Author: John D. Evans, EdD
Publisher: iUniverse
ISBN: 1532002920
Category : Self-Help
Languages : en
Pages : 118
Book Description
Inspiration is the positive energy that comes from positive people, places, things, and ideasincluding yourself, your experiences, and your relationships with family, friends, and support systems. It is vital for overcoming the lethargy and depression that affect human beings all over the world. Musology 101: Muses Are among Us seeks to educate muses all over the globe about the transforming power of inspiration, as well as its benefits and implications for numerous fields. It presents three approaches to understanding inspiration: poetic, philosophical, and scholarly. Part 1 features original verse intended for readers of all ages. Part 2 focuses on arguments and logic statements designed to reveal the philosophy of inspiration, while part 3 consists of author John D. Evanss doctoral dissertation, a qualitative study of the impact and importance of inspiration. It also introduces the science of inspiration, which Evans calls musology. Through these examinations, we can come to understand that muses are among usthat we are muses. This three-part self-help resource considers the topic of inspiration from various perspectives, addressing it both as a positive construct and essential phenomenon.
Musology 101: Muses Are Among Us
Author: John D. Evans, EdD
Publisher: iUniverse
ISBN: 1532002920
Category : Self-Help
Languages : en
Pages : 118
Book Description
Inspiration is the positive energy that comes from positive people, places, things, and ideasincluding yourself, your experiences, and your relationships with family, friends, and support systems. It is vital for overcoming the lethargy and depression that affect human beings all over the world. Musology 101: Muses Are among Us seeks to educate muses all over the globe about the transforming power of inspiration, as well as its benefits and implications for numerous fields. It presents three approaches to understanding inspiration: poetic, philosophical, and scholarly. Part 1 features original verse intended for readers of all ages. Part 2 focuses on arguments and logic statements designed to reveal the philosophy of inspiration, while part 3 consists of author John D. Evanss doctoral dissertation, a qualitative study of the impact and importance of inspiration. It also introduces the science of inspiration, which Evans calls musology. Through these examinations, we can come to understand that muses are among usthat we are muses. This three-part self-help resource considers the topic of inspiration from various perspectives, addressing it both as a positive construct and essential phenomenon.
Publisher: iUniverse
ISBN: 1532002920
Category : Self-Help
Languages : en
Pages : 118
Book Description
Inspiration is the positive energy that comes from positive people, places, things, and ideasincluding yourself, your experiences, and your relationships with family, friends, and support systems. It is vital for overcoming the lethargy and depression that affect human beings all over the world. Musology 101: Muses Are among Us seeks to educate muses all over the globe about the transforming power of inspiration, as well as its benefits and implications for numerous fields. It presents three approaches to understanding inspiration: poetic, philosophical, and scholarly. Part 1 features original verse intended for readers of all ages. Part 2 focuses on arguments and logic statements designed to reveal the philosophy of inspiration, while part 3 consists of author John D. Evanss doctoral dissertation, a qualitative study of the impact and importance of inspiration. It also introduces the science of inspiration, which Evans calls musology. Through these examinations, we can come to understand that muses are among usthat we are muses. This three-part self-help resource considers the topic of inspiration from various perspectives, addressing it both as a positive construct and essential phenomenon.
Our Last Best Chance
Author: King Abdullah II of Jordan
Publisher: Penguin
ISBN: 1101190132
Category : Biography & Autobiography
Languages : en
Pages : 336
Book Description
A newsbreaking memoir that tackles head-on the toughest challenge in the world today. When a dying King Hussein shocked the world by picking his son rather than his brother, the longtime crown prince, to be the next king of Jordan, no one was more surprised than the young head of Special Operations, who discovered his life was in for a major upheaval. This is the inspirational story of a young prince who went to boarding school in America and military academy in Britain and grew up believing he would be a soldier. Back home, he hunted down terrorists and modernized Jordan's Special Forces. Then, suddenly, he found himself king. Together with his wife, Queen Rania, he transformed what it meant to be a monarch, going undercover to escape the bubble of the court while she became the Muslim world's most passionate advocate of women's rights. In this exceptionally candid memoir, King Abdullah tackles the single toughest issue he faces head-on- how to solve the Israeli-Palestinian standoff- and reveals himself to be an invaluable intermediary between America and the Arab world. He writes about the impact of the Iraq war on his neighborhood and how best to tackle Iran's nuclear ambitions. Why would a sitting head of state choose to write about the most explosive issues he faces? King Abdullah does so now because he believes we face a moment of truth: a last chance for peace in the Middle East. The prize is enormous, the cost of failure far greater than we dare imagine.
Publisher: Penguin
ISBN: 1101190132
Category : Biography & Autobiography
Languages : en
Pages : 336
Book Description
A newsbreaking memoir that tackles head-on the toughest challenge in the world today. When a dying King Hussein shocked the world by picking his son rather than his brother, the longtime crown prince, to be the next king of Jordan, no one was more surprised than the young head of Special Operations, who discovered his life was in for a major upheaval. This is the inspirational story of a young prince who went to boarding school in America and military academy in Britain and grew up believing he would be a soldier. Back home, he hunted down terrorists and modernized Jordan's Special Forces. Then, suddenly, he found himself king. Together with his wife, Queen Rania, he transformed what it meant to be a monarch, going undercover to escape the bubble of the court while she became the Muslim world's most passionate advocate of women's rights. In this exceptionally candid memoir, King Abdullah tackles the single toughest issue he faces head-on- how to solve the Israeli-Palestinian standoff- and reveals himself to be an invaluable intermediary between America and the Arab world. He writes about the impact of the Iraq war on his neighborhood and how best to tackle Iran's nuclear ambitions. Why would a sitting head of state choose to write about the most explosive issues he faces? King Abdullah does so now because he believes we face a moment of truth: a last chance for peace in the Middle East. The prize is enormous, the cost of failure far greater than we dare imagine.
But Is It Art?
Author: Cynthia Freeland
Publisher: OUP Oxford
ISBN: 0191504254
Category : Art
Languages : en
Pages : 203
Book Description
In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.
Publisher: OUP Oxford
ISBN: 0191504254
Category : Art
Languages : en
Pages : 203
Book Description
In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.
The Ancient World in Silent Cinema
Author: Pantelis Michelakis
Publisher: Cambridge University Press
ISBN: 110701610X
Category : History
Languages : en
Pages : 403
Book Description
The first systematic attempt to focus on the instrumental role of silent cinema in early twentieth-century conceptualizations of the ancient Mediterranean and Middle East. It is located at the intersection of film studies, classics, Bible studies and cultural studies.
Publisher: Cambridge University Press
ISBN: 110701610X
Category : History
Languages : en
Pages : 403
Book Description
The first systematic attempt to focus on the instrumental role of silent cinema in early twentieth-century conceptualizations of the ancient Mediterranean and Middle East. It is located at the intersection of film studies, classics, Bible studies and cultural studies.
Reflections on Exile and Other Essays
Author: Edward W. Said
Publisher: Harvard University Press
ISBN: 9780674003026
Category : Biography & Autobiography
Languages : en
Pages : 664
Book Description
With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. This long-awaited collection of literary and cultural essays offers evidence of how much the fully engaged critical mind can contribute to the reservoir of value, thought, and action essential to our lives and culture.
Publisher: Harvard University Press
ISBN: 9780674003026
Category : Biography & Autobiography
Languages : en
Pages : 664
Book Description
With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. This long-awaited collection of literary and cultural essays offers evidence of how much the fully engaged critical mind can contribute to the reservoir of value, thought, and action essential to our lives and culture.
Women and the Circulation of Texts in Renaissance Italy
Author: Brian Richardson
Publisher: Cambridge University Press
ISBN: 1108477690
Category : Language Arts & Disciplines
Languages : en
Pages : 299
Book Description
The first comprehensive guide to women's promotion and use of textual culture, in manuscript and print, in Renaissance Italy.
Publisher: Cambridge University Press
ISBN: 1108477690
Category : Language Arts & Disciplines
Languages : en
Pages : 299
Book Description
The first comprehensive guide to women's promotion and use of textual culture, in manuscript and print, in Renaissance Italy.
Beyond Vision
Author: Pavel Florensky
Publisher: Reaktion Books
ISBN: 1861896395
Category : Art
Languages : en
Pages : 396
Book Description
Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.
Publisher: Reaktion Books
ISBN: 1861896395
Category : Art
Languages : en
Pages : 396
Book Description
Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.
Musicology and Dance
Author: Davinia Caddy
Publisher: Cambridge University Press
ISBN: 1108755712
Category : Music
Languages : en
Pages : 594
Book Description
Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance.
Publisher: Cambridge University Press
ISBN: 1108755712
Category : Music
Languages : en
Pages : 594
Book Description
Long treated as peripheral to music history, dance has become prominent within musicological research, as a prime and popular subject for an increasing number of books, articles, conference papers and special symposiums. Despite this growing interest, there remains no thorough-going critical examination of the ways in which musicologists might engage with dance, thinking not only about specific repertoires or genres, but about fundamental commonalities between the two, including embodiment, agency, subjectivity and consciousness. This volume begins to fill this gap. Ten chapters illustrate a range of conceptual, historical and interpretive approaches that advance the interdisciplinary study of music and dance. This methodological eclecticism is a defining feature of the volume, integrating insights from critical theory, film and cultural studies, the visual arts, phenomenology, cultural anthropology and literary criticism into the study of music and dance.
Spaces Speak, Are You Listening?
Author: Barry Blesser
Publisher: MIT Press
ISBN: 026251317X
Category : Architecture
Languages : en
Pages : 453
Book Description
How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater. We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture.The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling. Integrating contributions from a wide range of disciplines—including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others—Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.
Publisher: MIT Press
ISBN: 026251317X
Category : Architecture
Languages : en
Pages : 453
Book Description
How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater. We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture.The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling. Integrating contributions from a wide range of disciplines—including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others—Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.
The Cultural Cold War
Author: Frances Stonor Saunders
Publisher: New Press, The
ISBN: 1595589147
Category : History
Languages : en
Pages : 458
Book Description
During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.
Publisher: New Press, The
ISBN: 1595589147
Category : History
Languages : en
Pages : 458
Book Description
During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.