Author: Richard Whitaker
Publisher: Vandehoeck & Rupprecht
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 188
Book Description
Myth and Personal Experience in Roman Love-elegy
Author: Richard Whitaker
Publisher: Vandehoeck & Rupprecht
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 188
Book Description
Publisher: Vandehoeck & Rupprecht
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 188
Book Description
The Grotesque in Roman Love Elegy
Author: Mariapia Pietropaolo
Publisher: Cambridge University Press
ISBN: 1108802923
Category : History
Languages : en
Pages : 243
Book Description
Roman elegy makes frequent use of themes of ugliness and disfigurement, juxtaposing them with images of ideal beauty and sentiment. In order to overcome the obstacles to his erotic relationship, the poet-lover repeatedly represents his rivals and opponents in such a way as to ridicule their appearance and to degrade their social standing. This book explores the theme of corporeal, intellectual, and social degradation from a perspective attentive to the aesthetic significance of the grotesque imagery with which such degradation is accomplished. Although there has been sophisticated discussion of the use of grotesque imagery in genres like comedy, invective, and satire, which are concerned in part with themes of transgression and excess, Mariapia Pietropaolo demonstrates that the grotesque plays a significant role in the self-definition of love elegy, the genre in which it is least expected.
Publisher: Cambridge University Press
ISBN: 1108802923
Category : History
Languages : en
Pages : 243
Book Description
Roman elegy makes frequent use of themes of ugliness and disfigurement, juxtaposing them with images of ideal beauty and sentiment. In order to overcome the obstacles to his erotic relationship, the poet-lover repeatedly represents his rivals and opponents in such a way as to ridicule their appearance and to degrade their social standing. This book explores the theme of corporeal, intellectual, and social degradation from a perspective attentive to the aesthetic significance of the grotesque imagery with which such degradation is accomplished. Although there has been sophisticated discussion of the use of grotesque imagery in genres like comedy, invective, and satire, which are concerned in part with themes of transgression and excess, Mariapia Pietropaolo demonstrates that the grotesque plays a significant role in the self-definition of love elegy, the genre in which it is least expected.
The Cambridge Companion to Latin Love Elegy
Author: Thea S. Thorsen
Publisher: Cambridge University Press
ISBN: 0521765366
Category : History
Languages : en
Pages : 455
Book Description
Latin love elegy is one of the most important poetic genres in the Augustan era, also known as the golden age of Roman literature. This volume brings together leading scholars from Australia, Europe and North America to present and explore the Greek and Roman backdrop for Latin love elegy, the individual Latin love elegists (both the canonical and the non-canonical), their poems and influence on writers in later times. The book is designed as an accessible introduction for the general reader interested in Latin love elegy and the history of love and lament in Western literature, as well as a collection of critically stimulating essays for students and scholars of Latin poetry and of the classical tradition.
Publisher: Cambridge University Press
ISBN: 0521765366
Category : History
Languages : en
Pages : 455
Book Description
Latin love elegy is one of the most important poetic genres in the Augustan era, also known as the golden age of Roman literature. This volume brings together leading scholars from Australia, Europe and North America to present and explore the Greek and Roman backdrop for Latin love elegy, the individual Latin love elegists (both the canonical and the non-canonical), their poems and influence on writers in later times. The book is designed as an accessible introduction for the general reader interested in Latin love elegy and the history of love and lament in Western literature, as well as a collection of critically stimulating essays for students and scholars of Latin poetry and of the classical tradition.
Dream, Fantasy, and Visual Art in Roman Elegy
Author: Emma Scioli
Publisher: University of Wisconsin Pres
ISBN: 0299303845
Category : Art
Languages : en
Pages : 297
Book Description
The elegists, ancient Rome's most introspective poets, filled their works with vivid, first-person accounts of dreams. Emma Scioli examines these varied and visually striking textual dreamscapes, arguing that the poets exploited dynamics of visual representation to share with readers the intensely personal experience of dreaming.
Publisher: University of Wisconsin Pres
ISBN: 0299303845
Category : Art
Languages : en
Pages : 297
Book Description
The elegists, ancient Rome's most introspective poets, filled their works with vivid, first-person accounts of dreams. Emma Scioli examines these varied and visually striking textual dreamscapes, arguing that the poets exploited dynamics of visual representation to share with readers the intensely personal experience of dreaming.
Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s >Metamorphoses
Author: José Manuel Blanco Mayor
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110488655
Category : Literary Criticism
Languages : en
Pages : 380
Book Description
Conceived as a necessary reconsideration of the pristine "elegiac question" in Ovid’s Metamorphoses, this book intends to offer an analysis of the function of elegiac discourse within Ovid’s magnum opus from the perspective of metapoetics. To that end, the author undertakes, in the first section, a close re-reading of some relevant passages of Latin love elegy. From a prism that takes into account the characteristically elegiac multivocality, the genre reveals itself as an agonistic discourse in which the poet dramatises his metaliterary power-relation with the puella, who is unveiled as the synthesis of the distinct sub-products of his poetic activity. Thereupon, the author proceeds to scrutinise how elegiac elements are assimilated and transformed as they become integrated within the framework of Ovid’s poem of changing forms. Far from being a mere stylistic ornament, the presence of an elegiac register in many erotic passages tells us about Ovid’s stance towards love as a metapoetic trope. By reworking elegiac tradition to the point of transforming it into a novum corpus, the poet ultimately substantiates the mutability of generic categories.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110488655
Category : Literary Criticism
Languages : en
Pages : 380
Book Description
Conceived as a necessary reconsideration of the pristine "elegiac question" in Ovid’s Metamorphoses, this book intends to offer an analysis of the function of elegiac discourse within Ovid’s magnum opus from the perspective of metapoetics. To that end, the author undertakes, in the first section, a close re-reading of some relevant passages of Latin love elegy. From a prism that takes into account the characteristically elegiac multivocality, the genre reveals itself as an agonistic discourse in which the poet dramatises his metaliterary power-relation with the puella, who is unveiled as the synthesis of the distinct sub-products of his poetic activity. Thereupon, the author proceeds to scrutinise how elegiac elements are assimilated and transformed as they become integrated within the framework of Ovid’s poem of changing forms. Far from being a mere stylistic ornament, the presence of an elegiac register in many erotic passages tells us about Ovid’s stance towards love as a metapoetic trope. By reworking elegiac tradition to the point of transforming it into a novum corpus, the poet ultimately substantiates the mutability of generic categories.
Greek Myths in Roman Art and Culture
Author: Zahra Newby
Publisher: Cambridge University Press
ISBN: 1107072247
Category : Art
Languages : en
Pages : 409
Book Description
A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.
Publisher: Cambridge University Press
ISBN: 1107072247
Category : Art
Languages : en
Pages : 409
Book Description
A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.
The Roman Mistress
Author: Maria Wyke
Publisher: Oxford University Press, USA
ISBN: 0199228337
Category : History
Languages : en
Pages : 463
Book Description
From Latin love poetry's dominating and enslaving beloveds, to modern popular culture's infamous Cleopatras and Messalinas, representations of the Roman mistress (or the mistress of Romans) have brought into question both ancient and modern genders and political systems. The Roman Mistress explores representations of transgressive women in Latin love poetry and British television drama, in Roman historiography and nineteenth-century Italian anthropology, on classical coinage and college websites, as poetic metaphor and in the Hollywood star system. In a highly accessible style, the book makes an important and original contribution simultaneously to feminist scholarship on antiquity, the classical tradition, and cultural studies.
Publisher: Oxford University Press, USA
ISBN: 0199228337
Category : History
Languages : en
Pages : 463
Book Description
From Latin love poetry's dominating and enslaving beloveds, to modern popular culture's infamous Cleopatras and Messalinas, representations of the Roman mistress (or the mistress of Romans) have brought into question both ancient and modern genders and political systems. The Roman Mistress explores representations of transgressive women in Latin love poetry and British television drama, in Roman historiography and nineteenth-century Italian anthropology, on classical coinage and college websites, as poetic metaphor and in the Hollywood star system. In a highly accessible style, the book makes an important and original contribution simultaneously to feminist scholarship on antiquity, the classical tradition, and cultural studies.
Propertius: A Hellenistic Poet on Love and Death
Author: Theodore D. Papanghelis
Publisher: Cambridge University Press
ISBN: 0521323142
Category : History
Languages : en
Pages : 254
Book Description
The bond between love and death has long been recognised as a defining characteristic of the elegies of Propertius, but scholars have rarely clarified how or to what degree Propertius differed from other love poets in associating these themes. In this book, Dr Papanghelis traces the radical way in which Propertius dealt with amorous and morbid fantasies in his poems. He argues that the modes of erotic expression used in the elegies are fundamentally unconventional, to the point that the definitions of love and death are interdependent. This book offers a detailed reading of some of the most stimulating and problematic of Propertius' elegies, offering fresh insight on the question of the poet's sensuous temperament and the significance of the love-death relationship in his works.
Publisher: Cambridge University Press
ISBN: 0521323142
Category : History
Languages : en
Pages : 254
Book Description
The bond between love and death has long been recognised as a defining characteristic of the elegies of Propertius, but scholars have rarely clarified how or to what degree Propertius differed from other love poets in associating these themes. In this book, Dr Papanghelis traces the radical way in which Propertius dealt with amorous and morbid fantasies in his poems. He argues that the modes of erotic expression used in the elegies are fundamentally unconventional, to the point that the definitions of love and death are interdependent. This book offers a detailed reading of some of the most stimulating and problematic of Propertius' elegies, offering fresh insight on the question of the poet's sensuous temperament and the significance of the love-death relationship in his works.
Elegies
Author: Tibullus
Publisher: OUP Oxford
ISBN: 0191622249
Category : Poetry
Languages : en
Pages : 164
Book Description
'Delia, when flames engulf my bier you'll weep for me, and then you'll mix your kisses with sad tears.' Tibullus (?55-18 BC) was one of a group of poets known as the Latin elegists, whose number included Ovid and Propertius. Living in the age of Augustus, his poems reflect Augustan ideals, but they are above all notable for their emphasis on the personal, and for their subject-matter, love. Tibullus' elegies are addressed to two different mistresses, Delia and Nemesis, and a boy, Marathus. His pious and idealistic love for Delia is replaced by a more tortured affair with the cruel Nemesis, and the poet's elegies to Marathus give a broader perspective to his treatment of the subject. Anguish and betrayal characterize Tibullus' depiction of love's changing fortunes, in poetry that is passionate, vivid, and sometimes haunting. In this parallel text edition, A. M. Juster's eloquent translations are accompanied by an introduction and notes from Robert Maltby which discuss Tibullus' work in its literary and historical context. Together they demonstrate the achievements of this fine Roman poet. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Publisher: OUP Oxford
ISBN: 0191622249
Category : Poetry
Languages : en
Pages : 164
Book Description
'Delia, when flames engulf my bier you'll weep for me, and then you'll mix your kisses with sad tears.' Tibullus (?55-18 BC) was one of a group of poets known as the Latin elegists, whose number included Ovid and Propertius. Living in the age of Augustus, his poems reflect Augustan ideals, but they are above all notable for their emphasis on the personal, and for their subject-matter, love. Tibullus' elegies are addressed to two different mistresses, Delia and Nemesis, and a boy, Marathus. His pious and idealistic love for Delia is replaced by a more tortured affair with the cruel Nemesis, and the poet's elegies to Marathus give a broader perspective to his treatment of the subject. Anguish and betrayal characterize Tibullus' depiction of love's changing fortunes, in poetry that is passionate, vivid, and sometimes haunting. In this parallel text edition, A. M. Juster's eloquent translations are accompanied by an introduction and notes from Robert Maltby which discuss Tibullus' work in its literary and historical context. Together they demonstrate the achievements of this fine Roman poet. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Gendering Time in Augustan Love Elegy
Author: Hunter H. Gardner
Publisher: OUP Oxford
ISBN: 0191626236
Category : History
Languages : en
Pages : 296
Book Description
Gendering Time in Augustan Love Elegy examines how and why time appears to affect men and women differently in Latin love elegy. Considering the genre's brief flowering during the Augustan Principate, it aims to situate the elegies of Propertius, Tibullus, and Ovid in their social and political milieu. The volume argues that the imperatives of the new regime, which encouraged a younger generation of loyalists to participate in the machinery of government, placed temporal pressures on the elite male that shaped the amator's (poet-lover's) resistance to enter a course of civil service and prompted his withdrawal into the arms of a courtesan, and therefore unmarriageable, beloved. In the second part of the volume Gardner focuses on the divergent temporal experiences of the amator and his beloved courtesan-puella (girl) through the lens of 'women's time' (le temps des femmes) and the chora, as theorized by psycholinguist Julia Kristeva. Kristeva's model of feminine subjectivity, defined by repetition, cyclicality, and eternity, allows us to understand how the beloved's marginalization from the realm of historical time proves advantageous to her amator, wishing to defer his entrance into civic life. The antithesis between the properties of 'women's time' and the linear momentum that defines masculine subjectivity, moreover, demonstrates how 'women's time' ultimately thwarts the amator's often promised generic evolution.
Publisher: OUP Oxford
ISBN: 0191626236
Category : History
Languages : en
Pages : 296
Book Description
Gendering Time in Augustan Love Elegy examines how and why time appears to affect men and women differently in Latin love elegy. Considering the genre's brief flowering during the Augustan Principate, it aims to situate the elegies of Propertius, Tibullus, and Ovid in their social and political milieu. The volume argues that the imperatives of the new regime, which encouraged a younger generation of loyalists to participate in the machinery of government, placed temporal pressures on the elite male that shaped the amator's (poet-lover's) resistance to enter a course of civil service and prompted his withdrawal into the arms of a courtesan, and therefore unmarriageable, beloved. In the second part of the volume Gardner focuses on the divergent temporal experiences of the amator and his beloved courtesan-puella (girl) through the lens of 'women's time' (le temps des femmes) and the chora, as theorized by psycholinguist Julia Kristeva. Kristeva's model of feminine subjectivity, defined by repetition, cyclicality, and eternity, allows us to understand how the beloved's marginalization from the realm of historical time proves advantageous to her amator, wishing to defer his entrance into civic life. The antithesis between the properties of 'women's time' and the linear momentum that defines masculine subjectivity, moreover, demonstrates how 'women's time' ultimately thwarts the amator's often promised generic evolution.