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Author: Haideh Ahmadzadeh
Publisher:
ISBN: 9781716892448
Category : Ballet dancers
Languages : en
Pages : 326
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Book Description
Born in Tehran in 1930 into a mixed family of a Tartar mother and an Azerbayjani father, Haideh Ahmadzadeh started dancing at the age of seven in a country that was struggling to keep up with modern times. Dancing for girls was not an accepted or desirable occupation. Her love of dance made her overcome many obstacles and with the approval and backing of her mother and later her husband Nejad, she got to the top of her profession. With a great deal of hard work, discipline and drive, Haideh and Nejad founded a Ballet Academy, Iranian National Ballet Company and Iranian Folk Dance, Music and Song Group. They performed regularly for State guests at home and abroad, their travels wrought with a great deal of incident and adventure. When the Islamic Revolution put a stop to all artistic activities in Iran, Haideh and Nejad had to leave a lifetime's work behind and seek new adventures in the West.
Author: Haideh Ahmadzadeh
Publisher:
ISBN: 9781716892448
Category : Ballet dancers
Languages : en
Pages : 326
Get Book Here
Book Description
Born in Tehran in 1930 into a mixed family of a Tartar mother and an Azerbayjani father, Haideh Ahmadzadeh started dancing at the age of seven in a country that was struggling to keep up with modern times. Dancing for girls was not an accepted or desirable occupation. Her love of dance made her overcome many obstacles and with the approval and backing of her mother and later her husband Nejad, she got to the top of her profession. With a great deal of hard work, discipline and drive, Haideh and Nejad founded a Ballet Academy, Iranian National Ballet Company and Iranian Folk Dance, Music and Song Group. They performed regularly for State guests at home and abroad, their travels wrought with a great deal of incident and adventure. When the Islamic Revolution put a stop to all artistic activities in Iran, Haideh and Nejad had to leave a lifetime's work behind and seek new adventures in the West.
Author: Ida Meftahi
Publisher: Routledge
ISBN: 1317620615
Category : History
Languages : en
Pages : 276
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Book Description
Gender and Dance in Modern Iran: Biopolitics on Stage investigates the ways dancing bodies have been providing evidence for competing representations of modernity, urbanism, and religiosity across the twentieth century. Focusing on the transformation of the staged dancing body, its space of performance, and spectatorial cultural ideology, this book traces the dancing body in multiple milieus of performance, including the Pahlavi era’s national artistic scene and the popular café and cabaret stages, as well as the commercial cinematic screen and the post-revolutionary Islamized theatrical stage. It links the socio-political discourses on performance with the staged public dancer, in order to interrogate the formation of dominant categories of "modern," "high," and "artistic," and the subsequent "othering" of cultural realms that were discursively peripheralized from the "national" stage. Through the study of archival and ethnographic research as well as a diverse literature pertaining to music, theater, cinema, and popular culture, it combines a close reading of primary sources such as official documents, press materials, and program notes with visual analysis of filmic materials and imageries, as well as interviews with practitioners. It offers an original and informed exploration into the ways performing bodies and their public have been associated with binary notions of vice and virtue, morality and immorality, commitment and degeneration, chastity and eroticism, and veiled-ness and nakedness. Engaging with a range of methodological and historiographical methods, including postcolonial, performance, and feminist studies, this book is a valuable resource for students and scholars of Middle East history and Iranian studies, as well as gender studies and dance and performance studies.
Author: Mary Ellen Snodgrass
Publisher: Rowman & Littlefield
ISBN: 1442245263
Category : Performing Arts
Languages : en
Pages : 421
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Book Description
Throughout the centuries, ballet has had a rich and ever-evolving role in the humanities. Renowned choreographers, composers, and performers have contributed to this unique art form, staging enduring works of beauty. Significant productions by major companies embrace innovations and adaptations, enabling ballet to thrive and delight audiences all over the globe. In The Encyclopedia of World Ballet,Mary Ellen Snodgrass surveys the emergence of ballet from ancient Asian models to the present, providing overviews of rhythmic movement as a subject of art, photography, and cinema. Entries in this volume reveal the nature and purpose of ballet, detailing specifics about leaders in classic design and style, influential costumers and companies, and trends in technique, partnering, variation, and liturgical execution. This reference covers: Choreographers Composers Costumers Dance companies Dancers Productions Set designers Techniques Terminology Among the principal figures included here are Alvin Ailey, Afrasiyab Badalbeyli, George Balanchine, Mikhail Baryshnikov, Pierre Beauchamp, Sergei Diaghilev, Agnes DeMille, Nacho Duato, Isadora Duncan, Boris Eifman, Mats Ek, Erté, Martha Graham, Inigo Jones, Louis XIV, Amalia Hernández Navarro, Rudolf Nureyev, Marius Petipa, Jerome Robbins, Twyla Tharp, and Agrippina Vaganova. This work also features dance companies from the Americas, Australia, China, Cuba, Egypt, Iran, Korea, New Zealand, Russia, South Africa, and Vietnam. Productions include such universal narrative favorites as Coppélia, The Nutcracker, The Sleeping Beauty, Scheherazade, Firebird, and Swan Lake. Featuring a chronology that identifies key events and figures, this volume highlights significant developments in stage presentations over the centuries. The Encyclopedia of World Ballet will serve general readers, dance instructors, and enthusiasts from middle school through college as well as professional coaches and performers, troupe directors, journalists, and historians of the arts.
Author: Elaheh Hatami
Publisher: transcript Verlag
ISBN: 3839460808
Category : Performing Arts
Languages : en
Pages : 203
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Book Description
This book is a critical study of Iranian dance and the works of Iranian-American female dancers in exile. Focusing on the study of contemporary Iranian dance through analysis of the choreographies of three female dancers in diaspora (namely Aisan Hoss, Shahrzad Khorsandi, and Banafsheh Sayyad), this research is among the first of its kind. Elaheh Hatami investigates the transformation of professional Iranian dance and discusses the role of relocation and displacement in its performance. She argues that Iranian dance and Iranian female dancers have always been in exile - not only in a physical sense, but also in the metaphorical sense of ›exile‹ implying foreignness, exclusion, and marginalization.
Author: Anthony Shay
Publisher: Oxford University Press
ISBN: 0190493933
Category : Performing Arts
Languages : en
Pages : 1307
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Book Description
Dance intersects with ethnicity in a powerful variety of ways and at a broad set of venues. Dance practices and attitudes about ethnicity have sometimes been the source of outright discord, as when African Americans were - and sometimes still are - told that their bodies are 'not right' for ballet, when Anglo Americans painted their faces black to perform in minstrel shows, when 19th century Christian missionaries banned the performance of particular native dance traditions throughout much of Polynesia, and when the Spanish conquistadors and church officials banned sacred Aztec dance rituals. More recently, dance performances became a locus of ethnic disunity in the former Yugoslavia as the Serbs of Bosnia attended dance concerts but only applauded for the Serbian dances, presaging the violent disintegration of that failed state. The Oxford Handbook of Dance and Ethnicity brings together scholars from across the globe in an investigation of what it means to define oneself in an ethnic category and how this category is performed and represented by dance as an ethnicity. Newly-commissioned for the volume, the chapters of the book place a reflective lens on dance and its context to examine the role of dance as performed embodiment of the historical moments and associated lived identities. In bringing modern dance and ballet into the conversation alongside forms more often considered ethnic, the chapters ask the reader to contemplate previous categories of folk, ethnic, classical, and modern. From this standpoint, the book considers how dance maintains, challenges, resists or in some cases evolves new forms of identity based on prior categories. Ultimately, the goal of the book is to acknowledge the depth of research that has been undertaken and to promote continued research and conceptualization of dance and its role in the creation of ethnicity. Dance and ethnicity is an increasingly active area of scholarly inquiry in dance studies and ethnomusicology alike and the need is great for serious scholarship to shape the contours of these debates. The Oxford Handbook of Dance and Ethnicity provides an authoritative and up-to-date survey of original research from leading experts which will set the tone for future scholarly conversation.
Author: Kathleen Menzie Lesko
Publisher: McFarland
ISBN: 1476666946
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
International vaudeville star and Broadway prima ballerina Jeanne Devereaux performed for millions across America and Europe from age eleven until her retirement at forty. A headliner at Radio City Music Hall, she led a large group of performers on one of the first USO Camp Shows tours to Japan. Born Jean Helman, she entered showbiz as a dancing trouper performing in palatial theaters and was one of the last vaudevillians surviving into the 2010s. In her later years living in Pasadena, California, Devereaux indulged her passion for research and writing in the Huntington Library's Rothenberg Reading Room, losing none of her intelligence and wit despite a fading memory. Drawing on personal interviews, theatrical programs, and her diary and letters, this biography illuminates the life and career of one of vaudeville's stars of stage, film, and television.
Author: Maya Plisetskaya
Publisher: Yale University Press
ISBN: 0300130716
Category : Music
Languages : en
Pages : 404
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Book Description
divdivMaya Plisetskaya, one of the world’s foremost dancers, rose to become a prima ballerina of Moscow’s Bolshoi Ballet after an early life filled with tragedy and loss. In this spirited memoir, Plisetskaya reflects on her personal and professional odyssey, presenting a unique view of the life of a Soviet artist during the troubled period from the late 1930s to the 1990s. Plisetskaya recounts the execution of her father in the Great Terror and her mother’s exile to the Gulag. She describes her admission to the Bolshoi in 1943, the roles she performed there, and the endless petty harassments she endured, from both envious colleagues and Party officials. Refused permission for six years to tour with the company, Plisetskaya eventually performed all over the world, working with such noted choreographers as Roland Petit and Maurice Béjart. She recounts the tumultuous events she lived through and the fascinating people she met—among them the legendary ballet teacher Agrippina Vaganova, George Balanchine, Frank Sinatra, Rudolf Nureyev, and Dmitri Shostakovich. And she provides fascinating details about testy cocktail-party encounters with Khrushchev, tours abroad when her meager per diem allowance brought her close to starvation, and KGB plots to capitalize on her friendship with Robert Kennedy. Gifted, courageous, and brutally honest, Plisetskaya brilliantly illuminates the world of Soviet ballet during an era that encompasses both repression and cultural détente. Still prima ballerina assoluta with the Bolshoi Ballet, Maya Plisetskaya also travels around the world performing and lecturing. At the Bolshoi’s gala celebrating her 75th birthday, President Vladimir Putin presented her with Russia’s highest civilian honor, the medal for service to the Russian state, second degree. Tim Scholl is professor of Russian language and literature at Oberlin College. Antonina W. Bouis is the prize-winning translator of more than fifty books, including fiction, nonfiction, and memoirs by such figures as Andrei Sakharov, Elena Bonner, and Dmitri Shostakovich. /DIV/DIV
Author: Teri Wilson
Publisher: Harlequin
ISBN: 1488013985
Category : Fiction
Languages : en
Pages : 132
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Book Description
A jewelry empire CEO falls for a simple salesgirl who was once in the spotlight in this sparkling romance from the USA Today–bestselling author. Debonair Artem Drake has had tongues wagging all over New York since he became surprise CEO of Drake Diamonds. This playboy hopes to bring new life to the storied old business before those rumored bad investments sink the family ship. He’s even plucked an ambitious salesgirl out of the shadows to become the store’s new star designer. But Ophelia Rose isn’t the ingenue she seems. The swanlike beauty’s hiding a past that glimmers as bright as a Drake diamond—she once graced the stage as a professional ballerina . . . until she was forced to take her final curtsy and hide from the limelight. Now can Artem bring her back to center stage? Or will their glittering future together wither under the secrets of the past?
Author: Charles Spencer
Publisher: London : Academy Editions
ISBN:
Category : Bakst, Leon
Languages : en
Pages : 256
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Book Description
Author: Rachel Morley
Publisher: Bloomsbury Publishing
ISBN: 1786730588
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language."
