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Author:
Publisher: Rizzoli Publications
ISBN: 0847869091
Category : Art
Languages : en
Pages : 0
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Book Description
Surveying the work of video art pioneer Nam June Paik, this volume highlights the artist's radical engagement with process. Nam June Paik (1932–2006) broke new ground in late twentieth-century art, working on a global stage to transform video into an art medium. This book reflects on Paik’s working method as well as the ideas and materials that inspired his art practice. It was published on the occasion of a two-part exhibition at Gagosian, New York, curated by John G. Hanhardt, one of the foremost scholars of Paik’s work. Nam June Paik: Art in Process highlights the centrality of process and exploration across Paik’s career—through his pioneering manipulated televisions from the early 1960s to live global satellite telecasts, large-scale video sculptures, drawings, and the late-style painted TVs—and provides an opportunity to follow Paik’s lifelong engagement with new media and the development of his own singular visual language. Highlights include Paik’s painted sections of the Berlin Wall (2005); Beuys Projection (1990), Paik’s powerful video interpretation of his performance with Joseph Beuys in Tokyo; and his celebrated One Candle, Candle Projection (1988–2000), a live video installation of candlelight. With essays by John G. Hanhardt and Gregory Zinman, the book features extensive illustrations including numerous full-page plates and details, a foldout of the score for Paik’s Symphony for 20 Rooms (1961), as well as rarely seen archival photographs by Peter Moore (1932–1993) documenting Paik’s early performances.
Author:
Publisher: Rizzoli Publications
ISBN: 0847869091
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Surveying the work of video art pioneer Nam June Paik, this volume highlights the artist's radical engagement with process. Nam June Paik (1932–2006) broke new ground in late twentieth-century art, working on a global stage to transform video into an art medium. This book reflects on Paik’s working method as well as the ideas and materials that inspired his art practice. It was published on the occasion of a two-part exhibition at Gagosian, New York, curated by John G. Hanhardt, one of the foremost scholars of Paik’s work. Nam June Paik: Art in Process highlights the centrality of process and exploration across Paik’s career—through his pioneering manipulated televisions from the early 1960s to live global satellite telecasts, large-scale video sculptures, drawings, and the late-style painted TVs—and provides an opportunity to follow Paik’s lifelong engagement with new media and the development of his own singular visual language. Highlights include Paik’s painted sections of the Berlin Wall (2005); Beuys Projection (1990), Paik’s powerful video interpretation of his performance with Joseph Beuys in Tokyo; and his celebrated One Candle, Candle Projection (1988–2000), a live video installation of candlelight. With essays by John G. Hanhardt and Gregory Zinman, the book features extensive illustrations including numerous full-page plates and details, a foldout of the score for Paik’s Symphony for 20 Rooms (1961), as well as rarely seen archival photographs by Peter Moore (1932–1993) documenting Paik’s early performances.
Author: John G. Hanhardt
Publisher: Giles
ISBN: 9781907804205
Category : Architecture
Languages : en
Pages : 0
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Book Description
Offers an unprecedented look at the accomplishments, vision and creative method of an extraordinary international artist.
Author: Nam June Paik
Publisher:
ISBN: 9780262352758
Category :
Languages : en
Pages : 456
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
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Book Description
Author: Melissa Chiu
Publisher:
ISBN: 9780300209211
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
This new, fully illustrated catalogue on the celebrated progenitor of video art, Nam June Paik (1932-2006), brings together a host of scholars, artists, and Paik's own collaborators to illuminate the work of this innovative artist. An essay by curator Michelle Yun takes readers through Paik's highly original career, providing insight into his radical and witty experiments with technology, especially in relation to the body, which he viewed as vital platforms for the future of art, science, and popular culture. Scholars David Joselit and John Maeda contribute texts examining the artist's interest in new media and popular culture. A roundtable discussion with three of Paik's own artistic collaborators and contemporary artists' statements shed light on the collaborative process and Paik's enduring influence on artistic practice today. Drawing on the newly established Nam June Paik Archive at the Smithsonian American Art Museum, this book also features never-before-published primary sources that highlight Paik's prescient attitude towards the integration of increasingly indispensable technologies into modern life. Distributed for Asia Society Museum Exhibition Schedule: Asia Society Museum (09/05/14-01/04/15)
Author: Sook-Kyung Lee
Publisher:
ISBN: 9781849766357
Category : Art, Korean
Languages : en
Pages : 0
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Book Description
Considered to be the founder of video art, Nam June Paik (1932- 2006) was a visionary artist who foresaw the importance of mass media and new technology, and its impact on visual culture. His cutting-edge, innovative, yet playfully entertaining work continues to be a major influence on art and culture to this day. This ground-breaking publication focuses on Paik's pivotal role in the cross-germination of radical aesthetics and experimental practices, emphasising his visionary insight and his pioneering role in the emergence and proliferation of performative and collaborative art practice. Bringing together works that span a fivedecade career, and including archival materials and excerpts of Paik's own writings, this book offers an in-depth understanding of the artist's innovative practice and his vision of a multidisciplinary future. His ideas such as 'Eurasia' and 'Electronic Superhighway', and his profound insight into a global age will be analysed in the context of transnationalism for the first time. In addition, texts will elaborate upon Paik's collaborations with other artists, musicians and choreographers, such as Charlotte Moorman, John Cage, Merce Cunningham, Joseph Beuys and Fluxus, highlighting Paik's global trajectory and considerable impact on digital culture, which connect his art to a new generation.
Author: Nam June Paik
Publisher: Guggenheim Museum
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
No artist has had greater influence in imagining and realizing the artistic potential of video and television than Nam June Paik. Through a vast array of installations, videotapes, global television productions, films and performances, he has reshaped our perceptions of the temporal image in contemporary art.
Author: Hanna Hölling
Publisher: Univ of California Press
ISBN: 0520288904
Category : Art
Languages : en
Pages : 262
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Book Description
Two works -- Conceptual and material aspects of media art -- Musical roots of performed and performative media -- Zen for film -- Changeability and multimedia art -- Time and conservation -- Heterotemporalities -- The material and the immaterial archive -- Archival implications -- Conclusion: the many archai of conservation and curation
Author: Sook-Kyung Lee
Publisher: National Geographic Books
ISBN: 3791359533
Category : Art
Languages : en
Pages : 0
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Book Description
Explore the ground-breaking work of 20th-century, avant-garde artist Nam June Paik, the pioneer of video art, and discover his impact on the digital age. Nam June Paik was one of the most presciently visionary artists of his generation, one who foresaw the ascendance of the screen in modern life, coined the phrase "electronic superhighway", and celebrated these developments with a humor and whimsy that counteracts some of the darker aspects of our technological age. This book features works from throughout Paik's five-decade career--from robots made from old TV screens to stills from his innovative video works and views of his renowned room-sized installations. Archival materials and excerpts of Paik's own writings offer a deeper understanding of the artist's extraordinary collaborative career. He had exchanges with avant-garde artists, musicians, and choreographers, including Charlotte Moorman, John Cage, Merce Cunningham, Joseph Beuys, and members of the Fluxus movement. Essays explore how Paik influenced a global network of artists and pioneered a radical and cutting-edge art practice. They also consider how Paik's transnational approach to art presaged today's issues around borders, immigration, cultural appropriation, and nationalism. By envisioning a future that has become a reality, Paik's work--and its humanity, scope, and optimism--is perhaps more important than ever. Published with Tate
Author: Hanna Hölling
Publisher:
ISBN: 9781941792049
Category : Art
Languages : en
Pages : 0
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Book Description
How do works of art endure over time despite their material and conceptual alteration? How do decay, technological obsolescence and remediation affect what the artwork is and what it may become? How might the observation of change in artworks teach us something about their nature and behavior? How do changeable artworks induce a rethinking of those museological paradigms that assume fixity and stasis? The intellectual aim of this project is to come up with answers to these questions. "Revisions Zen for Film" which is accompanied by an exhibition at the Bard Graduate Center on display from September 18, 2015 January 10, 2016 focuses on "Zen for Film" (also known as Fluxfilm no.1), one of the most evocative film works created by the Korean-American artist, Nam June Paik in 1962-64. Rather than being a compilation of objects presented for inspection in support of a curatorial argument, this project zooms into the microcosm of a singular artwork in order to unfold some of the inspirations, transitions, remediations, and residues that have occurred in the course of that artwork s existence. It also seeks to examine how the firsthand awareness of materiality enhances visual knowledge. "Revisions Zen for Film" strives to revise standard notions about an artwork that has undergone a rich history of display. The project reveals what often remains undisclosed an artwork that is a complex sum of its transitions rather than a product of the visual analysis and interpretation of that thing as a static entity. The project undermines any assumption that the artwork is unchanging, and hence subject to a single interpretation. "Zen for Film Revisions" aims to explore the significance of the artwork in its constant transitions, proposing a new art historical narrative. By putting "Zen for Film" on display and inviting an interdisciplinary dialogue, it asks precisely what and when the artwork might be. "
