author: David Bordwell
Publisher: Univ of Wisconsin Press
ISBN: 9780299101749
Category : Performing Arts
Languages : en
Pages : 388
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Book Description
Mimetic theories of narration - Diegetic theories of narration - The viewe's activity - Principles of narration - Sin, murder, and narration - Narration and time - Narration and space - Modes and norms - Classical narration : the Hollywood example - Art-cinema narration - Historical-materialist narration : the soviet example - Parametric narration - Godard and narration.
Author: David Bordwell
Publisher: Univ of Wisconsin Press
ISBN: 9780299101749
Category : Performing Arts
Languages : en
Pages : 388
Get Book Here
Book Description
Mimetic theories of narration - Diegetic theories of narration - The viewe's activity - Principles of narration - Sin, murder, and narration - Narration and time - Narration and space - Modes and norms - Classical narration : the Hollywood example - Art-cinema narration - Historical-materialist narration : the soviet example - Parametric narration - Godard and narration.
Author: Sarah Kozloff
Publisher: Univ of California Press
ISBN: 9780520909663
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
"Let me tell you a story," each film seems to offer silently as its opening frames hit the screen. But sometimes the film finds a voice—an off-screen narrator—for all or part of the story. From Wuthering Heights and Double Indemnity to Annie Hall and Platoon, voice-over narration has been an integral part of American movies. Through examples from films such as How Green Was My Valley, All About Eve, The Naked City, and Barry Lyndon, Sarah Kozloff examines and analyzes voice-over narration. She refutes the assumptions that words should only play a minimal role in film, that "showing" is superior to "telling," or that the technique is inescapably authoritarian (the "voice of god"). She questions the common conception that voice-over is a literary technique by tracing its origins in the silent era and by highlighting the influence of radio, documentaries, and television. She explores how first-person or third-person narration really affects a film, in terms of genre conventions, viewer identification, time and nostalgia, subjectivity, and reliability. In conclusion she argues that voice-over increases film's potential for intimacy and sophisticated irony.
Author: Ian Garwood
Publisher: Edinburgh University Press
ISBN: 0748678417
Category : Performing Arts
Languages : en
Pages : 194
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Book Description
This book investigates the sensuous qualities of narration in the feature-length fiction film.
Author: George M. Wilson
Publisher: Oxford University Press
ISBN: 0199594899
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
What happens when we view a movie? Do we actually see the fiction, and if so how? Literary fiction is recounted by a voice of some sort--the narrator. George M. Wilson explores the strategies of cinematic narration, and argues that this prompts viewers to imagine seeing and hearing events in the fictional world.
Author: Berys Gaut
Publisher: Cambridge University Press
ISBN: 0521822440
Category : Performing Arts
Languages : en
Pages : 339
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Book Description
A wide-ranging and accessible study of cinema as an art form, discussing traditional photographic films, digital cinema, and videogames.
Author: David Bordwell
Publisher: Harvard University Press
ISBN: 9780674634299
Category : History
Languages : en
Pages : 338
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Book Description
Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.
Author: Warren Buckland
Publisher: Columbia University Press
ISBN: 023154359X
Category : Performing Arts
Languages : en
Pages : 110
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Book Description
From mainstream blockbusters to art house cinema, narrative and narration are the driving forces that organize a film. Yet attempts to explain these forces are often mired in notoriously complex terminology and dense theory. Warren Buckland provides a clear and accessible introduction that explains how narrative and narration work using straightforward language. Narrative and Narration distills the basic components of cinematic storytelling into a set of core concepts: narrative structure, processes of narration, and narrative agents. The book opens with a discussion of the emergence of narrative and narration in early cinema and proceeds to illustrate key ideas through numerous case studies. Each chapter guides readers through different methods that they can use to analyze cinematic storytelling. Buckland also discusses how departures from traditional modes, such as feminist narratives, art cinema, and unreliable narrators, can complicate and corroborate the book’s understanding of narrative and narration. Examples include mainstream films, both classic and contemporary; art house films of every stripe; and two relatively new styles of cinematic storytelling: the puzzle film and those driven by a narrative logic derived from video games. Narrative and Narration is a concise introduction that provides readers with fundamental tools to understand cinematic storytelling.
Author: Seymour Chatman
Publisher: Cornell University Press
ISBN: 1501741616
Category : Language Arts & Disciplines
Languages : en
Pages : 279
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Book Description
"For the specialist in the study of narrative structure, this is a solid and very perceptive exploration of the issues salient to the telling of a story—whatever the medium. Chatman, whose approach here is at once dualist and structuralist, divides his subject into the 'what' of the narrative (Story) and the 'way' (Discourse)... Chatman's command of his material is impressive."—Library Journal
Author: Edward Branigan
Publisher: Routledge
ISBN: 1136129324
Category : Social Science
Languages : en
Pages : 383
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Book Description
Narrative is one of the ways we organise and understnad the world. It is found everywhere: not only in films and books, but also in everday conversations and in the nonfictional discourses of journalists, historians, educators, psychologists, attorneys and many others. Edward Branigan presents a telling exploration of the basic concepts of narrative theory and its relation to film - and literary - analysis, bringing together theories from linguistics and cognitive science, and applying them to the screen. Individual analyses of classical narratives form the basis of a complex study of every aspect of filmic fiction exploring, for example, subjectivity in Lady in the Lake, multiplicity in Letter from and Unknown Woman, post-modernism and documentary in Sans Soleil.
Author: Peter Wuss
Publisher: Cambridge Scholars Publishing
ISBN:
Category : Performing Arts
Languages : en
Pages : 402
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Book Description
Film provides experience potential. Contemporary cognitive psychology gives the opportunity to define this impact on the film spectatorsâ (TM) mind in regard to different aspects of cognition, imagination and emotion. Proceeding from these positions, this book considers a number of practical issues of cinematic narration with which filmmakers, theorists and cineastes are frequently confronted: What is storytelling, and how may we objectify the regularities to be found at work in different modes of narration in the fiction film, among them structural principles of â oeart-cinemaâ which are often experienced on a level beneath conscious reception? What is the role of the element of conflict in the process of narration, and what are the effects that the representation of conflict situations on the screen has on the viewersâ (TM) emotions? How can we define â oecinematic tensionâ and also â oesuspenseâ , and how does each influence the disposition of the audience? What constitutes a â oereality-effectâ in fiction films, and how can it vary in different modes of storytelling? How are a given protagonistsâ (TM) dreams, fantasies and play behaviour integrated both into the course of narrative events and into the development of the spectatorâ (TM)s imageries and ideas? And finally: How do film genres work on a psychological level? Providing a theoretical framework for further empirical research, the book outlines a differentiated model for analysing key devices of cinematic narration in view of their impact on the spectatorsâ (TM) mind.
