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Author: Elizabeth May
Publisher: Univ of California Press
ISBN: 9780520047785
Category : Music
Languages : en
Pages : 460
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Book Description
On ethnomusicology
Author: Elizabeth May
Publisher: Univ of California Press
ISBN: 9780520047785
Category : Music
Languages : en
Pages : 460
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Book Description
On ethnomusicology
Author: Dale A. Olsen
Publisher: Routledge
ISBN: 1135858497
Category : Music
Languages : vi
Pages : 324
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Book Description
Based on the author’s research in Ho Chi Minh City, Hanoi, and other urban areas in Vietnam, this study of contemporary Vietnamese popular music explores the ways globalization and free market economics have influenced the music and subcultures of Vietnamese youth, focusing on the conflict between the politics of remembering, nurtured by the Vietnamese Communist government, and the politics of forgetting driven by the capitalist interests of the music industry. Vietnamese youth at the end of the second and beginning of the third millennium are influenced by the challenges generated by a number of seemingly opposite ideologies and realities, such as "the past" versus "the present," socialism versus capitalism, and cultural traditionalism versus globalization. Vietnam has undergone a radical demographic shift with a very pronounced youth movement, and consequently, Vietnamese popular culture has been radically reshaped by a young population coming of age in the twenty-first century. As Olsen reveals, the way Vietnamese young people cope with these opposing and contrasting forces is often expressed in their active and passive music making.
Author: Enrico Fubini
Publisher: University of Chicago Press
ISBN: 9780226267326
Category : Music
Languages : en
Pages : 436
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Book Description
This book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe. Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings dealing exclusively with specific musical works to larger issues of theory and the reception of musical ideas in the culture at large. The selections are from books, journals, newspapers, pamphlets, and letters; the contributors include Diderot, Rousseau, Voltaire, Grimm, Alfieri, Rameau, Quantz, Gluck, Tartini, Leopold and W. A. Mozart, and C. P .E. Bach. Many are translated here for the first time. With general and chapter introductions, restored footnotes, and other valuable annotations, and a biographical appendix, this anthology will interest music scholars, students, and teachers.
Author: Kate van Orden
Publisher: Routledge
ISBN: 1135638055
Category : Music
Languages : en
Pages : 384
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Book Description
This collection of essays explores the cultures that coalesced around printed music in previous centuries. It focuses on the unique modes through which print organized the presentation of musical texts, the conception of written compositions, and the ways in which music was disseminated and performed. In highlighting the tensions that exist between musical print and performance this volume raises not only the question of how older scores can be read today, but also how music expressed its meanings to listeners in the past.
Author: Ellen Koskoff
Publisher: Psychology Press
ISBN: 9780415965880
Category : Music
Languages : en
Pages : 464
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Book Description
'Music in the United States' is a basic textbook for any introduction to American music course. Each American music culture is covered with an introductory article and case studies of the featured culture.
Author: Margaret J. Kartomi
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 320
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Book Description
Examines music in contact situations in Andean Equador, Australia, the Central Balkans, Fiji, India, Java, Italy, Malasia etc.
Author: Mathieson
Publisher: Mark Twain Media
ISBN: 1580378919
Category : Juvenile Nonfiction
Languages : en
Pages : 83
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Book Description
Take students in grades 5 and up on a field trip without leaving the classroom using Music of Many Cultures! In this 80-page book, students explore the musical traditions of Southeast Asia, Latin America, India, ancient Persia, and Africa. The book covers topics such as the bells of Bali, the dances of Latin America, Holi in Allahabad, Bengali poetry duels, and Jongo drums. The book presents and reinforces information through captivating reading passages and a variety of fun, reproducible activities. It also includes a complete glossary, index, and answer key.
Author: Nicholas Cook
Publisher: Clarendon Press
ISBN: 9780198163039
Category : Music
Languages : en
Pages : 276
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Book Description
Musicians imagine music by means of functional models which determine certain aspects of the music while leaving others open. This gap between image and the experience it models offers a source of compositional creativity; different musical cultures embody different ways of imagining sound as music. Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, Cook here defines the difference between music theory and aesthetic criticism, and affirms the importance of the "ordinary listener" in musical culture.
Author: Bennett, Andy
Publisher: McGraw-Hill Education (UK)
ISBN: 0335202500
Category : Social Science
Languages : en
Pages : 208
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Book Description
Presents a comprehensive cultural, social and historical overview of post-war popular music genres, from rock 'n' roll and psychedelic pop, through punk and heavy metal, to rap, rave and techno.
Author: Keith Negus
Publisher: Routledge
ISBN: 1134688210
Category : Social Science
Languages : en
Pages : 219
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Book Description
Music Genres and Corporate Cultures explores the seemingly haphazard workings of the music industry, tracing the uneasy relationship between economics and culture; `entertainment corporations' and the artists they sign. Keith Negus examines the contrasting strategies of major labels like Sony and Polygram in managing different genres, artists and staff. How do takeovers affect the treatment of artists? Why has Polygram been perceived as too European to attract US artists? And how did Warner's wooden floors help them sign Green Day? Through in-depth case studies of three major genres; rap, country, and salsa, Negus explores the way in which the music industry recognises and rewards certain sounds, and how this influences both the creativity of musicians, and their audiences. He examines the tension between raps public image as the spontaneous `music of the streets' and the practicalities of the market, and asks why country labels and radio stations promote top-selling acts like Garth Brooks over hard-to-classify artists like Mary Chapin-Carpenter, and how the lack of soundscan systems in Puerto Rican record shops affects salsa music's position on the US Billboard chart. Drawing on over seventy interviews with music industry personnel in Britain and the United States, Music Genres and Corporate Cultures shows how the creation, circulation and consumption of popular music is shaped by record companies and corporate business styles while stressing that music production takes within a broader culture, not totally within the control of large corporations.
