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Author: Watt M. Casey
Publisher: Texas A&M University Press
ISBN: 162349558X
Category : Photography
Languages : en
Pages : 150
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Book Description
The evening of May 10, 1970, found a young Watt M. Casey Jr. standing awestruck, only a few feet from Jimi Hendrix as the legendary guitarist tore into his unique arrangement of “The Star-Spangled Banner” on the stage of San Antonio’s Hemisphere Arena during the Texas leg of his Cry of Love Tour. Bemoaning the fact that he had no camera to document the amazing experience or the visionary musicians creating it, Watt promised himself that he would make up for his oversight in the weeks and years to come. Little did he realize at the time that Hendrix had less than five months to live. Casey made good on his resolution, and My Guitar Is a Camera provides the evidence. With a foreword by Steve Miller, this rich visual history of the vibrant live music scene in Austin and beyond during the 1970s and early 1980s allows Casey’s lens to reveal both the stage, awash in spotlights and crowd noise, and the more intimate backstage moments, where entertainers hold forth to interviewers and friends. As Outlaw Country’s cosmic cowboys mixed with East Coast rockers, Chicago bluesmen, and West Coast hippies, Watt Casey roamed at will, capturing the people, places, and happenings that blended to foster Austin’s emerging reputation as “Live Music Capital of the World.”
Author: Watt M. Casey
Publisher: Texas A&M University Press
ISBN: 162349558X
Category : Photography
Languages : en
Pages : 150
Get Book Here
Book Description
The evening of May 10, 1970, found a young Watt M. Casey Jr. standing awestruck, only a few feet from Jimi Hendrix as the legendary guitarist tore into his unique arrangement of “The Star-Spangled Banner” on the stage of San Antonio’s Hemisphere Arena during the Texas leg of his Cry of Love Tour. Bemoaning the fact that he had no camera to document the amazing experience or the visionary musicians creating it, Watt promised himself that he would make up for his oversight in the weeks and years to come. Little did he realize at the time that Hendrix had less than five months to live. Casey made good on his resolution, and My Guitar Is a Camera provides the evidence. With a foreword by Steve Miller, this rich visual history of the vibrant live music scene in Austin and beyond during the 1970s and early 1980s allows Casey’s lens to reveal both the stage, awash in spotlights and crowd noise, and the more intimate backstage moments, where entertainers hold forth to interviewers and friends. As Outlaw Country’s cosmic cowboys mixed with East Coast rockers, Chicago bluesmen, and West Coast hippies, Watt Casey roamed at will, capturing the people, places, and happenings that blended to foster Austin’s emerging reputation as “Live Music Capital of the World.”
Author: Eric Harvey
Publisher: University of Texas Press
ISBN: 1477323953
Category : Music
Languages : en
Pages : 358
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Book Description
Reality first appeared in the late 1980s—in the sense not of real life but rather of the TV entertainment genre inaugurated by shows such as Cops and America’s Most Wanted; the daytime gabfests of Geraldo, Oprah, and Donahue; and the tabloid news of A Current Affair. In a bracing work of cultural criticism, Eric Harvey argues that reality TV emerged in dialog with another kind of entertainment that served as its foil while borrowing its techniques: gangsta rap. Or, as legendary performers Ice Cube and Ice-T called it, “reality rap.” Reality rap and reality TV were components of a cultural revolution that redefined popular entertainment as a truth-telling medium. Reality entertainment borrowed journalistic tropes but was undiluted by the caveats and context that journalism demanded. While N.W.A.’s “Fuck tha Police” countered Cops’ vision of Black lives in America, the reality rappers who emerged in that group’s wake, such as Snoop Doggy Dogg and Tupac Shakur, embraced reality’s visceral tabloid sensationalism, using the media's obsession with Black criminality to collapse the distinction between image and truth. Reality TV and reality rap nurtured the world we live in now, where politics and basic facts don’t feel real until they have been translated into mass-mediated entertainment.
Author: David duChemin
Publisher: Rocky Nook, Inc.
ISBN: 1681982048
Category : Photography
Languages : en
Pages : 246
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Book Description
As both an art form and a universal language, the photograph has an extraordinary ability to connect and communicate with others. But with over one trillion photos taken each year, why do so few of them truly connect? Why do so few of them grab our emotions or our imaginations? It is not because the images lack focus or proper exposure; with advances in technology, the camera does that so well these days. Photographer David duChemin believes the majority of our images fall short because they lack soul. And without soul, the images have no ability to resonate with others. They simply cannot connect with the viewer, or even—if we’re being truthful—with ourselves. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Avenir Next'} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px 'Avenir Next'; min-height: 16.0px}
In The Soul of the Camera: The Photographer’s Place in Picture-Making, David explores what it means to make better photographs. Illustrated with a collection of beautiful black-and-white images, the book’s essays address topics such as craft, mastery, vision, audience, discipline, story, and authenticity. The Soul of the Camera is a personal and deeply pragmatic book that quietly yet forcefully challenges the idea that our cameras, lenses, and settings are anything more than dumb and mute tools. It is the photographer, not the camera, that can and must learn to make better photographs—photographs that convey our vision, connect with others, and, at their core, contain our humanity. The Soul of the Camera helps us do that.
Author: Justin Sandercoe
Publisher: Music Sales
ISBN: 9781785583698
Category : Music
Languages : en
Pages : 0
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Book Description
(Music Sales America). This book has been specially created for any guitarist who wants to learn note reading, be they beginners or more advanced players who have neglected this part of their musicianship. It starts with the very basics of written music and progressively introduces notes on each string one at a time until all notes in the "open position" (first five frets) of the guitar have been mastered, and up to 8th note rhythm subdivisions have been learned and applied. Also covered are sharps, flats, key signatures, accidentals, repeats and more. Each step includes practical exercises, handy tips and tricks and a simple repertoire for students to put their reading skills into practice. Spiral open so it lays flat no matter what page you're on.
Author: Stephen Arnold (Composer)
Publisher: Brown Books
ISBN: 9781612547954
Category : Guitar
Languages : en
Pages : 120
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Book Description
A Story of Six Strings brings into sharp relief the intersection between Arnold's lifelong passion for music and Fritchie's keen eye for breathtaking photography. Set against some of the most majestic landscapes in America are guitars that range from a 1959 Sears Silvertone Acoustic to an 1840 Parlor Guitar handmade by Nicholas Henry in France, a 1994 Ibanez "Iceman" signed by Paul Stanley of KISS, and a 2008 Gold Tone Resophonic. The love is clear after all, who really has their first guitar?
Author: Bobby of the Teemates
Publisher: Xlibris Corporation
ISBN: 1456887092
Category : Biography & Autobiography
Languages : en
Pages : 239
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Book Description
A RECOVERY HISTORY AND ROCK N ROLL BOOK ALL ROLLED INTO ONE It just may just be the Book Baby boomers have been waiting for. This self published semi Historical/ Biography contains elements of the past Sixty years many will feel has taken them back in time. It is the story of a impoverished child who finds Rock n Roll at the age of 14 in 1955. Six years later he is at the height of the Sixties Music Scene on the East Coast. As a Rock n Roll Musician in those years he discovers the true psychic nature of the stirrings of his soul during a stay in the legendary Greenwich Village of the early Sixties. While there he becomes familiar with all the soon to be legends including Bob Dylan. One year later he associates with other soon to be legends including Jimi James Hendrix, The Animals while backing up some of the largest recording acts in the world including Jerry Lee Lewis, The Ronnettes, Shangri-Las-Others. His band the Teemates were the FIRST and foremost exact look and sound alike of the Beatles and the electrifying performances drew huge numbers of screaming girls at their Concerts Soon he and his band are the House band for the legendary Sixties Disc Jockey Scot Muni at Scots entry into the Nightclub business which opened in 1965 called The Rolling Stone Disco. From there the band became the Matinee House band at the legendary Big Band Dixie land nightclub on Broadway called The Metropole Cafe. Within months an LP is released (Which is still in demand today) Sadly he also discovers that with all of its pomp and glory being a musician in those days the subtle risks involved carry a deadly trait as well. Within the rapidly passing years of time his addiction to alcohol soon took its toll until he no longer had any idea of who he was or where to go. But he did find recovery from his addictions. Only to realize that years would be required to undo the damage of a severely damaged emotional state of being.In summary a great many will discover his experience of repairing that damage is available for anyone willing to follow his lead.
Author: Jenny Arnesen
Publisher: Xlibris Corporation
ISBN: 1453587160
Category : Fiction
Languages : en
Pages : 465
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Book Description
Author: Toby Knowles
Publisher:
ISBN: 9781783052516
Category :
Languages : en
Pages : 174
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Book Description
Author: Alan Paul
Publisher: St. Martin's Press
ISBN: 1250142849
Category : Biography & Autobiography
Languages : en
Pages : 415
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Book Description
An instant New York Times bestseller! The definitive biography of guitar legend Stevie Ray Vaughan, with an epilogue by Jimmie Vaughan, and foreword and afterword by Double Trouble’s Chris Layton and Tommy Shannon. Just a few years after he almost died from a severe addiction to cocaine and alcohol, a clean and sober Stevie Ray Vaughan was riding high. His last album was his most critically lauded and commercially successful. He had fulfilled a lifelong dream by collaborating with his first and greatest musical hero, his brother Jimmie. His tumultuous marriage was over and he was in a new and healthy romantic relationship. Vaughan seemed poised for a new, limitless chapter of his life and career. Instead, it all came to a shocking and sudden end on August 27, 1990, when he was killed in a helicopter crash following a dynamic performance with Eric Clapton. Just 35 years old, he left behind a powerful musical legacy and an endless stream of What Ifs. In the ensuing 29 years, Vaughan’s legend and acclaim have only grown and he is now an undisputed international musical icon. Despite the cinematic scope of Vaughan’s life and death, there has never been a truly proper accounting of his story. Until now. Texas Flood provides the unadulterated truth about Stevie Ray Vaughan from those who knew him best: his brother Jimmie, his Double Trouble bandmates Tommy Shannon, Chris Layton and Reese Wynans, and many other close friends, family members, girlfriends, fellow musicians, managers and crew members.
Author: Philip Steadman
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238
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Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
