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Author: Boris Gasparov
Publisher: Yale University Press
ISBN: 0300133162
Category : Music
Languages : en
Pages : 292
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Book Description
In this eagerly anticipated book, Boris Gasparov gazes through the lens of music to find an unusual perspective on Russian cultural and literary history. He discusses six major works of Russian music from the nineteenth and twentieth centuries, showing the interplay of musical texts with their literary and historical sources within the ideological and cultural contexts of their times. Each musical work becomes a tableau representing a moment in Russian history, and together the works form a coherent story of ideological and aesthetic trends as they evolved in Russia from the time of Pushkin to the rise of totalitarianism in the 1930s. Gasparov discusses Glinka’s Ruslan and Ludmilla (1842), Mussorgsky’s Boris Godunov (1871) and Khovanshchina (1881), Tchaikovsky’s Eugene Onegin (1878) and The Queen of Spades (1890), and Shostakovich’s Fourth Symphony (1934). Offering new interpretations to enhance our understanding and appreciation of these important works, Gasparov also demonstrates how Russian music and cultural history illuminate one another.
Author: Boris Gasparov
Publisher: Yale University Press
ISBN: 0300133162
Category : Music
Languages : en
Pages : 292
Get Book Here
Book Description
In this eagerly anticipated book, Boris Gasparov gazes through the lens of music to find an unusual perspective on Russian cultural and literary history. He discusses six major works of Russian music from the nineteenth and twentieth centuries, showing the interplay of musical texts with their literary and historical sources within the ideological and cultural contexts of their times. Each musical work becomes a tableau representing a moment in Russian history, and together the works form a coherent story of ideological and aesthetic trends as they evolved in Russia from the time of Pushkin to the rise of totalitarianism in the 1930s. Gasparov discusses Glinka’s Ruslan and Ludmilla (1842), Mussorgsky’s Boris Godunov (1871) and Khovanshchina (1881), Tchaikovsky’s Eugene Onegin (1878) and The Queen of Spades (1890), and Shostakovich’s Fourth Symphony (1934). Offering new interpretations to enhance our understanding and appreciation of these important works, Gasparov also demonstrates how Russian music and cultural history illuminate one another.
Author: David Brown
Publisher: Oxford University Press, USA
ISBN: 9780198165873
Category : Biography & Autobiography
Languages : en
Pages : 436
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Book Description
When the inspiration was upon him, he could apply himself with superhuman intensity, as he did when composing the initial version of Boris Godunov. Sadly, Musorgsky deteriorated in his final years, suffering periods of inner turmoil, when his alcoholism would be out of control. Finally, unemployed and all but destitute, he died at age forty-two. His failure to complete his two remaining operas, Khovanshchina and Sorochintsy Fair, Brown concludes, is one of music's greatest tragedies."--BOOK JACKET.
Author: Alexander Pushkin
Publisher: Vintage
ISBN: 0593467574
Category : Drama
Languages : en
Pages : 305
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Book Description
The award-winning translators bring us the complete plays of the most acclaimed Russian writer of the Romantic era. Known as the father of Russian literature, Alexander Pushkin was celebrated for his dramas as well as his poetry and stories. His most famous play is Boris Godunov (later adapted into a popular opera by Mussorgsky), a tale of ambition and murder centered on the sixteenth-century Tsar who preceded the Romanovs. Pushkin was inspired by the example of Shakespeare to create this panoramic drama, with its richly varied cast of characters and artful blend of comic and tragic scenes. Pushkin’s shorter forays into verse drama include The Water Nymph, A Scene from Faust, and the four brief plays known as the Little Tragedies: The Miserly Knight, set in medieval France; Mozart and Salieri, which inspired the popular film Amadeus; The Stone Guest, a tale of Don Juan in Madrid; and A Feast in a Time of Plague, in which a group of revelers defy quarantine in plague-ridden London. These new translations of the complete plays, from the award-winning translators Richard Pevear and Larissa Volokhonsky, freshly reveal the range of Pushkin’s enduring artistry.
Author: Michael Russ
Publisher: Cambridge University Press
ISBN: 9780521386074
Category : Music
Languages : en
Pages : 124
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Book Description
Publisher Description
Author: James Bakst
Publisher: Praeger
ISBN:
Category : Music
Languages : en
Pages : 440
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Book Description
Author: Oliver Daniel
Publisher: New York : Dodd, Mead & Company
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 1124
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Book Description
Daniel, long time associate and friend unfolds "Stoki's" extraordinary career, spanning more than 75 years of music-making. The story of this conductor's involvement with the musical institutions of this century, his vigor, productivity and vision, is closely entwined with the history of music in America. Though there were many facets to Stokowski's personality, including his vanity, showmanship, and love of publicity, Daniel reminds us that behind the glamour and headlines, Stokowski's contribution to music was profound and of lasting importance. The author's style is anecdotal, relying on extensive quotations from memoirs, correspondence and especially personal interviews. ISBN 0-396-07936-9.
Author: Charles Osborne
Publisher: Yale University Press
ISBN: 9780300123739
Category : Music
Languages : en
Pages : 648
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Book Description
Written by a well-known authority, this book consists of 175 entries that set some of the most popular operas within the context of their composer's career, outline the plot, discuss the music, and more.
Author: Modest Mussorgsky
Publisher: Alma Books
ISBN: 0714544981
Category : Music
Languages : en
Pages : 115
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Book Description
This famous work has had a chequered performance history, and Professor Laurel E. Fay points out that the interpretation of the opera depends on which edition is used. Robert Oldani introduces the "e;Boris problem"e;: Pushkin's play was not an obvious choice for a young composer, since it had been banned for forty years, and it is the Russian people, rather than any single character, who is the protagonist. Alex de Jonge examines its uniquely Russian character and notes the unsettling parallels of the history of old Russia with today. Nigel Osborne's comparison of the Rimsky-Korsakov and Mussorgsky versions highlights their individual qualities.Contents: Looking into 'Boris Godunov', Robert W. Oldani; A Historical Introduction, Nicholas John; The Drama and Music of 'Boris', Laurel E. Fay; Around 'Boris Godunov', Alex de Jonge; Boris: prince or peasant?, Nigel Osborne; Boris Godunov: Russian libretto (transliterated), Modest Mussorgsky; Boris Godunov: English translation by David Lloyd-Jones
Author: David Brown
Publisher: Oxford University Press
ISBN: 0199772924
Category : Biography & Autobiography
Languages : en
Pages : 411
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Book Description
Modest Musorgsky was one of the towering figures of nineteenth-century Russian music. Now, in this new volume in the Master Musicians series, David Brown gives us the first life-and-works study of Musorgsky to appear in English for over a half century. Indeed, this is the largest such study of Musorgsky to have appeared outside Russia. Brown shows how Musorgsky, though essentially an amateur with no systematic training in composition, emerged in his first opera, Boris Godunov, as a supreme musical dramatist. Indeed, in this opera, and in certain of his piano pieces in Pictures at an Exhibition, Musorgsky produced some of the most startlingly novel music of the whole nineteenth century. He was also one of the most original of all song composers, with a prodigious gift for uncovering the emotional content of a text. As Brown illuminates Musorgsky's work, he also paints a detailed portrait of the composer's life. He describes how, unlike the systematic and disciplined Tchaikovsky, Musorgsky was a fitful composer. When the inspiration was upon him, he could apply himself with superhuman intensity, as he did when composing the initial version of Boris Godunov. Sadly, Musorgsky deteriorated in his final years, suffering periods of inner turmoil, when his alcoholism would be out of control. Finally, unemployed and all but destitute, he died at age forty-two. His failure to complete his two remaining operas, Khovanshchina and Sorochintsy Fair, Brown concludes, is one of music's greatest tragedies. Written by one of the leading authorities on nineteenth-century Russian composers, Musorgsky is the finest available biography of this giant of Russian music.
Author: Chris Woodstra
Publisher: Hal Leonard Corporation
ISBN: 9780879308650
Category : Music
Languages : en
Pages : 1620
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Book Description
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
