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Author: Stephen Gundle
Publisher: Berghahn Books
ISBN: 1782382453
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.
Author: Stephen Gundle
Publisher: Berghahn Books
ISBN: 1782382453
Category : Performing Arts
Languages : en
Pages : 336
Get Book Here
Book Description
The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.
Author: S. Gundle
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Stephen Gundle
Publisher: Berghahn Books
ISBN: 1789200024
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Italian cinema gave rise to a number of the best-known films of the postwar years, from Rome Open City to Bicycle Thieves. Although some neorealist film-makers would have preferred to abolish stars altogether, the public adored them and producers needed their help in relaunching the national film industry. This book explores the many conflicts that arose in Italy between 1945 and 1953 over stars and stardom, offering intimate studies of the careers of both well-known and less familiar figures, shedding new light on the close relationship forged between cinema and society during a time of political transition and shifting national identities.
Author: Stephen Gundle
Publisher:
ISBN: 9781461954538
Category : PERFORMING ARTS
Languages : en
Pages : 337
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Book Description
This book offers the first extended analysis of film stardom in Fascist Italy, focusing on the period from the start of sound cinema to the final end of Fascism in 1945. The author examines the development of an Italian star system, evaluates its place in film production and distribution, and explores its relationships with the political sphere and with broader commercial culture. The popular press, along with other evidence, is used to assess the extent of public engagement with film stars. Several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari and Alida Valli, are closely analysed in terms of their screen performances and professional trajectories, including their fates in the aftermath of the Fascist regime. The book makes an original contribution to the understanding of Italian Fascism and the cinema of the period by tackling a field hitherto neglected, despite it being deemed important enough by the regime to warrant sustained attention and interference. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema. Stephen Gundle is Professor of Film and Television Studies at the University of Warwick. His books include "Between Hollywood and Moscow: the Italian Communists and the Challenge of Mass Culture, 1943-91" (2000), "Bellissima: Feminine Beauty and the Idea of Italy" (2007), "Mass Culture and Italian Society from Fascism to the Cold War" (2008, with David Forgacs), "Glamour: A History" (2008) and "Death and the Dolce Vita: The Dark Side of Rome in the 1950s" (2011). He is co-editor, with Christopher Duggan and Giuliana Pieri, of "The Cult of the Duce: Mussolini and the Italians" (2013).
Author: Lisa Pine
Publisher: Bloomsbury Publishing
ISBN: 1350209074
Category : History
Languages : en
Pages : 281
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Book Description
Bringing together leading scholars from across the UK, North America and mainland Europe, this book provides a uniquely comparative exploration of daily life under dictatorship in 20th-century Europe. With coverage of well-known regimes and some that are relatively underrepresented in the literature from right across the continent, it examines the impact felt on people's lives amidst political administrations characterised by some or all of the following: a one-party state, in which opposition or multiple parties were banned; a cult surrounding the leader; the censorship of the press and other publications; the widespread use of propaganda and political persuasion; and the threat or use of force by the regime and its agents. The chapters investigate crucial questions in relation to life under dictatorships as follows: · What was the impact of censorship on access to news or entertainment? · How was leisure time conducted? · What was the impact of the regime on working life? · What was the scope for dissent and resistance? To what extent were these possible? · How much did the regime coerce the population and how much did it try to indoctrinate? · What was the difference for Party leaders, comrades and members in terms of the possibilities and opportunities that opened up, compared to everyone else in society? · With the shutting down – to a large extent – of civil society and state intrusion into private life, what restrictions were placed on ordinary and day-to-day activities? · What happened to religious life and to cultural life and the arts? · How were personal choices in aspects of life such as reproduction, education and even eating affected by these regimes? · What was the impact of different political ideologies on people's way of life – whether Fascist, Nazi or Communist? Dictatorship and Daily Life in 20th-Century Europe addresses these issues and more, striking to the heart of European life in the darkest episodes of its recent history.
Author: Giorgio Bertellini
Publisher: Univ of California Press
ISBN: 0520972171
Category : Performing Arts
Languages : en
Pages : 328
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Book Description
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries. Learn more at the TOME website, available at: openmonographs.org.
Author: Milan Hain
Publisher: Univ. Press of Mississippi
ISBN: 1496846060
Category : Performing Arts
Languages : en
Pages : 277
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Book Description
David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era, responsible for such artistic and commercial triumphs as King Kong, David Copperfield, Anna Karenina, A Star Is Born, Gone with the Wind, Rebecca, Spellbound, and The Third Man. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company, including Ingrid Bergman, Vivien Leigh, Joan Fontaine, Jennifer Jones, and Gregory Peck. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige. Using a wide range of archival materials, the book significantly complements and reshapes our understanding of Selznick’s celebrated career by focusing on heretofore neglected aspects of his creative and business activities. It also sheds light on the US film industry during the Golden Age of Hollywood studios and in the postwar period when the established order began to break down. By structuring the book around Selznick and his role as a starmaker, Hain demonstrates that star production and development in the Hollywood studio system was a highly organized and systematic activity, though the respective strategies and procedures were often hidden from the public eye.
Author: Joseph Luzzi
Publisher: Bloomsbury Publishing USA
ISBN: 144114756X
Category : Performing Arts
Languages : en
Pages : 441
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Book Description
In this comprehensive guide, some of the world's leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres such as the giallo (horror film) and Spaghetti Western, and the role of women in the Italian film industry. Italian Cinema from the Silent Screen to the Digital Image explores recent developments in cinema studies such as digital performance, the role of media and the Internet, neuroscience in film criticism, and the increased role that immigrants are playing in the nation's cinema.
Author: R. J. B. Bosworth
Publisher: Yale University Press
ISBN: 0300226268
Category : Biography & Autobiography
Languages : en
Pages : 337
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Book Description
A master historian illuminates the tumultuous relationship of Il Duce and his young lover Claretta, whose extraordinarily intimate diaries only recently have become available Few deaths are as gruesome and infamous as those of Benito Mussolini, Italy’s fascist dictator, and Claretta (or Clara) Petacci, his much-younger lover. Shot dead by Italian partisans after attempting to flee the country in 1945, the couple’s bodies were then hanged upside down in Milan’s main square in ignominious public display. This provocative book is the first to mine Clara’s extensive diaries, family correspondence, and other sources to discover how the last in Mussolini’s long line of lovers became his intimate and how she came to her violent fate at his side. R. J. B. Bosworth explores the social climbing of Claretta’s family, her naïve and self-interested commitment to fascism, her diary’s graphically detailed accounts of sexual life with Mussolini, and much more. Brimful of new and arresting information, the book sheds intimate light not only on an ordinary-extraordinary woman living at the heart of Italy’s totalitarian fascist state but also on Mussolini himself.
Author: Paul Corner
Publisher: Oxford University Press
ISBN: 0192691902
Category : History
Languages : en
Pages : 192
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Book Description
Mussolini in myth and memory. Paul Corner looks at the brutal reality of the Italian dictator's fascist regime and confronts the nostalgia for dictatorial rule evident today in many European countries. Mussolini has rarely been taken seriously as a totalitarian dictator; Hitler and Stalin have always cast too long a shadow. But what was a negative judgement on the Duce, considered innocuous and ineffective, has begun to work to his advantage. As has occurred with many other European dictators, present-day popular memory of Mussolini is increasingly indulgent; in Italy and elsewhere he is remembered as a strong, decisive leader and people now speak of the 'many good things' done by the regime. After all, it is said, Mussolini was not like 'the others'. Mussolini in Myth and Memory argues against this rehabilitation, documenting the inefficiencies, corruption, and violence of a highly repressive regime and exploding the myths of Fascist good government. But this short study does not limit itself to setting the record straight; it seeks also to answer the question of why there is nostalgia - not only in Italy - for dictatorial rule. Linking past history and present memory, Corner's analysis constructs a picture of the realities of the Italian regime and examines the more general problem of why, in a moment of evident crisis of western democracy, people look for strong leadership and take refuge in the memory of past dictatorships. If, in this book, Fascism is placed in its totalitarian context and Mussolini emerges firmly in the company of his fellow dictators, the study also shows how a memory of the past, formed through reliance on illusion and myth, can affect the politics of the present.
