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Author: Carmen Amato
Publisher: Detective Emilia Cruz
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Book 8 in the series: A bitter past drives Acapulco's first female police detective into a Hollywood film starring lies and murder when she goes undercover to catch a killer. As the camera rolls, Detective Emilia Cruz will face her toughest case yet.After witnessing the execution-style murder of a taxi driver, Emilia replaces him behind the wheel. Undercover with a false identity, her target is a shadowy gang extorting protection money from the upscale taxi service.Oddly enough, no one in Acapulco has heard of the gang. The homicide investigation is soon stuck in neutral. Yet the threat of another murder has all the drivers, including Emilia, scared to death.But when Emilia's worst enemy gets into her taxi, both her life and the murder case accelerate out of control. Next stop, a movie set where a second undercover role awaits.The script is a nightmare. The director's cut is a double-cross. The leading man has looks that could kill. Can Emilia act her way out of murder?
Author: Carmen Amato
Publisher: Detective Emilia Cruz
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Book 8 in the series: A bitter past drives Acapulco's first female police detective into a Hollywood film starring lies and murder when she goes undercover to catch a killer. As the camera rolls, Detective Emilia Cruz will face her toughest case yet.After witnessing the execution-style murder of a taxi driver, Emilia replaces him behind the wheel. Undercover with a false identity, her target is a shadowy gang extorting protection money from the upscale taxi service.Oddly enough, no one in Acapulco has heard of the gang. The homicide investigation is soon stuck in neutral. Yet the threat of another murder has all the drivers, including Emilia, scared to death.But when Emilia's worst enemy gets into her taxi, both her life and the murder case accelerate out of control. Next stop, a movie set where a second undercover role awaits.The script is a nightmare. The director's cut is a double-cross. The leading man has looks that could kill. Can Emilia act her way out of murder?
Author: Vanda Felbab-Brown
Publisher: Geopolitics in the 21st Centur
ISBN: 9780815728184
Category : Political Science
Languages : en
Pages : 0
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Book Description
Crime and security expert Vanda Felbab-Brown conducted more than eight years of fieldwork across Mexico analyzing policy interventions in key crime and violence hotspots, as well as in control cases. The result is Narco Noir: Mexico's Cartels, Cops, and Corruption, an extensive and unique set of organized crime case studies that include principal cases like, Ciudad Juarez, Tijuana, Monterrey, Michoacan, and Chiapas - as well as in Mexico City. Narco Noir provides detailed assessments of the various law enforcement strategies, socio-economic anti-crime policies, and civil society mobilization efforts in key violent hotspots. The cases cover a wide variety of crime patterns and dynamics as well as policy responses. Felbab-Brown also includes an extensive section of policy recommendations, providing a detailed analysis of how to improve law enforcement capacity and strategies, change interdiction patterns to achieve greater deterrence capacity, and restructure socio-economic anti-crime policies.
Author: Carmen Amato
Publisher:
ISBN: 9780999712269
Category :
Languages : en
Pages : 326
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Book Description
A bitter past drives Acapulco's first female police detective into a Hollywood film starring lies and murder when she goes undercover to catch a killer. As the camera rolls, Detective Emilia Cruz will face her toughest case yet. "A thrilling series" -- National Public Radio After witnessing the execution-style murder of a taxi driver, Emilia replaces him behind the wheel. Undercover with a false identity, her target is a shadowy gang extorting protection money from the upscale taxi service. The homicide investigation is soon stuck in neutral. No one in Acapulco has heard of the gang. Yet the threat of another murder has all the drivers, including Emilia, scared to death. When Emilia's worst enemy gets into her taxi, both her life and the murder case accelerate out of control. Next stop, a movie set. The script is a nightmare. The director's cut is a double-cross.The leading man has looks that could kill. Grab your copy today!Poison Cup award, Outstanding Series -- CrimeMasters of America. Author Carmen Amato is a former CIA intelligence officer who uses her own counterdrug and espionage experiences to craft intrigue-filled crime fiction that keeps you guessing until the very end. Amato is a recipient of both the National Intelligence Award and the Career Intelligence Medal. If you love international police procedural series by Ian Rankin, Jo Nesbo, Ann Cleeves, Peter May, Louise Penny, and Jussi Adler-Olsen, you'll want to read the Detective Emilia Cruz series. It's a must-read for fans of Don Winslow's cartel and border thrillers set in Mexico. PRAISE FOR THE DETECTIVE EMILIA CRUZ SERIES CLIFF DIVER"Consistently exciting." ― Kirkus Reviews HAT DANCE"Emilia . . . is a force to be reckoned with." ― MysterySequels.com DIABLO NIGHTS"Amato's unique setting, realistic characters, and intriguing plot set her apart." ― OnlineBookClub.org KING PESO"Danger and betrayal never more than a few pages away."― Kirkus Reviews BOOKS BY CARMEN AMATO The Detective Emilia Cruz series CLIFF DIVERHAT DANCEDIABLO NIGHTSKING PESOPACIFIC REAPER43 MISSINGRUSSIAN MOJITONARCO NOIRMADE IN ACAPULCO Suspense THE HIDDEN LIGHT OF MEXICO CITYAWAKENING MACBETH
Author: Oswaldo Zavala
Publisher: Vanderbilt University Press
ISBN: 082650468X
Category : Social Science
Languages : en
Pages : 276
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Book Description
Through political and cultural analysis of representations of the so-called war on drugs, Oswaldo Zavala makes the case that the very terms we use to describe drug traffickers are a constructed subterfuge for the real narcos: politicians, corporations, and the military. Though Donald Trump's incendiary comments and monstrous policies on the border revealed the character of a deeply depraved leader, state violence on both sides of the border is nothing new. Immigration has endured as a prevailing news topic, but it is a fixture of modern society in the neoliberal era; the future will be one of exile brought on by state violence and the plundering of our natural resources to sate capitalist greed. Yet the realities of violence in Mexico and along the border are obscured by the books, films, and TV series we consume. In truth, works like Sicario, The Queen of the South, and Narcos hide Mexico's political realities. Alongside these examples, Zavala discusses Charles Bowden, 2666 by Roberto Bolaño, and other important Latin American writers as examples of those who do capture the realities of the drug war. Translated into English by William Savinar, Drug Cartels Do Not Exist will be useful for journalists, political scientists, philosophers, and writers of any kind who wish to break down the constructed barriers—physical and mental—created by those in power around the reality of the Mexican drug trade.
Author: John P. Sullivan
Publisher: Xlibris Corporation
ISBN: 1984543938
Category : Political Science
Languages : en
Pages : 627
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Book Description
This book is our sixth Small Wars Journal—El Centro anthology, covering writings published between 2016 and 2017. The theme of this anthology pertains to the rise of the narcostate (mafia states) as a result of the collusion between criminal organizations and political elites—essentially authoritarian regime members, corrupted plutocrats, and other powerful societal elements. The cover image of the mass demonstration concerning the disappearance of the forty-three Ayotzinapa Teachers’ College students held at Mexico City’s Zócalo Plaza in November 2014 provides an archetype of this anthology’s theme. This anthology includes the following special essays—Preface: “New Wars” and State Transformation by Robert Muggah, Igarapé Institute; Foreword: Crime and State-Making by Vanda Felbab-Brown, The Brookings Institution; Postscript: Crime, Drugs, Terror, and Money: Time for Hybrids by Alain Bauer, CNAM Paris; and Afterword: The Rise of the Oligarchs by Col. Robert Killebrew, US Army (Ret.). Dave Dilegge (SWJ, Editor-in-Chief)
Author: Sarah Cortez
Publisher: Akashic Books
ISBN: 1936070057
Category : Fiction
Languages : en
Pages : 290
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Book Description
Enter the dark welter of troubled history throughout the Americas, where a heritage of violence meets the ferocity of intent. This sharp, stylised and ambitious anthology of Native American literature sees authors of Indian heritage or blood join non-Indian authors in creating these diverse, gripping, dubious and sleazy stories. Includes contributions from award-winning author Reed Farrel Coleman and Lawrence Block, author of Hit and Run (Orion, 2009).
Author: Benjamin W.L. Derhy Kurtz
Publisher: Taylor & Francis
ISBN: 1317371054
Category : Performing Arts
Languages : en
Pages : 263
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Book Description
This volume builds on previous notions of transmedia practices to develop the concept of transtexts, in order to account for both the industrial and user-generated contributions to the cross-media expansion of a story universe. On the one hand exists industrial transmedia texts, produced by supposedly authoritative authors or entities and directed to active audiences in the aim of fostering engagement. On the other hand are fan-produced transmedia texts, primarily intended for fellow members of the fan communities, with the Internet allowing for connections and collaboration between fans. Through both case studies and more general analyses of audience participation and reception, employing the artistic, marketing, textual, industrial, cultural, social, geographical, technological, historical, financial and legal perspectives, this multidisciplinary collection aims to expand our understanding of both transmedia storytelling and fan-produced transmedia texts.
Author: Vanda Felbab-Brown
Publisher: Brookings Institution Press
ISBN: 0815731906
Category : Political Science
Languages : en
Pages : 191
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Book Description
" Conventional political theory holds that the sovereign state is the legitimate source of order and provider of public services in any society, whether democratic or not. But Hezbollah and ISIS in the Middle East, pirate clans in Africa, criminal gangs in South America, and militias in Southeast Asia are examples of nonstate actors that control local territory and render public services that the nation-state cannot or will not provide. This fascinating book takes the reader around the world to areas where national governance has broken down—or never really existed. In these places, the vacuum has been filled by local gangs, militias, and warlords, some with ideological or political agendas and others focused primarily on economic gain. Many of these actors have substantial popularity and support among local populations and have developed their own enduring institutions, often undermining the legitimacy of the national state. The authors show that the rest of the world has more than a passing interest in these situations, in part because transborder crime and terrorism often emerge but also because failed states threaten international interests from trade to security. This book also poses, and offers answers for, the question: How should the international community respond to local orders dominated by armed nonstate actors? In many cases outsiders have taken the short-term route—accepting unsavory local actors out of expediency—but at the price of long-term instability or damage to human rights and other considerations. From Africa and the Middle East to Asia and Latin America, the local situations highlighted in this book are, and will remain, high on today's international agenda. The book makes a unique contribution to global understanding of how those situations developed and what can be done about them. This title is part of the Geopolitics in the 21st Century series. "
Author: Virginia Comolli
Publisher: Springer
ISBN: 3319729683
Category : Political Science
Languages : en
Pages : 156
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Book Description
Unlike much of the existing literature on organised crime, this book is less focused on the problem per se as it is on understanding its implications. The latter, especially in fragile and conflict regions, amount to strategic challenges for the state. Whereas most commentators would agree that criminal activities are harmful, this volume addresses the questions of ‘how?’, ‘for whom?’ and, controversially, ‘are they always harmful?’ The volume is authored by experts with multi-year experience analysing criminal and other non-state activities. They do so through different lenses - conflict and security, development, and technology - engaging academics, practitioners and policy makers. They offer a comprehensive integrated response to the challenges of transnational organised crime beyond traditional law-enforcement driven recommendations.
Author: Jason Ruiz
Publisher: University of Texas Press
ISBN: 147732819X
Category : Social Science
Languages : en
Pages : 259
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Book Description
Exploring representations of Latinx people from Scarface to Narcos, this book examines how pop culture has framed Latin America as the villain in America’s long and ineffectual War on Drugs. If there is an enemy in the War on Drugs, it is people of color. That is the lesson of forty years of cultural production in the United States. Popular culture, from Scarface and Miami Vice to Narcos and Better Call Saul, has continually positioned Latinos as an alien people who threaten the US body politic with drugs. Jason Ruiz explores the creation and endurance of this trope, its effects on Latin Americans and Latinx people, and its role in the cultural politics of the War on Drugs. Even as the focus of drug anxiety has shifted over the years from cocaine to crack and from methamphetamines to opioids, and even as significant strides have been made in representational politics in many areas of pop culture, Latinx people remain an unshakeable fixture in stories narrating the production, distribution, and sale of narcotics. Narcomedia argues that such representations of Latinx people, regardless of the intentions of their creators, are best understood as a cultural front in the War on Drugs. Latinos and Latin Americans are not actually America’s drug problem, yet many Americans think otherwise—and that is in no small part because popular culture has largely refused to imagine the drug trade any other way.
