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Author: Daniel Naegele
Publisher: Culicidae Architectural Press
ISBN: 9781683150152
Category :
Languages : en
Pages : 280
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Book Description
Naegele's "Guide to the Only Good Architecture in Iowa" is a deceptive title but it is not a misnomer. 'Guide' is accurate.' Iowa' is fairly accurate. 'Naegele's' is there because this is a personal account, one that makes no attempt to be unbiased. 'Naegele's' qualifies 'Good', "good" being not absolute but contingent and personal and therefore a very questionable qualifier. 'Only' is the title's difficult word. "Only Good Architecture in Iowa" suggests that architecture is a scarce commodity in Iowa, a suggestion with which Naegele would agree if by "architecture" one means high architecture.By 'Architecture', however, Naegele means "good building," regardless of whether or not that which is built was designed by an architect or whether, in fact, it is a habitable structure or even a building at all. Most entries in this guide are concerned either with vernacular works that are habitable tools-barns, corncribs, ventilator machines, silos-or with built works that are not really buildings at all: billboards, bridges, murals, graveyards, landscapes, wind turbines and water towers. 'Only' brings irony to the title, rendering questionable the assumption it asserts and initiating debate within an otherwise matter-of-fact description. Its inclusion in the title predicts the book's mildly contentious, but always utterly practical, nature.
Author: Daniel Naegele
Publisher: Culicidae Architectural Press
ISBN: 9781683150152
Category :
Languages : en
Pages : 280
Get Book Here
Book Description
Naegele's "Guide to the Only Good Architecture in Iowa" is a deceptive title but it is not a misnomer. 'Guide' is accurate.' Iowa' is fairly accurate. 'Naegele's' is there because this is a personal account, one that makes no attempt to be unbiased. 'Naegele's' qualifies 'Good', "good" being not absolute but contingent and personal and therefore a very questionable qualifier. 'Only' is the title's difficult word. "Only Good Architecture in Iowa" suggests that architecture is a scarce commodity in Iowa, a suggestion with which Naegele would agree if by "architecture" one means high architecture.By 'Architecture', however, Naegele means "good building," regardless of whether or not that which is built was designed by an architect or whether, in fact, it is a habitable structure or even a building at all. Most entries in this guide are concerned either with vernacular works that are habitable tools-barns, corncribs, ventilator machines, silos-or with built works that are not really buildings at all: billboards, bridges, murals, graveyards, landscapes, wind turbines and water towers. 'Only' brings irony to the title, rendering questionable the assumption it asserts and initiating debate within an otherwise matter-of-fact description. Its inclusion in the title predicts the book's mildly contentious, but always utterly practical, nature.
Author: Michael Luick-Thrams
Publisher:
ISBN:
Category : Quakers
Languages : en
Pages : 358
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Book Description
Author: F. Andreola
Publisher:
ISBN: 9788820364755
Category : Architecture
Languages : en
Pages : 240
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Book Description
Author: Adrian Forty
Publisher: Reaktion Books
ISBN: 1861899335
Category : Architecture
Languages : en
Pages : 338
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Book Description
Concrete has been used in arches, vaults, and domes dating as far back as the Roman Empire. Today, it is everywhere—in our roads, bridges, sidewalks, walls, and architecture. For each person on the planet, nearly three tons of concrete are produced every year. Used almost universally in modern construction, concrete has become a polarizing material that provokes intense loathing in some and fervent passion in others. Focusing on concrete’s effects on culture rather than its technical properties, Concrete and Culture examines the ways concrete has changed our understanding of nature, of time, and even of material. Adrian Forty concentrates not only on architects’ responses to concrete, but also takes into account the role concrete has played in politics, literature, cinema, labor-relations, and arguments about sustainability. Covering Europe, North and South America, and the Far East, Forty examines the degree that concrete has been responsible for modernist uniformity and the debates engendered by it. The first book to reflect on the global consequences of concrete, Concrete and Culture offers a new way to look at our environment over the past century.
Author: Rowe Colin
Publisher: Artifice Incorporated
ISBN: 9781908967534
Category : Architecture
Languages : en
Pages : 560
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Book Description
Spanning a period of over half a century, from the early 1940s until his death in 1999, Colin Rowe wrote a multitude of letters to his parents in England and to friends Henry Russell Hitchcock and Ernst Gombrich; to colleagues Stanford Anderson, Robert Maxwell, Michael Spens, Alan Colquhoun, Alvin Boyarsky, John Miller; to architects Louis Kahn and Peter Eisenman; and most intimately and candidly, to his brother, sister-in-law, and nephews in Oxford, England.
Author: Ben Jacks
Publisher: Culicidae Architectural Press
ISBN: 9781941892022
Category :
Languages : en
Pages : 172
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Book Description
If you want to be a good designer, set aside the glossy magazines, turn off your computer, and seek out first-hand encounters with good design. When it comes to cities, buildings, and art, actual experience is almost always better than the virtual kind. No image can replicate Le Corbusier's Ronchamp when the light is just right, or capture the silent speech one hears on a stroll through Ian Hamilton Finlay's Little Sparta, or explain hours dissolving in Peter Zumthor's baths at Vals. That is the reason for this book: to encourage you to actively pursue direct aesthetic experience in the built environment, and to reflect upon the best reasons and ways to be a dedicated design traveler. Traveling to learn is an integral part of the education of student architects and designers. It is vital for designers to know how to be effective design travelers, to know how to seek out and encounter places, buildings, and objects, and to develop a capacity for looking, drawing, and, above all, discerning. But to be a student is only to be "one who is studying," which means all of us who, if we are truly alive, delight in the application of the mind to the acquisition of knowledge.
Author: enrico biancardi
Publisher: Springer Science & Business Media
ISBN: 1461408415
Category : Science
Languages : en
Pages : 305
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Book Description
Along the undisturbed shores, especially of the Mediterranean Sea and the European North Atlantic Ocean, is a quite widespread plant called Beta maritima by botanists, or more commonly sea beet. Nothing, for the inexperienced observer's eye, distinguishes it from surrounding wild vegetation. Despite its inconspicuous and nearly invisible flowers, the plant has had and will have invaluable economic and scientific importance. Indeed, according to Linnè, it is considered "the progenitor of the beet crops possibly born from Beta maritima in some foreign country". Recent molecular research confirmed this lineage. Selection applied after domestication has created many cultivated types with different destinations. The wild plant always has been harvested and used both for food and as a medicinal herb. Sea beet crosses easily with the cultivated types. This facilitates the transmission of genetic traits lost during domestication, which selection processes aimed only at features immediately useful to farmers and consumers may have depleted. Indeed, as with several crop wild relatives, Beta maritima has been successfully used to improve cultivated beet’s genetic resistances against many diseases and pests. In fact, sugar beet cultivation currently would be impossible in many countries without the recovery of traits preserved in the wild germplasm. Dr. Enrico Biancardi graduated from Bologna University. From 1977 until 2009, he was involved in sugar beet breeding activity by the Istituto Sperimentale per le Colture Industriali (ISCI) formerly Stazione Sperimentale di Bieticoltura (Rovigo, Italy), where he released rhizomania and cercospora resistant germplasm and collected seeds of Mediterranean sea beet populations as a genetic resource for breeding and ex situ conservation. Retired since 2009, he still collaborates with several working breeders, in particular, at the USDA Agricultural Research Stations, at the Chinese Academy of Agricultural Science (CAAS), and at the Athens University (AUA). He has edited books, books chapters and authored more than 150 papers. Dr. Lee Panella is a plant breeder and geneticist with the USDA-ARS at Fort Collins, Colorado. He earned his B.S. in Crop and Soil Science from Michigan State University, an M.S. in Plant Breeding from Texas A&M University, and a Ph.D. in genetics from the University of California at Davis. His research focus is developing disease resistant germplasm using sugar beet wild relatives. He is chairman of the USDA-ARS Sugar Beet Crop Germplasm Committee and has collected and worked extensively with sea beet. Dr. Robert T. Lewellen was raised on a ranch in Eastern Oregon and obtained a B.S. in Crop Science from Oregon State University followed by a Ph.D. from Montana State University in Genetics. From 1966 to 2008 he was a research geneticist for the USDA-ARS at Salinas, California, where he studied the genetics of sugar beet and as a plant breeder, often used sea beet as a genetic source to produce many pest and disease resistant sugar beet germplasm and parental lines, while authoring more than 100 publications.
Author: Anders Persson
Publisher: Routledge
ISBN: 1317133536
Category : Social Science
Languages : en
Pages : 293
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Book Description
The Open Access version of this book, available at http://www.taylorfrancis.com/books/e/9781315582931, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license. This book is about Erving Goffman’s frame analysis as it, on the one hand, was presented in his 1974 book Frame Analysis and, on the other, was actually conducted in a number of preceding substantial analyses of different aspects of social interaction such as face-work, impression management, fun in games, behavior in public places and stigmatization. There was, in other words, a frame analytic continuity in Goffman’s work. In an article published after his death in 1982, Goffman also maintained that he throughout his career had been studying the same object: the interaction order. In this book, the author states that Goffman also applied an overarching perspective on social interaction: the dynamic relation between ritualization, vulnerability and working consensus. However, there were also cracks in Goffman ́s work and one is shown here with reference to the leading question in Frame Analysis – what is it that’s going on here? While framed on a "microsocial" level, that question ties in with "the interaction order" and frame analysis as a method. If, however, it is framed on a societal level, it mirrors metareflective and metasocial manifestations of changes and unrest in the interaction order that, in some ways, herald the emphasis on contingency, uncertainty and risk in later sociology. Through analyses of social media as a possible new interaction order – where frame disputes are frequent – and of interactional power, the applicability of Goffman’s frame analysis is illustrated. As such, this book will appeal to scholars and students of social theory, classical sociology and social interaction.
Author: Jeremy Tanner
Publisher: Routledge
ISBN: 1134393296
Category : Art
Languages : en
Pages : 296
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Book Description
Introducing the fundamental theories and debates in the sociology of art, this broad ranging book, the only edited reader of the sociology of art available, uses extracts from the core foundational and most influential contemporary writers in the field. As such it is essential reading both for students of the sociology of art, and of art history. Divided into five sections, it explores the following key themes: * classical sociological theory and the sociology of art * the social production of art * the sociology of the artist * museums and the social construction of high culture * sociology aesthetic form and the specificity of art. With the addition of an introductory essay that contextualizes the readings within the traditions of sociology and art history, and draws fascinating parallels between the origins and development of these two disciplines, this book opens up a productive interdisciplinary dialogue between sociology and art history as well as providing a fascinating introduction to the subject.
Author: David A. Dutton
Publisher: Lulu.com
ISBN: 1941892337
Category : Biography & Autobiography
Languages : en
Pages : 210
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Book Description
Paid in Sunsets: A Park Ranger's Story is a humorous memoir of David A. Dutton's life as a Federal Park Ranger. Park Rangers are called upon to do many dangerous things, like rappel down cliff faces to rescue stranded climbers, or cut fire lines in advance of raging forest infernos. Dutton didn't do those things. He spent thirty-one years sharing the natural world with others. This memoir retells the best of those experiences'bawdy encounters along the muddy Rio Grande, ghosts in a remote Southwest canyon, swimming with Great White sharks, tweezing pernicious Kentucky ticks off his body, carrying diarrhea out of the longest cave in the world, and getting pissed on by an indignant raccoon in a Mississippi backwater, to name a few. The memoir is about birth, life, and sometimes, death. It's about a journey'from being a greenhorn Park Ranger in New Mexico to becoming an ordained Senior Park Ranger in Mississippi, twenty years later.Paid in Sunsets: A Park Ranger's Story pays homage to rangers as an emblem of ruggedness, individualism, and courage. But more importantly, the memoir shows that Park Rangers are ordinary people, too'men and women who put on uniforms and hats everyday, step into the crowd, and commit themselves to the idea of protecting America's treasures for the benefit of future generations.
