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Author: Blanche Christine Olschak
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Author: Blanche Christine Olschak
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Get Book Here
Book Description
![Mystic Art of Ancient Tibet [by] Blanche Christine Olschak in Collaboration with Geshe Thupten Wangyal PDF](https://books.google.com/books/content/images/frontcover/5s7yzgEACAAJ?fife=w80-h100)
Author: Blanche Christine Olschak
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Berkeley Galleries (London, England)
Publisher:
ISBN:
Category : Art, Tibetan
Languages : en
Pages : 5
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Book Description
![Mystic Art of Ancient Tibet [by] Blanche Christine Olschak in Collaboration with Geshé Thupten Wangyal PDF](https://books.google.com/books/content/images/frontcover/suuSwgEACAAJ?fife=w80-h100)
Author: Blanche Christine Olschak
Publisher:
ISBN: 9780047090158
Category : Art, Tibetan
Languages : en
Pages : 224
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Book Description
Author: Marilyn M. Rhie
Publisher: Harry N. Abrams
ISBN: 9780810982048
Category : Art
Languages : en
Pages : 488
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Book Description
Illustrates, explains and celebrates 241 examples of Tibetan sacred art of the 9th to 12th centuries. The authors discuss the religious meaning and use of tangkas, Buddhist iconography and the aesthetics of tangka paintings, sculpture and mandalas.
Author: Glenn H. Mullin
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 184
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Book Description
Author: Steven Kossak
Publisher: Metropolitan Museum of Art
ISBN: 0870998625
Category : Art, Tibetan
Languages : en
Pages : 241
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Book Description
Accompanying an exhibition to be held in New York during late fall of 1998, Sacred Visions is a superbly illustrated volume of art works from the 11th to the mid-15th centuries which includes scholarly essays that relate to the paintings to be displayed.
Author: Detlef Ingo Lauf
Publisher: Shambhala Publications
ISBN:
Category : Art
Languages : en
Pages : 236
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Book Description
In the Tibetan highlands Buddhism flowered in the form known as Lamaism, and the presence of religious art in Tibet has been universal, extending even to remote and secluded regions. This comprehensive treatise examines this artistic heritage, aided by copious color plates and line drawings. The iconography of the great Buddhist masters and saints is presented and the mystic and revelatory functions of Tibetan religious art is elucidated.
Author: Lokesh Chandra
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
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Book Description
The rich artistic heritage of Tibet reveals the depths of meditations of great masters, translated into the majestic abundance of iconic symbols that take the form of three-dimensional images or two-dimensional thankas. Tibetan Art is a comprehensive introduction to the complex iconography of thankas. It provides a glimpse of the mindground of this art and the land where it flourished. Although Tibetan Art portrays the historic Buddha Sakyamuni, the arhats, spiritual masters, great lamas, and founders of different religious lineages, the preponderance of its images depict supramundane beings. Predominantly these are: the Buddhas, Bodhisattvas, female deities, protectors or tutelary gods (yi-dams), defenders of the faith, guardians of the four cardinal points, minor deities and supernatural beings.
Author: David Paul Jackson
Publisher: Austrian Academy of Sciences Press
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
The present book is a first attempt at exploring the sacred painting traditions of Tibet from the mid-15th through 20th centuries on the basis of both the surviving pictorial remains and the extensive written sources that survive in the Tibetan language. The study of this period of Tibetan art history has in effect been neglected in recent years in favor of the earliest periods. Yet the vast majority of extant masterpieces of Tibetan Buddhist painting belong to this more recent period, and the relevant written and pictorial resources now available, though they have never been fully utilized until now, are in fact quite rich. The present study attempts in the first place to identify the great founders of the main schools of Tibetan painting and to locate references to their surviving works of sacred art. Through recourse to the artists own writings, if available, to the biographies of their main patrons, and to other contemporaneous or nearly contemporaneous sources, it has been possible to clarify many of the circumstances of the careers of such famous Tibetan painters as sMan-bla-don-grub, mKhyen-brtse-chen-mo and Nam-mkha-bkra-shis, who were the founders of the sMan-ris, mKhyen-ris and Karma sgar-bris traditions, respectively. For the convenience of students and researchers, the book includes a survey of the main available Tibetan sources and studies, both traditional and modern, as well as a detailed summary of previous Western research on this subject. It also presents the texts and translations of the most important passages from the main traditional sources. This richly illustrated volume also includes detailed indices, and it will be an indispensable guide and reference work for anyone interested in Tibetan art.
