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Author: Susan Arndt
Publisher: Routledge
ISBN: 0429657307
Category : Art
Languages : en
Pages : 281
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Book Description
This volume is dedicated to fictional negotiations of future, or rather futureS. After all, ‘future’ cannot but exist in a multitude of complementary and/or competing futures, all causally related to each other just as much as to their pasts and their respective memories. Within this cyclical and causal triad of past, present and future, futureS have been made and unmade, remembered and forgotten, affirmed and subverted in the multiversity of competing agencies, interests, and accesses to power and privileges. Thus framed, African and African diasporic futureS have been done, undone and redone over the centuries, affecting and affected by planetary actions as ruled by global power constellations, whilst being contemplated and moulded by fictional in(ter)ventions in the process. Literature and other cultural means of expression such as film, fine arts, performing arts and the internet are at the centre of this volume. Employing FutureS as a critical category of analysis, the book comprises perspectives from Europe, Africa and the Middle East, from academics, activists and artists. They all share their perspectives on African and African-diasporic visions of futureS, with an emphasis on dreaming and memory, environmentalism and ethics, freedom and resistance. This book was originally published as a special issue of the Journal of the African Literature Association.
Author: Susan Arndt
Publisher: Routledge
ISBN: 0429657307
Category : Art
Languages : en
Pages : 281
Get Book Here
Book Description
This volume is dedicated to fictional negotiations of future, or rather futureS. After all, ‘future’ cannot but exist in a multitude of complementary and/or competing futures, all causally related to each other just as much as to their pasts and their respective memories. Within this cyclical and causal triad of past, present and future, futureS have been made and unmade, remembered and forgotten, affirmed and subverted in the multiversity of competing agencies, interests, and accesses to power and privileges. Thus framed, African and African diasporic futureS have been done, undone and redone over the centuries, affecting and affected by planetary actions as ruled by global power constellations, whilst being contemplated and moulded by fictional in(ter)ventions in the process. Literature and other cultural means of expression such as film, fine arts, performing arts and the internet are at the centre of this volume. Employing FutureS as a critical category of analysis, the book comprises perspectives from Europe, Africa and the Middle East, from academics, activists and artists. They all share their perspectives on African and African-diasporic visions of futureS, with an emphasis on dreaming and memory, environmentalism and ethics, freedom and resistance. This book was originally published as a special issue of the Journal of the African Literature Association.
Author:
Publisher: BRILL
ISBN: 9004471642
Category : Social Science
Languages : en
Pages : 407
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Book Description
The essays in this collection are written to make readers (re)consider what is possible in Africa. The essays shake the tree of received wisdom and received categories, and hone in on the complexities of life under ecological and economic constraints. Yet, throughout this volume, people do not emerge as victims, but rather as inventors, engineers, scientists, planners, writers, artists, and activists, or as children, mothers, fathers, friends, or lovers – all as future-makers. It is precisely through agents such as these that Africa is futuring: rethinking, living, confronting, imagining, and relating in the light of its many emerging tomorrows.
Author: Tempii B. Champion
Publisher: Routledge
ISBN: 1135664463
Category : Education
Languages : en
Pages : 151
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Book Description
Reports research on narrative production among African American children. Extends previous research by suggesting that African American children produce a repertoire of narrative structures rather than one exclusive type.
Author: S.R. Toliver
Publisher: Routledge
ISBN: 1000474666
Category : Psychology
Languages : en
Pages : 232
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Book Description
This research-based book foregrounds Black narrative traditions and honors alternative methods of data collection, analysis, and representation. Toliver presents a semi-fictionalized narrative in an alternative science fiction setting, refusing white-centric qualitative methods and honoring the ways of the griots who were the scholars of their African nations. By utilizing Black storytelling, Afrofuturism, and womanism as an onto-epistemological tool, this book asks readers to elevate Black imaginations, uplift Black dreams, and consider how Afrofuturity is qualitative futurity. By centering Black girls, the book considers the ethical responsibility of researchers to focus upon the words of our participants, not only as a means to better understand our historic and current world, but to better situate inquiry for what the future world and future research could look like. Ultimately, this book decenters traditional, white-centered qualitative methods and utilizes Afrofuturism as an onto-epistemological tool and ethical premise. It asks researchers to consider how we move forward in data collection, data analysis, and data representation by centering how Black girls reclaim and recover the past, counter negative and elevate positive realities that exist in the present, and create new possibilities for the future. The semi-fictionalized narrative of the book highlights the intricate methodological and theoretical work that undergirds the story. It will be an important text for both new and seasoned researchers interested in social justice. Informed and anti-racist researchers will find Endarkened storywork a useful tool for educational, cultural, and social critiques now and in the future.
Author: Chinua Achebe
Publisher: Penguin
ISBN: 0385474547
Category : Fiction
Languages : en
Pages : 226
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Book Description
“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.” —Barack Obama “African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison Nominated as one of America’s best-loved novels by PBS’s The Great American Read Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities.
Author: Yaw Ofosu-Asare
Publisher: Springer Nature
ISBN: 3031717546
Category :
Languages : en
Pages : 267
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Book Description
Author: Claire Moon
Publisher: Lexington Books
ISBN: 9780739140451
Category : History
Languages : en
Pages : 194
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Book Description
Narrating Political Reconciliation advances a distinctive discourse analysis of South Africa's reconciliation process by enquiring into the politics of the following: writing national history, confessional, and testimonial styles of truth, and reconciliation as theology and therapy. Moon argues that the TRC was the catalyst for, and shaped the parameters of, what is now powerful 'reconciliation industry, ' and her insights provide a theoretical framework through which to think and problematise the politics of transitional justice in post-conflict and democratizing states more generally
Author: Nahum Dimitri Chandler
Publisher: State University of New York Press
ISBN: 1438484208
Category : Social Science
Languages : en
Pages : 191
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Book Description
Widely known for his probing analysis of W. E. B. Du Bois's early work, in this book Nahum Dimitri Chandler references writing from across the whole of Du Bois's long career, while bringing sharp focus on two later texts issued in the immediate aftermath of World War II—Color and Democracy: Colonies and Peace and The World and Africa: An Inquiry into the Part which Africa Has Played in World History. In these texts, "the problem of the color line," which Du Bois had already characterized as the problem not only of the twentieth century, but of the modern epoch as a whole, is further figured as a global problem, as a horizon linking the contemporary conjuncture of the history of modern systems of enslavement with the ongoing impact of modern colonialism and imperialism on the world's possible futures. On this line of thought, Chandler proposes that the name of "Africa" is a theoretical metaphor that enables a hyperbolic re-narrativization of modern historicity. Du Bois thus emerges as an exemplary thinker of history and hope for the world beyond the limit of the present.
Author: Monica White Ndounou
Publisher: Rutgers University Press
ISBN: 0813573122
Category : Social Science
Languages : en
Pages : 290
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Book Description
In Hollywood, we hear, it’s all about the money. It’s a ready explanation for why so few black films get made—no crossover appeal, no promise of a big payoff. But what if the money itself is color-coded? What if the economics that governs film production is so skewed that no film by, about, or for people of color will ever look like a worthy investment unless it follows specific racial or gender patterns? This, Monica Ndounou shows us, is precisely the case. In a work as revealing about the culture of filmmaking as it is about the distorted economics of African American film, Ndounou clearly traces the insidious connections between history, content, and cash in black films. How does history come into it? Hollywood’s reliance on past performance as a measure of potential success virtually guarantees that historically underrepresented, underfunded, and undersold African American films devalue the future prospects of black films. So the cycle continues as it has for nearly a century. Behind the scenes, the numbers are far from neutral. Analyzing the onscreen narratives and off-screen circumstances behind nearly two thousand films featuring African Americans in leading and supporting roles, including such recent productions as Bamboozled, Beloved, and Tyler Perry’s Diary of a Mad Black Woman, Ndounou exposes the cultural and racial constraints that limit not just the production but also the expression and creative freedom of black films. Her wide-ranging analysis reaches into questions of literature, language, speech and dialect, film images and narrative, acting, theater and film business practices, production history and financing, and organizational history. By uncovering the ideology behind profit-driven industry practices that reshape narratives by, about, and for people of color, this provocative work brings to light existing limitations—and possibilities for reworking stories and business practices in theater, literature, and film.
Author: Isiah Lavender (III)
Publisher:
ISBN: 9780814278154
Category : Electronic books
Languages : en
Pages :
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Book Description
