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Author: Marsden Hartley
Publisher: Univ of South Carolina Press
ISBN: 9781570034787
Category : Art
Languages : en
Pages : 276
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Book Description
His glory in Germany turns solemn with the onset of World War I and the death in combat of his close friend, a German officer named Karl von Freyburg - a loss vividly depicted in Hartley's renowned war motif paintings.".
Author: Marsden Hartley
Publisher: Univ of South Carolina Press
ISBN: 9781570034787
Category : Art
Languages : en
Pages : 276
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Book Description
His glory in Germany turns solemn with the onset of World War I and the death in combat of his close friend, a German officer named Karl von Freyburg - a loss vividly depicted in Hartley's renowned war motif paintings.".
Author: Sarah Greenough
Publisher: Yale University Press
ISBN: 0300166303
Category : Literary Collections
Languages : en
Pages : 834
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Book Description
Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.
Author: Marius de Zayas
Publisher: MIT Press
ISBN: 9780262540964
Category : Architecture
Languages : en
Pages : 284
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Book Description
Marius de Zayas (1880-1961), a Mexican artist and writer whose witty caricatures of New York's theater, dance, and social elite brought him to the attention of Alfred Stieglitz and his circle at "291," was among the most dedicated and effective propagandists of modern art during the early years of this century. His writings were the first to provide the American public with an intellectual basis upon which to understand and eventually appreciate the newest artistic developments. How, When, and Why Modern Art Came to New York, originally written in the 1940s, is a fascinating chronicle assembled from de Zayas's personal archive of photographs and from newspaper reviews of the exhibitions he discusses, beginning with those held at the Stieglitz gallery and including important shows mounted in his own galleries: the Modern Gallery (1915-1918) and the De Zayas Gallery (1919-1921)
Author: Jeffrey Schneider
Publisher: University of Toronto Press
ISBN: 1487549628
Category : History
Languages : en
Pages : 280
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Book Description
Starting in the nineteenth century in Germany, colourful military uniforms became a locus for various queer male fantasies, fostering an underground sexual economy of male prostitution as well as a political project to exploit the army’s prestige for queer emancipation. In the first decade of the twentieth century, however, a series of scandals derailed this emancipatory project. Simultaneously, public debates began to invoke homosexuality, sadism, transvestism, and other sexological concepts to criticize military policies and practices. In pursuing the threads with which queer authors and activists stitched their fantasies about uniforms, Jeffrey Schneider offers fresh perspectives on key debates over military secrecy, disciplinary abuses in the army, and German militarism. Drawing on a vast trove of materials ranging from sexological case studies, trial transcripts, and parliamentary debates to queer activist tracts, autobiographies, and literary texts, Uniform Fantasies uncovers a particularly modern set of concerns about such topics as outing closeted homosexuals, the presence of gay men in the military, and whether men in uniform are more masculine or more insecure about their sexual identity.
Author: David M. Lubin
Publisher: Oxford University Press
ISBN: 0190218630
Category : Art
Languages : en
Pages : 380
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Book Description
A vivid, engaging account of the artists and artworks that sought to make sense of America's first total war, Grand Illusions takes readers on a compelling journey through the major historical events leading up to and beyond US involvement in WWI to discover the vast and pervasive influence of the conflict on American visual culture. David M. Lubin presents a highly original examination of the era's fine arts and entertainment to show how they ranged from patriotic idealism to profound disillusionment. In stylishly written chapters, Lubin assesses the war's impact on two dozen painters, designers, photographers, and filmmakers from 1914 to 1933. He considers well-known figures such as Marcel Duchamp, John Singer Sargent, D. W. Griffith, and the African American outsider artist Horace Pippin while resurrecting forgotten artists such as the mask-maker Anna Coleman Ladd, the sculptor Gertrude Vanderbilt Whitney, and the combat artist Claggett Wilson. The book is liberally furnished with illustrations from epoch-defining posters, paintings, photographs, and films. Armed with rich cultural-historical details and an interdisciplinary narrative approach, David Lubin creatively upends traditional understandings of the Great War's effects on the visual arts in America.
Author: United States. Congress. Senate. Committee on the Judiciary
Publisher:
ISBN:
Category :
Languages : en
Pages : 1662
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Book Description
Author: Philip Mansel
Publisher: Yale University Press
ISBN: 9780300106978
Category : History
Languages : en
Pages : 272
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Book Description
Throughout history rulers have used clothes as a form of legitimization and propaganda. While palaces, pictures, and jewels might reflect the choice of a monarch’s predecessors or advisers, clothes reflected the preferences of the monarch himself. Being both personal and visible, the right costume at the right time could transform and define a monarch’s reputation. Many royal leaders have known this, from Louis XIV to Catherine the Great and from Napoleon I to Princess Diana. This intriguing book explores how rulers have sought to control their image through their appearance. Mansel shows how individual styles of dress throw light on the personalities of particular monarchs, on their court system, and on their ambitions. The book looks also at the economics of the costume industry, at patronage, at the etiquette involved in mourning dress, and at the act of dressing itself. Fascinating glimpses into the lives of European monarchs and contemporary potentates reveal the intimate connection between power and the way it is packaged.
Author: Donna Cassidy
Publisher: UPNE
ISBN: 9781584654469
Category : Art
Languages : en
Pages : 442
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Book Description
A provocative new reading of the great American avant-garde arist Marsden Hartley's late work.
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 676
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Book Description
Author: Donna M. Cassidy
Publisher: Metropolitan Museum of Art
ISBN: 1588396134
Category : Art
Languages : en
Pages : 186
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Book Description
Marsden Hartley had a lifelong personal and aesthetic engagement with Maine, where he was born in 1877 and where he died at age sixty-six. As an important member of the artistic circle promoted by Alfred Stieglitz, Hartley began his career by painting the mountains of western Maine. He subsequently led a peripatetic life, traveling throughout Europe and North America and only occasionally visiting his native state. By midlife, however, his itinerant existence had taken an emotional toll, and he confided to Stieglitz that he wanted “so earnestly a ‘place’ to be.” Finally returning to the state in his later years, he transformed his identity from urbane sophisticate to “the painter from Maine.” But while Maine has played a clear and defining role in Hartley’s art, not until now has this relationship been studied with the breadth and richness it warrants. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Marsden Hartley’s Maine is the first in-depth discussion of Hartley’s complex and shifting relationship to his native state. Illustrated with works from throughout the painter’s career, it provides a nuanced understanding of Hartley’s artistic range, from the exhilarating Post-Impressionist landscapes of his early years to the late, roughly rendered paintings of Maine and its people. The absorbing essays examine Hartley’s view of Maine as a place of light and darkness whose spirit imbued his art, which encompassed buoyant coastal views, mournful mountain vistas, and portraits of Mainers. An illustrated chronology provides an overview of Hartley’s life, juxtaposing major personal incidents with concurrent events in Maine’s history. For Hartley, who was strongly influenced by such artists as Paul Cézanne, Winslow Homer, and Albert Pinkham Ryder, Maine was an enduring source of inspiration, one powerfully intertwined with his past, his cultural milieu, and his desire to create a regional expression of American modernism.
